Film-Tech Forum ARCHIVE: Prometheus (2012)

This is topic Prometheus (2012) in forum Feature Info, Trailer Attachments & REAL Credit Offsets at Film-Tech Forum ARCHIVE.

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Posted by Paer Hoegberg (Member # 3133) on 05-30-2012, 12:10 PM:

DCP
SCOPE
3D - 138 GB
2D - 154 GB

FIRST CO - not verified
STUDIO CO - 1:58:23
FRT - 2:04:09

Version: Swedish subtitle

Posted by Paul Gordon (Member # 3320) on 06-01-2012, 07:15 AM:

Any 35mm or 15/70 info?

Posted by John Wilson (Member # 269) on 06-04-2012, 08:44 PM:

35MM

Scope
SR/SRD/DTS/SDDS
7 Reels

Posted by Justin Hamaker (Member # 2165) on 06-05-2012, 05:23 PM:

For US digital locations you need to read this info before you title map this.

Hard drive contains 5.1 and 7.1 version of both CC and OC.

2D Credit start 1:57:57
2D Run time 2:03:36

3D Credit start 2:00:39
3D Run time 2:06:17
The difference in running time if due to a Life of Pi trailer/featurette on the front of the 3D version.

There are two different versions of the 3D - a 4FL and a 6FL. You will only receive keys for one, so you need to know which version you will receive the keys for.

Posted by John Wilson (Member # 269) on 06-05-2012, 10:16 PM:

If they can make a 6fl version then why bother with a 4fl version?

Posted by Ross Oba (Member # 3433) on 06-05-2012, 11:11 PM:

What I found odd was that the DCP size of the 4FL version is around 30GB larger than the 6FL version. I have never played a high brightness version before, so I wouldn't know if they do different compression techniques.

Posted by Steve Guttag (Member # 268) on 06-19-2012, 08:02 AM:

John, at the risk of the "chit-chat" rule...briefly.
The current "standard" for 3D is 4.5fL +/- 1fL. The print is timed for that so it does not look overly dark (it has less contrast so the blacks don't disappear along with detail). Only those theatres that have measured their 3D brightness capabilities of 6fL in the center with a new lamp at 75% can receive the 6fL version to ensure that the image will look "bright" throughout the run. If you can hit that level, then the whites will be whiter and the blacks will still not lose detail because the print was timed that way. If a 6fL version was played in a 4fL theatre, the movie would look darker than normal.

Posted by Shawn M. Martin (Member # 6762) on 06-26-2012, 12:36 AM:

Is the 2D version 4K?