quote: Mike BlakesleyAgreed wholeheartedly.
Well the short at the beginning (Day & Night) is worth the price of admission. There's more imagination in that than most other studios' whole movies.
quote: The Evil Sam GrahamUmmm, where did the "oh my god" moment happen? It was pedestrian from the first frame to the last. The ending was quite appropriate and nothing that people didn't see coming from 9 miles away.
So the movie is running and it's pedestrian Toy Story....pedestrian pedestrian pedestrian pedestrian pedestrian pedestrian pedestrian pedestrian...and then...oh my God.
quote: Joe RediferI got "There is almost always some good in everything, the trick is to find the things worth celebrating."
The message was clearly "Don't be racist because we'll soon breed ourselves so that we're all the same anyway".
Spoiler Alert - Click to Toggle
Spoiler Alert - Click to ToggleHe learned it from his Grandpa, of course. When I was a kid, I referred to my big Lionel train engine as "the big train" but by age 15 or so, from my Grandpa I learned that it was a New York Central Hudson 4-6-4, so now I call it the Hudson. (and nope, it's NOT in the attic!)
quote:Even under that pretext, the two outline dudes with scenes inside of them are having about as much fun together as they legally can until the radio tells them otherwise. In fact, the radio's inclusion doesn't make any sense. There is no reason for it to be in there. There were happy before, then they became the exact same (due to all of the races mixing) and then they were happy after. The short is lame. 3D doesn't help it at all.
Something needs to be said about the preceding short, Day & Night, which is brilliant. In fact it is so good that I feel I should be writing about that rather then the feature which is almost disappointing by comparison in terms of conceptualisation and exploitation of the utilised 3D technology. The short film is a thesis on fear of the new and resistance to change; adult themes lovingly presented in a kiddie friendly format.
quote: MeThey were having fun before the radio, to be sure, but they were merely enjoying the presence of each other, not truly standing in each others shoes which is the point underlined by the radio transmission. Then the sun goes down in one and up in the other and they experience each others world first hand. It's analogous to, say, reading a book about the Middle East vs actually going there to live.
Something needs to be said about the preceding short, Day & Night, which is brilliant. In fact it is so good that I feel I should be writing about that rather then the feature which is almost disappointing by comparison in terms of conceptualisation and exploitation of the utilised 3D technology. The short film is a thesis on fear of the new and resistance to change; adult themes lovingly presented in a kiddie friendly format.
quote: Joe Redifer
Even under that pretext, the two outline dudes with scenes inside of them are having about as much fun together as they legally can until the radio tells them otherwise. In fact, the radio's inclusion doesn't make any sense. There is no reason for it to be in there. There were happy before, then they became the exact same (due to all of the races mixing) and then they were happy after. The short is lame. 3D doesn't help it at all.
quote: Stu JamiesonFrom Wikipedia:
Whose was the voice on the radio, BTW? It sounded like a prominent speech by somebody notable.
quote: Joe RediferPersonally I thought the short sucked. They should have dusted off "Workin' for Peanuts" one more time. The movie, though, I liked quite a bit.
the Day vs Night short in the beginning certainly wasn't as great as everyone was saying it was.
quote: Mark J. MarshallYou need a Looney Tunes IV drip, stat!
I want to see anvils dropping on people's heads and things blowing up