This is topic Cineplex Seating Surcharge in forum Ground Level at Film-Tech Forum ARCHIVE.
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Posted by Mitchell Dvoskin (Member # 751) on 05-22-2014, 10:22 PM:
Toronto Star
quote: Toronto Star
Later this year, at the Odeon Varsity, the company will launch a pilot project in which patrons pay an extra $2-$3 for the prime seats in the middle rows of the theatre.
Never mind getting to the theatre early and lining up for a chance at the best seats, Cineplex is going to start charging moviegoers extra to sit in them.
Later this year, at the Varsity location in Toronto’s Manulife Centre, the company will launch a pilot project in which patrons pay an extra $2-$3 for the prime seats in the middle rows of the theatre.
“We’ve had great success with our UltraAVX cinemas ($3-$5 surcharge) as well as our VIP cinemas ($7-$12 surcharge) which both offer reserved seating; and so people really like that opportunity,” said spokeswoman Pat Marshall.
“It’s really about providing our guests with choices when they go to the movies . . . I sort of position it akin to an aircraft where you have your regular coach seating, then you might want a bit more amenities, so you go into business class, and then you have a first-class.”
The airline analogy may not sit well with consumers already feeling nickelled-and-dimed by the airline industry, which now routinely charges for once free snacks, blankets and headsets.
“It all hinges on whether they see value in sitting in that particular area,” said Brock University marketing professor and pricing expert Eric Dolansky, when asked whether consumers will embrace the Cineplex concept.
“I’m an avid moviegoer myself. I prefer to sit there. Would I pay extra to sit there? It’s difficult to say.”
“I don’t perceive myself as seeing $2-3 worth of value unless there’s something special about those seats. If I can sit in the fourth row up for $2 less I would rather do that.”
And just like on a plane when the door slams shut, imagine the seat dance that will occur if the premium seats are empty when the film begins.
“Guests could certainly occupy those seats, but if at some point later on during the presentation the guests who have those reserved seats arrive they will be asked to move,” said Marshall. “We wouldn’t encourage that because it’s not only disruptive to them in the audience, but it’s also disruptive to all those folks around them.”
Fortunately, not everyone wants to sit in the traditional best in house seats.
“Some people absolutely believe that to be the sweet spot, but I’ve spoken with many filmgoers over the years and often they say the older you get the further back in the auditorium you tend to go,” said Marshall. “If you’re young you tend to be right up front; as you age, you move towards the middle; and as you get older, you want to go to the very back.”
The company is also planning to expand its arcade offerings.
“It represents about $66 million a year to us in annual revenue; it’s a lot of money and we see that there are opportunities to grow that business,” said Marshall.
Guests could certainly occupy those seats, but if at some point later on during the presentation the guests who have those reserved seats arrive they will be asked to move.
I don't know. They should either do reserved seating, or general admission. This is neither, it will just annoy people. It shouts to me, stay home and rent a Bluray.
Posted by Marcel Birgelen (Member # 6801) on 05-24-2014, 04:36 PM:
There's already a thread about Cimeplex's "Premium Seating"
.
Posted by Jim Cassedy (Member # 4115) on 05-24-2014, 09:42 PM:
I would pay $2-3 extra if I could be guaranteed that NOBODY with a smart-phone
would sit anywhere within my field of vision. (That's assuming I actually paid
money when I to go see a movie, which I don't.)
It really won't make a difference. The movie exhibition buisness, as
we know it, has a limited lifespan and is now in it's death throes anyway.
In a few years, people will pay to come & sit in a theater, and we'll stream the
content directly to their phones & tablets, since that's what so many of them
seem to prefer watching now in the auditorium anyway.
Digital projection & large screens will be just as obsolete as 35mm. We'll be
dumping all those new projectors and fancy sound systems & replacing
them with hi-speed local wireless networks & streaming servers.
Aren'tcha glad you spent all the money upgrading now?
Posted by Monte L Fullmer (Member # 2797) on 05-24-2014, 10:33 PM:
We got one better: "Reserved Seating" - no extra charge involved.
Either reserve your seating on FANDANGO (and spend the extra surcharge that FANDANGO charges), or go to the boxoffice and buy your tickets in advance.
All of our seats have numbers on them with row lettering on placecards mounted on the wall.
Or, spend the extra three bucks and have VIP seating up in the balconies and get food and drink (alcohol included) served to you prior to the beginning of the show.
We do get some attention this way since we're the only location in the area with this advantage.
Oh, we have a restaurant upstairs to go along with the fun.
One house had D-BOX seating - this attracts the ones who wants to spend the eight buck surcharge on top of the ticket price.
-Monte
Posted by Frank Cox (Member # 6258) on 05-24-2014, 10:58 PM:
How do you enforce that? If some little old lady reserves seat A29 and gets there to find a 300lb wrestler sitting there with his buddies, what happens next?
Posted by Monte L Fullmer (Member # 2797) on 05-25-2014, 12:31 AM:
Our ushers will ask for his tix to see if he's in the right seat. Otherwise, he is given the choice of moving to his purchased seat or go out and get a refund. We've rarely experienced such an issue, but if so, they get solved in a respectable manner.
My only gripe with this reserve thing is that it really slows down the flow of tix sales with the patrons having to choose their seat on the touch screen in front of them.
The patrons are pretty good in understanding this reserve seat policy.
One can check it out all in this linky.
Posted by Terry Lynn-Stevens (Member # 7349) on 05-25-2014, 10:22 AM:
quote: Jim Cassedy
I would pay $2-3 extra if I could be guaranteed that NOBODY with a smart-phone
would sit anywhere within my field of vision. (That's assuming I actually paid
money when I to go see a movie, which I don't.)
I have been lucky I guess, I haven't had a cell phone problem for a very long time. I would be nice if cell phones could be blocked out while inside the theatre.
quote: Monte L Fullmer
We got one better: "Reserved Seating" - no extra charge involved.
I think eventually Cineplex is going to open up reserve seating in all auditoriums. I would probably go more often to the movies if I knew my seat was reserved ahead of time.
Posted by Scott Norwood (Member # 30) on 05-25-2014, 11:23 AM:
This industry sure does love its surcharges. Since 2005-ish, we now have
- 3D surcharge
- Imax (Lie-Max) surcharge
- Imax 3D (Lie-Max) surcharge
- D-box surcharge
- RPX/ETX/etc. surcharge
- RPX/ETX/etc. 3D surcharge
- "premium" theatre (dinner, lounge chairs, etc.) surcharge
and possibly others. And now we have a surcharge to not sit in crappy seats. This is in addition to the Moviefone/Fandango surcharges that have been in place for years. What is next? A surcharge to sit in a seat as opposed to standing?
This just seems to be yet another surcharge on the way to the self-destruction of the exhibition industry (at least the mainstream-y multiplex end of it). When will the people who come up with these inane pricing schemes realize that a) the point of the motion-picture exhibition business is to provide readily accessible and inexpensive out-of-home entertainment and that b) people hate being nickeled and dimed (the comnparison to airlines is apt).
As a paying customer, my reaction to this would be to see movies elsewhere on busy nights and sit in the "premium" seats without paying the surcharge on slow nights.
I kind of like the idea of reserved seating without a surcharge, although it probably has the greatest benefit to those who buy adavance tickets and are willing to pay the surcharge to do so (which I think is ia rip-off and will not pay).
What ever happened to providing quality at a reasonable price rather than alienating consumers by prying every dollar possible out of their wallets until they stop going to movies altogether (which I expect will happen very soon if these surcharges do not stop)?
Posted by Terry Lynn-Stevens (Member # 7349) on 05-25-2014, 11:37 AM:
quote:
- Imax (Lie-Max) surcharge
- Imax 3D (Lie-Max) surcharge
Scott, IMAX has had a surcharge on their product since way back in 2002, it does not matter if it is film or digital. IMAX does not charge a surcharge for 3D, the surcharge is there regardless if it is 2D or 3D.
Posted by Scott Norwood (Member # 30) on 05-25-2014, 03:02 PM:
That may be true. I was mostly referring to the current generation of DLP "Imax" houses that have infiltrated multiplexes of late. And I believe that the one of these that I have actually visited (AMC Boston Common) does charge extra for 3D shows in that auditorium.
My point remains, though, that the exhibition business will kill itself in short order if it insists on continuing to alienate customers with nickel-and-dime surcharges and high prices overall.
Posted by Buck Wilson (Member # 5885) on 05-26-2014, 02:11 AM:
AMC Stubs program waives Fandango convenience fees which is a wise move.
I agree with all the surcharges and whatnot. It's getting a little crazy.
I'm thinking about it though... What if there were no surcharges? Everyone would flock to the 'premium' features, forcing the theater to widen that scale.
Posted by Marcel Birgelen (Member # 6801) on 05-26-2014, 05:51 PM:
Surcharges for "premium seating" have been around in venues like theaters of all sorts as long as I remember. The single-tiered seating that most multiplexes are still using, at least for their "vanilla theaters" has rather been a special case.
Still, I do think this will be a rather hard sell, it feels like a cheap money grab to me. Besides sitting in the center, which a lot of people don't prefer anyway, the surcharge offers nothing extra, like more leg room or more comfortable seats.
Also, it will be hard (and expensive) to enforce, especially if a show sells just a few seats. Do they send someone in every few minutes to check if nobody switched places?
I personally detest "convenience fees" for stuff like on-line ticketing and reserved seating. It's really utter B.S., because the "convenience" is going both ways, since they can now cut down on box office staff. People are doing them a favor by ordering on-line or buy their tickets via machines, this stuff ought to make a ticked cheaper, not more expensive...
Posted by Mike Blakesley (Member # 26) on 05-26-2014, 08:58 PM:
quote: Jim Cassedy
The movie exhibition buisness, as
we know it, has a limited lifespan and is now in it's death throes anyway.
Eh. The movie business was supposed be killed by:
TV
Color TV
Cable TV
Video games (arcade version)
Satellite TV
HBO
Movies on video
Screen ads
High prices
Poor presentation
Movies on demand
Piracy
Talkative patrons
Video games (home version)
Cell phones being used in theaters
Video games (mobile version)
People putting their feet on the back of your seat
Digital cinema
3-D surcharges
People getting shot in a theater in Colorado
The shortened video window
PLF surcharges
...and it's not happened, so I don't think this latest wrinkle is going to pull the trigger either.
Does make you think about how much better business would be if we could erase a bunch of the irritations on the above list though.
Posted by Terry Lynn-Stevens (Member # 7349) on 05-26-2014, 09:44 PM:
quote:
TV
Color TV
Cable TV
Video games (arcade version)
Satellite TV
HBO
Movies on video
Screen ads
Poor presentation
Movies on demand
Piracy
Talkative patrons
Video games (home version)
Cell phones being used in theaters
Video games (mobile version)
People putting their feet on the back of your seat
People getting shot in a theater in Colorado
The shortened video window
Most of these all together have had a serious impact on theater exhibition. Not all but most. You are ignorant to think that they have not had a serious impact.
What the chains, IMAX (together with the studios) have successfully figured out is that people are willing to pay more if a night out at the movies means it is an event, therefore they charge more. Dolby is now in on it with there new Atmos format and Cineplex is charging a premium surcharge for it.
I have been to some of the traditional one or two screen cinemas and I am sorry to say, these screens just don't cut it anymore. These screens really need to close up and head out for the pasture.
Last week we attended the VIP in Toronto, total cost was $85 and that was for two tickets, four alcoholic drinks, an appetizer and two main dishes. We had a great time out sitting in the ultra comfy leather chairs with foot rests, we were served at our seats, and it was adult only.
For a movie that I really want to see, I wouldn't waste my time watching it in a traditional, non-reserved seat cinema.
Premium experiences and the surcharge that goes with it is where theater exhibition is growing.
Posted by Mike Blakesley (Member # 26) on 05-26-2014, 10:24 PM:
quote: Terry Lynn-Stevens
Most of these all together have had a serious impact on theater exhibition. Not all but most. You are ignorant to think that they have not had a serious impact.
Look, screwball, I never said they didn't have an impact. Show me where I said that. In fact I acknowledge that they DO have an impact. Go read the last sentence of my previous post again.
I said that those things have not KILLED the theater business like all the media pundits and other "experts" have repeatedly said they would. Try to read all the words and not make shit up.
Posted by Terry Lynn-Stevens (Member # 7349) on 05-26-2014, 10:41 PM:
Deleted
Posted by Terry Lynn-Stevens (Member # 7349) on 05-26-2014, 10:43 PM:
Deleted
Posted by Terry Lynn-Stevens (Member # 7349) on 05-26-2014, 10:43 PM:
Mike. There is no need to use immature words or call me screwball or dork or things like that, that is just plain stupid of you to be doing things like that.
The movie exhibition industry is not what it once was, I have always gotten the impression that you were stuck in a time warp and trying to run your theatre like a theatre from the 70s or even the 80s.
You give me the impression that you think that having lower prices will bring more "butts" or "eyeballs" to the theatre
Posted by Jonathan Goeldner (Member # 4854) on 05-26-2014, 11:14 PM:
quote: Terry Lynn-Stevens
Dolby is now in on it with there new Atmos format and Cineplex is charging a premium surcharge for it.
I thought originally Dolby's system wasn't supposed to factor in a higher premium pricing for this feature -
the only aspects where I feel premium pricing is justified is reserved seating, 21 and over theaters (AMC Mazza Galleria does this on certain nights) (i.e, I find most teenagers are assholes and their behavior and phone use to be beyond obnoxious) ... and if theaters had phone/cell jammers, but then of course everyone would be up in arms, and feel like they have the god given right to have their phones for emergencies and other similar shitty situations.
Posted by Marcel Birgelen (Member # 6801) on 05-27-2014, 01:33 AM:
quote: Terry Lynn-Stevens
I have been to some of the traditional one or two screen cinemas and I am sorry to say, these screens just don't cut it anymore. These screens really need to close up and head out for the pasture.
First of all, you may realize that Mike's theater is in a different market. There is no imminent competition from a big chain and it's probably unlikely there ever will be. Why couldn't small communities still be served by single screens or twins?
Actually, whenever I can choose between a shoebox with seats and something white in front called screen or a venue that actually feels like a cinema, I will choose the latter any given day. You know, that night out? It feels much more like an event when visiting a REAL movie theater, not some boring complex that feels more like an office building that was haphazardly converted into a venue to show movies.
Besides a few exceptions, were the architecture of the room doesn't allow for the necessary upgrades, there is absolutely no reason why a "traditional movie theater" can't provide an experience that's not on par with the best multiplex experience. There is no reason why the traditional theater can't install comfortable seats, a big screen and a modern day sound system. In some cases, even stadium seating might be possible, but I fail to see why this is absolutely necessary.
quote: Terry Lynn-Stevens
Last week we attended the VIP in Toronto, total cost was $85 and that was for two tickets, four alcoholic drinks, an appetizer and two main dishes. We had a great time out sitting in the ultra comfy leather chairs with foot rests, we were served at our seats, and it was adult only.
Yet again, I fail to see why a "traditional" single screen or twin can't provide the same service. Actually, some of those traditional cinemas around here have been converted to "full service" cinemas and they're doing fine in their niche. Also, I'm not entirely convinced all people want to see a movie that way.
quote: Terry Lynn-Stevens
Mike. There is no need to use immature words or call me screwball or dork or things like that, that is just plain stupid of you to be doing things like that.
It took you three posts to get there? And... What goes around comes around.
quote: Terry Lynn-Stevens
The movie exhibition industry is not what it once was, I have always gotten the impression that you were stuck in a time warp and trying to run your theatre like a theatre from the 70s or even the 80s.
Business consultant overlord Terry is giving out free advice again. All hail to the master.
Maybe you should start a show, something like Kitchen Nightmares, but then for theaters, where you visit a failing theater and unleash all your knowledge and experience to try to fix the business. Theater Nightmares ft. Terry Lynn-Stevens. Sounds like an international success formula...
quote:
I thought originally Dolby's system wasn't supposed to factor in a higher premium pricing for this feature -
The system is still prohibitively expensive to install so most chains are putting it into their "PLF" offerings exclusively. So, you do not pay a surcharge for "just" Dolby Atmos, but for the "premium package" as a whole, whatever is included.
quote: Jonathan Goeldner
and if theaters had phone/cell jammers, but then of course everyone would be up in arms, and feel like they have the god given right to have their phones for emergencies and other similar shitty situations.
In many jurisdictions, cellphone jammers are prohibited by law. Also, I do agree with those that say that cellphone coverage can be important for emergencies. Still, that doesn't give you the right to use the thing for anything but an emergency during a show. Maybe it helps if people are better educated and if policies are actually enforced.
Posted by Terry Lynn-Stevens (Member # 7349) on 05-27-2014, 01:43 AM:
quote:
I thought originally Dolby's system wasn't supposed to factor in a higher premium pricing for this feature - [Confused]
Jonathan, Cineplex rolled Atmos into all new AVX builds, so if you want to watch a move in Atmos, you must pay the AVX premium.
Posted by Jonathan Goeldner (Member # 4854) on 05-27-2014, 08:38 AM:
yeah makes sense, but what doesn't make sense regrading adding Atmos systems on chain's specialty screens is Regal's reluctance to installing them on 'brand new' RPX theaters. Regal Virginia Gateway Stadium 14 & RPX in Gainesville didn't get one, I'm not holding my breath for Regal Dulles Town Center - although they should have one considering there is stiff competition in that neck of the wood with Countryside 20, the Alamo, and the Cobb. Begging Regal to make notice of this fact is like barking up the wrong tree. Arclight would rival Tysons if they added Atmos on one of their screens - it's beyond annoying having to keep on going across the Potomac to the only two theaters in the DC area to hear a movie as such.
Posted by Mike Blakesley (Member # 26) on 05-27-2014, 10:50 AM:
quote: Terry Lynn-Stevens
You give me the impression that you think that having lower prices will bring more "butts" or "eyeballs" to the theatre
I have never said that either. My expertise is in the small town theater business. I have long said that the reason many small theaters fail is because their prices are TOO low. I have always said that you have to charge what the product is worth.
It's just like choosing a fancy restaurant or a more ordinary one. You pay more for fancy, but you can still get good food at a neighborhood diner.
quote: Terry Lynn-Stevens
For a movie that I really want to see, I wouldn't waste my time watching it in a traditional, non-reserved seat cinema.
Well thank God for that, it means I will never have to see you in my place.
quote: Terry Lynn-Stevens
I have been to some of the traditional one or two screen cinemas and I am sorry to say, these screens just don't cut it anymore. These screens really need to close up and head out for the pasture.
Well I would love to have some of the modern "amenities" but it's not really necessary in a small town. The biggest example is food. In a city it's sort of a pain to go to a restaurant and then have to get back to your car and journey again to a theater, having to find parking and etc. Here, you can go to the nicest restaurant in town and it's about a 300 foot "WALK" to the theater, and then after the movie you can walk to the bar next door to the theater for a drink.
quote: Terry Lynn-Stevens
I have always gotten the impression that you were stuck in a time warp and trying to run your theatre like a theatre from the 70s or even the 80s.
You can think what you want. I am the one who has a theater that's been in business for 84 years and is successful in a small town, against all odds, so I must be doing something right.
quote: Terry Lynn-Stevens
There is no need to use immature words or call me screwball or dork
I call 'em like I see 'em. You get the impression that I'm living in a time warp; and I get my own particular impressions about you.
Posted by Gordon McLeod (Member # 33) on 05-27-2014, 11:01 AM:
quote: Terry Lynn-StevensI have been to some of the traditional one or two screen cinemas and I am sorry to say, these screens just don't cut it anymore. These screens really need to close up and head out for the pasture.
There are many traditional single twins and triples that operate in many centres at a good profit
It comes down to if you dont want to watch it in a particular cinema then don't go there but the public shouldn't be forced to see a title only in the more expensive large corporate theatres
Cineplex Odeon may be the dominant player in Canada but they are not alone in Quebec Guzo Theatres are the dominant player and in other areas the Landmark/Empire has the market sq
In the world scheme of things many other players are involved and the Cineplex AVX is not the only way to go
Posted by Terry Lynn-Stevens (Member # 7349) on 05-27-2014, 11:10 AM:
quote: Jonathan Goeldner
but what doesn't make sense regrading adding Atmos systems on chain's specialty screens is Regal's reluctance to installing them on 'brand new' RPX theaters.
I am assuming that Regal is only putting them in the most successful RPX screens. Cineplex has 24 screens for Dolby Atmos which is a pretty good count, these screens have all been added in the last year or two. I highly doubt Cineplex will retrofit any of their existing AVX auditoriums for Atmos. There are some dual PLF Cineplex locations that have AVX with Atmos on one screen and then just AVX on the other screen.
quote: Gordon McLeod
Cineplex Odeon may be the dominant player in Canada but they are not alone in Quebec Guzo Theatres are the dominant player and in other areas the Landmark/Empire has the market sq
In the world scheme of things many other players are involved and the Cineplex AVX is not the only way to go
Gordon, yes there are some other players in Canada but Cinema Guzzo is a very small player and Landmark is not as prevalent as one might think. Landmark and Guzzo do not even have a Toronto based location. (although Square 1 is GTA based)
If people think surcharges are the wrong way to go, one needs to look at some of Cineplex locations to see that customers will pay:
Yonge Dundas 24+AVX+IMAX+VIP offered Godzilla on 6 screens: one was regular price admission at $12.992D, the other 5 screens were surcharged at $15.993D, 17.99AVX, 19.99IMAX and $24.99 VIP (2 screens) a whopping $375k was grossed in ticket sales in just 10 days at this location.
The next closest theater which was less than 1 mile away is a traditional smaller plex with traditional 90s style pricing, in the same time frame this theater has grossed $13k in total Godzilla ticket sales in 10 days.
The days of cheap volume pricing are coming to an end. People are willing to pay for premium priced tickets.
Posted by Mike Blakesley (Member # 26) on 05-27-2014, 01:09 PM:
People are willing to pay for luxury cars too. That doesn't mean nobody buys low-priced cars.
Having a variety of options is healthy for any industry.
quote: Terry Lynn-Stevens
Yonge Dundas 24+AVX+IMAX+VIP offered Godzilla on 6 screens: one was regular price admission at $12.992D, the other 5 screens were surcharged at $15.993D, 17.99AVX, 19.99IMAX and $24.99 VIP (2 screens) a whopping $375k was grossed in ticket sales in just 10 days at this location.
It'd be interesting to do an exit interview at that location and ask people if they thought the tickets were too high priced or not.
Posted by Gordon McLeod (Member # 33) on 05-27-2014, 02:42 PM:
And the GTA is only one small market in the larger scheme of things
Posted by Marcel Birgelen (Member # 6801) on 05-28-2014, 05:20 PM:
quote: Terry Lynn-Stevens
The days of cheap volume pricing are coming to an end. People are willing to pay for premium priced tickets.
How many "premium screens" does an average multiplex have? One? Two? So, that's one, two and maybe three movies playing in those premium rooms.
So, if your theories are correct and if people just want to pay for premium tickets, they either need to convert all those other rooms into "premium rooms" (more or less negating the "premium aspect", because "premium" will become the new "standard") or they may better close them altogether...
Posted by Terry Lynn-Stevens (Member # 7349) on 05-28-2014, 07:54 PM:
Marcel, you are missing the point.
Cheap volume prices are the $8.50 and $9 tickets that Cineplex's only Toronto competitor is charging. The cheap pricing structure is done, all you have to look at is how poorly some of these theaters are doing.
Cineplex has up to 7 premium pricing auditoriums in the same complex and that is not including the 3D surcharges in the other auditoriums within these same complexes.
Godzilla had 27 possible showtimes on opening day at Cineplex Y+D, 4 of these showtimes were regular priced at $12.99 while the other 23 showtimes were surcharged. This theater grossed $375,000 in 10 days.
$12.99 is not cheap, and it should not be considered volume pricing and Cineplex is about to raise the price in the downtown Toronto core to $13.50 very soon.
Posted by Dennis Benjamin (Member # 1137) on 08-21-2014, 12:49 PM:
I was searching for a "reserved seating" thread - and boy did I find one here!
We are about to open our first "premium" reserved recliner seat movie theatre. I was hoping to find out about theatre operator experiences with 1) The software 2) The dealings with customers.
While I will be handling the technical aspect of the situation, I was hoping to get a more in depth feeling of the reserved seating from an operational standpoint.
Anyone on here actually run a theatre that uses a successful software program that handles reserved seating?
Thank ahead of time.
Posted by Terry Lynn-Stevens (Member # 7349) on 10-13-2014, 03:29 AM:
Dennis, have you openedyour new premium concept as of yet?
Posted by Terry Lynn-Stevens (Member # 7349) on 01-28-2015, 10:57 AM:
This new seating concept is now live. It is called "Select Seats" and they are the two rows of seats that are considered "prime". The concept will likely work very well as the Varsity is a very high demand select clientele that get to see movies that are on exclusive engagement. The cost is an extra $2 per ticket.
I would rather have Cineplex just offer reserve seating at most of their other theatres for free.
Posted by Jason Whyte (Member # 1433) on 01-29-2015, 02:50 AM:
Very interesting. At this point, they're only doing it on Screens #1-6. #7 and #8 (originally Varsity #1/2, the 1974 section) does not have this option.
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