This is topic A Disney Deal for Fox Is Coming Within Days in forum Ground Level at Film-Tech Forum ARCHIVE.
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Posted by Bobby Henderson (Member # 840) on 12-11-2017, 04:09 PM:
On the heels of a possible AT&T and Time-Warner merger comes a possible Disney buyout of Fox.
Bloomberg News Article
quote: David Hellier and Anousha Sakoui, Bloomberg
Walt Disney Co. may announce a deal as soon as this week to acquire a large piece of 21st Century Fox Inc., according to a person familiar with the matter, transferring legendary Hollywood properties to new owners.
A trust belonging to Executive Chairman Rupert Murdoch and his family would end up with a small stake in Disney in the transaction, said the person, who asked not to be identified because the discussions are private. Disney would acquire Fox’s movie and TV studio, networks including FX and National Geographic, and international assets including Star India’s TV channels and a 39 percent stake in European satellite provider Sky Plc. Disney would also get Fox’s stake in U.S. streaming-video provider Hulu, doubling its ownership to 60 percent.
21st Century Fox would keep Fox News, the Fox broadcast network and Fox Sports 1. The company would remain independent at least initially, though it could consider a merger later with the Murdochs’ publishing company, News Corp., the person said. Fox Chief Executive Officer James Murdoch is likely to be offered a senior position at Disney after the transaction closes, the person said. That would put him in the running as a candidate to eventually succeed Disney CEO Bob Iger.
The talks between Disney and Fox, which began more than two months ago, will unite two giants of the entertainment industry and mark a significant turning point for Rupert Murdoch, the mogul who has spent the past seven decades assembling a media empire. A deal will still face regulatory scrutiny in Washington, where the U.S. Justice Department has sued to block another proposed media megamerger between AT&T Inc. and Time Warner Inc.
A deal still hasn’t been finalized, and the talks could fall apart. Fox shares rose 1.1 percent to $33.66 at the close in New York. Burbank, California-based Disney climbed 2.5 percent to $106.83.
Disney has been competing against Comcast Corp. for the Fox assets, and Verizon Communications Inc. and Sony Corp. have also explored the idea of acquiring the holdings. Fox’s studio would give Disney the rights to popular characters such as the X-Men and the Simpsons, and could let the company cut costs by combining two giant Hollywood operations. The Sky stake would give Disney 22.5 million customers in five countries in Europe, with leading advertising technology, and Disney would be likely to seek full control of the satellite provider.
Assuming Disney acquires the Fox assets in a stock-based deal, Fox shareholders would end up with about 25 percent of Disney, according to Rosenblatt Securities Inc. The Murdoch family trust holds an economic interest of about 16 percent in New York-based Fox, which would translate to a stake of roughly 5 percent in Disney, according to data compiled by Bloomberg.
With speculation mounting that a deal was in the works, the Murdochs -- Rupert and his sons Lachlan and James -- sent a memo to employees late last week.
“We want to address the headlines about us possibly talking to other companies about a potential transaction,” the Murdochs said in the Dec. 7 email. “While we can’t comment on market speculation, we do want to address the impact we know this is having on all of you. Uncertainty always breeds unease. In every way, our focus is on our businesses and on the welfare of all our colleagues.”
— With assistance by Christopher Palmeri
These mega-mergers in the movie industry and movie theater industry are making me nervous about the future of recorded forms of entertainment. Movie fans and consumers of all kinds of entertainment probably should be concerned about how all this consolidation of global media companies could lead to higher prices. Combine this with efforts of the current US government administration to eliminate Net Neutrality.
Then again, these giant media companies need to be selling content people really want to buy. In a way these giant mergers seem like an act of desperation to counter Netflix, Amazon, Apple and Google. Attendance at movie theaters is down, music sales are a fraction of what they were 20 years ago, people are cord cutting in droves. I'm skeptical this consolidation and the likely price gouging that will follow will achieve any positive results. It could open the door for other competitors, even with Net Neutrality dismantled in the United States.
Posted by Frank Cox (Member # 6258) on 12-11-2017, 04:20 PM:
It could certainly make things tougher for small theatres like mine.
Fox will currently give me just about anything on its third week.
Disney... maybe week five, maybe week eight, and they still charge the same percentage as though I played it on the break.
Posted by Martin McCaffery (Member # 37) on 12-11-2017, 04:39 PM:
My fear as an art house is Disney will capture and close the Fox back catalogue, just like they have done with their own. That's an awful lot of films removed from public presentation.
Posted by Justin Hamaker (Member # 2165) on 12-11-2017, 05:18 PM:
I can't help wondering how much of this is about consolidating the rights for the Star Wars films and the Marvel Universe.
With Disney getting at 60% stake in Hulu, I also wonder if they plan to use that platform for their streaming service.
Posted by Marcel Birgelen (Member # 6801) on 12-11-2017, 06:07 PM:
There have been negotiations for several months. One of the primary reasons for this would be getting the remaining Star Wars and X-Men rights.
I hope the FTC wakes up and blocks this, because it would be bad for the industry at large. Disney is really getting too big. Let them get the Star Wars and Marvel IP out and let them sell the rest to somebody else, when 21st Century Fox doesn't want to be in the Hollywood business anymore...
Posted by Mike Blakesley (Member # 26) on 12-15-2017, 05:05 PM:
Disney buys much of Rupert Murdoch's 21st Century Fox in deal that will reshape Hollywood]
Walt Disney Co. has finalized a $52.4-billion deal to buy much of Rupert Murdoch’s entertainment empire, a blockbuster union that would radically transform Hollywood into a land of fewer giants.
The stock deal, which Disney announced Thursday morning, represents Disney’s boldest acquisition yet. If regulators approve it, the Burbank behemoth would take over the prolific 20th Century Fox movie and television studio, Fox’s 22 regional sports channels, cable entertainment brands FX and National Geographic, and Fox’s portfolio of international operations, including a fast-growing pay-TV service in India.
The proposed purchase of much of Murdoch’s 21 Century Fox media company accelerates the trend of media consolidation and would eliminate one of the six major Hollywood film studios. Murdoch would retain control of Fox News Channel, the Fox broadcast network and his newspapers.
Disney would also assume about $14 billion in debt, resulting in a total deal value of about $66 billion. Following the transaction, Fox shareholders would make up about 25% of the bulked-up Disney.
Disney also announced Thursday that its chairman and chief executive, Bob Iger, will remain with the company through 2021.
“We’re honored and grateful that Rupert Murdoch has entrusted us with the future of businesses he spent a lifetime building, and we’re excited about this extraordinary opportunity to significantly increase our portfolio of well-loved franchises and branded content to greatly enhance our growing direct-to-consumer offerings,” Iger said in a statement.
“The deal will also substantially expand our international reach, allowing us to offer world-class storytelling and innovative distribution platforms to more consumers in key markets around the world,” Iger said.
The deal probably won’t close until sometime in 2019, according to Disney, because the company has to secure approvals from regulators in Washington and in other countries. However, once the transaction is complete, Rupert Murdoch and his family will become the second-largest shareholders in Disney, with an approximately 4.4% stake.
Disney’s determination to marshal resources is the clearest signal of heightening tensions between technology giants and legacy media. After decades of dominance, Disney, Time Warner, Fox, CBS and NBCUniversal have been scrambling to bulk up to withstand the gale forces coming from Google, Facebook, Netflix, Apple and Amazon.com, which have pushed into television production and distribution.
Audiences for traditional television have been shrinking, in part because viewers have so many options, including big-budget shows available through Netflix and Amazon. Movie attendance has stagnated. And Netflix is stepping up its output of films, roiling that business along with television.
"This acquisition reflects a changing media landscape," Iger told analysts Thursday. He cited the demands of "today's empowered consumers" for content and their desire to consume media on multiple platforms.
Disney plans to launch its own streaming service in 2019 to compete directly with Netflix. This deal gives it a new source of content to feed that service.
Adding Fox’s pipeline to Disney’s arsenal “will allow us to greater accelerate our direct-to-consumer strategy," Iger said. "It’s a very important move forward."
The sale of Fox assets marks a downsizing by Murdoch, who has spent the last 50 years building a media powerhouse from a small newspaper in Australia. But the 86-year-old media baron recognized that Fox’s movie and cable TV operations face an increasingly uncertain future, according to people close to him. And the deal with Disney enables the mogul and his family to become one of the largest shareholders in Disney, a bigger and more valuable media company.
“With today's announcement, we launch the next great leg of our journey,” Murdoch said on a Fox call with analysts Thursday morning. “The world of media has obviously been undergoing rapid change. New technologies, competitors and shifting consumer preferences have redrawn the whole media map."
"Are we retreating? Absolutely not,” Murdoch said. “We are pivoting at a pivotal moment.”
His son, Lachlan Murdoch, who serves as co-chairman of 21st Century Fox, agreed that the company was not in retreat.
“The new Fox is about returning to our roots as a lean, aggressive challenger brand,” he said.
In a report last week, Berstein & Co. media analyst Todd Juenger wrote: “Maybe the Murdochs have looked at the future and realized their business is a declining asset, worth more today than it ever will be in the future.”
Here's what Disney is acquiring in its blockbuster deal with 21st Century Fox
Murdoch is not selling out completely. He is holding on to certain properties, including Fox News, the Fox broadcast network, television stations and the cable channels Fox Sports 1 and Fox Sports 2. His newspapers — such as the Wall Street Journal, New York Post, Times of London and a portfolio of Australian properties — are housed in a second company, News Corp., that the Murdoch family controls with 39% of the voting shares. Some analysts expect Murdoch to eventually fold the remaining Fox assets into News Corp.
Under the terms of the agreement, shareholders of Murdoch’s 21st Century Fox media company will receive 0.2745 of a Disney share for each 21st Century Fox share they hold. To accomplish the deal, Fox must first spin off the assets it plans to retain, including Fox News, the Fox broadcast network, Fox Sports 1 and Fox Sports 2 and the Big Ten network.
Winning regulatory approvals is not a sure thing. Because of that uncertainty, Disney agreed to pay 21st Century Fox a massive $2.5-billion breakup fee if Disney fails to secure the required approvals.
Buying Fox would continue the transformation of Disney, which began when Iger took the helm in 2005. He engineered a series of savvy acquisitions, starting with the 2006 purchase of Pixar Animation Studios — creator of “Toy Story,” and “Finding Nemo” — which reinvigorated Disney’s moribund animation division. The company then bought Marvel Entertainment in 2009 and Lucasfilm in 2012, betting big on marquee film brands such as “Star Wars.”
Then came a shift. This year, Disney spent $1.6 billion to gain a majority stake in BamTech, an online streaming platform that Disney plans to use to launch two streaming services in the next two years, including an ESPN service next year. Disney decided its future was in selling its shows and sports channels directly to consumers.
“The core underlying driver for this deal … is the impending battle royale for content and streaming services vs. the Netflix machine,” Daniel Ives, head of technology research for GBH Insights, said in a recent report. The “appetite for content among media companies [is] reaching a feverish pitch.”
A Disney-branded streaming service will have more firepower with Fox’s assets. Disney would gain 22 regional Fox Sports networks, which could help entice more sports fans to sign up for the proposed ESPN streaming services if the service eventually includes access to Los Angeles Kings, San Diego Padres and New York Yankees games.
Disney would take over the operations of FX, which has been one of the industry’s most consistent hit-makers, and the 20th Century Fox Television studio, which is much stronger than ABC Studios.
In addition, thousands of old movies and television titles owned by Fox could be used to stock Disney’s streaming service.
“They need a lot more than the occasional movie and a collection of kids' library to support a subscription service,” Juenger wrote.
Fox’s library would help solve that problem. Fox owns such movies as “Avatar,” “Deadpool” and “X-Men.” Fox’s TV studio produces such hits as “The Simpsons,” “Family Guy,” and “This Is Us.” There’s also a treasure trove of beloved classics, including “The Mary Tyler Moore Show,” “M*A*S*H,” “The Wonder Years” and such movies as “Wall Street,” “Home Alone” and “The Sound of Music.”
“The marriage of these assets creates a much more formidable Disney on both the content and streaming front for the coming years,” Ives said.
It is unclear whether James Murdoch, chief executive of 21st Century Fox and the ambitious youngest son of the Australian-born mogul, eventually will land a leadership role at Disney. He has become the odd man out in a power-sharing arrangement with his father and older brother, Lachlan, who has become much closer to Rupert Murdoch.
During an early morning call with analysts Thursday, Disney’s Iger seemed open to the possibility that James Murdoch could become a key player in Burbank.
"James and I have had a lot of conversations about the future of these companies,” Iger said when asked about the younger Murdoch. “He's been great throughout this process. He will be integral in helping us integrate these companies over the next months and, during that time, he and I will continue to discuss whether there is a role for him here or not."
News of Disney’s interest in the Fox assets leaked Nov. 6. With Fox hanging out the for-sale sign, other suitors — Philadelphia cable company Comcast Corp., telecom giant Verizon Communications and Sony Pictures Entertainment, a division of the Japanese electronics giant — lined up to express interest. But Fox was most interested in doing a deal with Disney.
Disney’s market capitalization is more than $155 billion. Fox is worth $62 billion.
A sale would represent the end of an era. Murdoch has been a prominent figure in Hollywood since 1985, when he bought a half-interest in the 20th Century Fox film studio from oil magnate Marvin Davis in a $250-million deal. That injected new life into the studio. Later that same year, he claimed the remaining stake for $325 million, became an American citizen and began gobbling up television stations to launch the Fox broadcast network — the nation’s fourth major network — in 1986. Fox News Channel was born in October 1996.
Wall Street isn’t sure whether the U.S. Justice Department would bless the combination. It would reduce Hollywood’s television and movie production capacity by eliminating one of the major studios.
The Justice Department’s antitrust division is suing to block AT&T’s proposed $85-billion takeover of Time Warner, which includes HBO, CNN, TBS, Cartoon Network and the Warner Bros. film and TV studio.
However, the elder Murdoch is a powerful friend of President Trump, whose administration would oversee the regulatory review in the U.S.
Orlando Sentinel article
Posted by Frank Cox (Member # 6258) on 12-19-2017, 11:37 AM:
Disney's movie dominance has a dark side for small towns, independent theatre warns
quote:
An independent movie theatre in northeast B.C. says Disney's strict rules around Star Wars: The Last Jedi are unfair to small-town cinemas and could become even more harmful as the company expands its dominance of the entertainment industry.
John Roper is general manager of the Phoenix Theatre in Fort Nelson, which is home to about 4,000 people. Despite excitement in the community to see the latest instalment in the Star Wars series, Roper said the conditions imposed by Disney are simply "impossible" for the Phoenix to meet.
"Not only do we have to play it for four weeks straight, we have to play it four times a day," said Roper, adding that with only one screen available, it would be "very difficult" to play a single movie for a month without losing money due to lack of audience.
Fort Nelson Star Wars fans who want to see Porgs on the big screen have been taking an eight-hour round trip to Fort St. John because their local theatre couldn't meet the conditions imposed by Disney to screen The Last Jedi.
While it is common practice for companies to impose minimum run-times, they are usually two weeks and, Roper said, there is often wiggle room for small theatres like his.
"Sometimes they'll allow an independent cinema to team up with another independent cinema, so they can split that two-week term," he said.
"Disney does not allow splits ,and they're just a little more difficult to deal with."
The Phoenix isn't the only community to decide not to screen The Last Jedi. Elkader Cinema in Iowa opted out for the same reasons, and Disney's "unprecedented" demands made headlines in the Wall Street Journal.
Disney holds all the cards, and we have to play by their rules.
- John Roper
Roper said news that Disney would be buying the movie assets of 21st Century Fox had him worried about even stricter rules in the future.
"It's not good for any type of industry when a company grows that large," he said. "Disney holds all the cards, and we have to play by their rules."
"Smaller cinemas are just left in the dust."
Roper said he is still hoping to bring The Last Jedi to Fort Nelson, but "we're looking towards the end of January, early February before Disney will even talk to us."
Posted by Mike Blakesley (Member # 26) on 12-19-2017, 02:13 PM:
I think he might be over-dramatizing things a little, albeit understandably.
There's nothing in our contract that dictates how many shows per day. We are showing it once per day, except twice on Sundays. I think they expect you to run your "regular" schedule, adjusted for film length of course.
It also likely won't be the end of January or early February before Disney will consider booking him...assuming the terms where he is are the same as here, the next availability on the movie will probably be January 12, the day after the fourth week ends. It could even be sooner, depending on how it's grossing.
I dreaded the four-week run time when "The Force Awakens" came out, but my worry was needless. We are in a much smaller town (1750 people) and we played "The Force Awakens" and "Rogue One" both for four weeks, and both of them were still doing decent business in week 4. Not outstanding business but enough to make it worth being open.
The best idea I had, which I've mentioned here before, is to put the opening/closing dates on the marquee. That helps to spread the crowd out and virtually has eliminated first-weekend sellouts for us. With "The Last Jedi," our busiest day last weekend was Sunday!
The yardstick is always, how good is the movie? If it's a crowd pleaser then it will continue to draw, well at least until Amazon starts trumpeting the video release.
On Disney movies it just makes more sense for us to bite the bullet and play them on the break, because their percentage never goes down. If we waited till the 2nd availability, we'd have half the crowd, or less. Plus there is the ever-important "cool" factor: waiting until the 'hot' movie is a month old...not cool.
Disney in the past has negotiated out of the last week of deals. We had to sign on for four weeks to get a certain movie on the break a few years ago...when it was clearly running out of steam, they let us out of the last week. I think this is where having a good credible booker helps.
Of course, everybody's mileage my vary. I'm not suggesting that anybody change their own tactics, I'm just reporting what has worked well for us.
I can see this operator's point in going for drama though -- I'm sure all his Star Wars-loving patrons are castigating him for not playing the movie.
Posted by Dave Bird (Member # 490) on 12-19-2017, 10:46 PM:
I still think that the studios are blowing it a bit, now that digital has made it possible to release wide on everything, by not allowing small-towns and even single neighborhood cinemas to split a screen for the typical "7 & 9" shows. The opportunity exists to open a film everywhere which both maximizes sales AND re-instates movie-going as the "thing to do". It's interesting to me that the world's largest movie market India, opens films every place they can on the break. We're fortunate of course at the drive-in that they do honor our tradition of the double (and triple) feature, but the two-week minimum is enough for us to be building a second screen. It will certainly help us to take the occasional 3 and (gasp) 4 week runs as they occur.
Posted by Mike Blakesley (Member # 26) on 12-19-2017, 10:58 PM:
I agree, and I also think they should consider one-week play times for small towns. I've been told at NATO meetings that that is "never gonna happen." But if they would allow one-week dates and stacking, we'd open a new movie EVERY weekend, and it would increase our gross and raise our film rental along with it.
I think they need to come up with a "small town" plan that is tied to either population or average week's gross. With today's computerization, it should be easy.
I clicked through that article Frank posted to some of the 'related' articles. They get a few facts wrong, especially Disney's 65% share of the gross for SW:TLJ being "a record." (False...we've paid 70% for many movies over the years and when we hit our 90/10 split point, we might pay more.)
Posted by Dave Bird (Member # 490) on 12-21-2017, 05:21 PM:
Strange to me, in a world where every company you can think of has a location or ships product to the smallest fly-speck places, that they basically take a "pass" on putting out new product every other week in these markets. I don't think there's any rule on the books at all. No reason company "A" couldn't book you 2, 3 or 4 weeks on a title AND demand the prime 7 o'clock slot for it. And if company "B" is happy to come in a week later at 9pm, that's fine, they'd get their share of the prime openings on average. "Never Gonna Happen" isn't even true now. Plenty of theatres all over the world run multiple titles on single and twin screens.....it's just lazy thinking, inexplicably leaving money on the table.
Posted by Frank Cox (Member # 6258) on 05-08-2018, 12:35 PM:
I was under the impression that Disney buying out Fox was done and dried, but apparently it's not:
PACIFIC: The Disney-Comcast War Gets Hot
quote:
What's next: The Disney-Comcast war gets hot. Comcast is talking to investment banks about usurping Disney's $52-billion bid for 21st Century Fox, three sources with knowledge of the matter tell me. The plan being discussed would see Comcast make an all-cash offer of around $60 billion for the same assets Fox agreed to sell to Disney.
You Saw This Coming: Last month, we told you that Comcast CEO Brian Roberts was intent on stopping Disney's acquisition and that he was likely to move on Fox. Roberts and Disney CEO Bob Iger have a deep dislike of one another, our sources say, which makes this battle personal and unpredictable.
What Now: Roberts is waiting for the federal judge's ruling on the AT&T-Time Warner acquisition. If that gets approved, Roberts is likely to move on Fox. Iger may then move to counter-counter offer. Everything we know about these two executives leads us to believe that this will go to the mattresses.
Posted by Mike Blakesley (Member # 26) on 05-08-2018, 09:45 PM:
Pretty plain to see what's going on here with Comcast owning Universal. This could be a HUGE game changer in the Disney and Universal theme parks.
However I think Disney probably has deeper pockets than Comcast does, so I'll bet Disney still comes out on top.
I have mixed feelings about Disney adding all the "purchased" characters to their parks. It's kind of diluting their brand. But they ARE doing a great job with the new acquisitions (the Avatar land is incredible) and more people are visiting there than ever, so I don't see them changing direction anytime soon.
Universal has definitely gotten their attention with the Harry Potter thing, that's for sure.
Posted by Bobby Henderson (Member # 840) on 05-08-2018, 11:07 PM:
It's a good bet consumers will be the ones paying for these mergers in the end. I guarantee Comcast will give its customers a nice fat price hike if it can succeed at acquiring 21st Century Fox. They'll probably dole out a big price hike anyway, encouraging more "cord cutting." Netflix and Amazon are starting to creep their prices up a bit. Movie tickets will probably get further bumps in price.
Posted by Martin Brooks (Member # 1269) on 05-09-2018, 12:28 AM:
There's no reason for theaters to raise prices based on either of these companies buying Fox. The acquisition really has nothing to do with theaters.
Companies that have gone into too much debt have found themselves in big trouble (just look at the radio chains). Comcast would be going into big debt. I believe Disney was planning on an all-stock deal.
Posted by Marcel Birgelen (Member # 6801) on 05-09-2018, 04:19 AM:
Disney even has enough cash lying around to do an all-cash deal...
Still, what's happening isn't good for consumers. Those megacorps reduce the amount of competition and since newcomers face such a steep ramp-up in investments, it's almost impossible for them to get a serious foothold in this market.
In the end we're stuck with just a few players dividing the market in between them.
Posted by Bobby Henderson (Member # 840) on 05-09-2018, 01:06 PM:
Yeah, the consolidation kills competition. Then that can lead to price hikes. Fewer players doesn't grow the market any. If anything it can lead to the market being reduced. The music industry is a perfect example of this. Up until the late 1980's there were lots of music recording labels of various sizes. A bunch were independent entities. The same held true for radio stations. Then merger-mania hit along with all sorts of other buy-outs or even rival freeze-outs. By the early 1990's far fewer companies held tighter control over music sales, distribution and radio airplay.
Prior to 1991 the music industry would see major shifts in the styles of music being consumed by the public every few years. The variety was great for music fans. Business people hated the unpredictable, sometimes volatile nature of it. So they tried to stop all these big cultural revolutions from happening in popular music by tightly controlling what got played on radio or stocked in stores. They succeeded for the most part with that effort. We haven't had any big ground-swell changes in music style in over 25 years. Changes have happened in a very slow transition. The media companies didn't count on customers music buying habits to drop-off a great deal due to stale content. And then the Internet, Napster and all that crap happened, which the media companies used as a scapegoat for all their problems. Their situation has only grown worse with the brick and mortar retail apocalypse wiping out most physical music stores. Online digital music sales have been mostly singles, not entire album purchases. And now the streaming companies are cannibalizing those individual unit sales, regardless if it's on physical media or a downloaded MP3/AAC file.
The movie and TV industry could find itself in the same position if we see an uncontrolled wave of mergers leading to an oligopoly of only a couple or so players. I think the traditional movie studios and old-style TV network people can't make heads or tails of the current situation. Maybe they're desperate. In 1980 a network needed at least a 20% share average of the Nielsen ratings to win the week. That can be done with under 10% now. The major broadcast TV networks really didn't have much competition from cable-based networks. Now it's routine for a show on a cable network like FX or AMC to win major Emmy awards or draw serious Nielsen ratings. And then Netflix, Amazon and Hulu are all mounting serious competition of their own.
I don't know what these big companies expect to get out of buying up other movie studios. I don't think they're going to succeed with gaining tight-fisted control over content.
quote: Martin Brooks
There's no reason for theaters to raise prices based on either of these companies buying Fox. The acquisition really has nothing to do with theaters.
Theaters have to pay rentals to the movie studios. If the newly merged entity decides it has more clout (and wants to offset some of the costs of that merger) it will raise its rental fees to movie theaters. Then those price hikes get passed on to the customer.
quote: Martin Brooks
Companies that have gone into too much debt have found themselves in big trouble (just look at the radio chains). Comcast would be going into big debt. I believe Disney was planning on an all-stock deal.
Giant radio station companies have gotten themselves into big trouble for a variety of reasons. They were ill-prepared for listeners abandoning their stale (same 10 songs in a row for months on end) play lists in favor of streaming alternatives (Spotify, Apple, Amazon, YouTube Vevo, etc). The radio stations assumed they had listeners over a barrel when technology and the Internet proved them to be very very wrong.
Comcast probably thinks it still has its customers over the barrel. They'll probably keep hiking their pay TV prices regardless of what happens, but if they succeed in buying Fox it is a guarantee they will pass a bunch of the expense of that purchase directly onto their customers via price hikes. And they'll probably want more from theater chains for movie DCP rentals.
Posted by Mike Blakesley (Member # 26) on 05-09-2018, 03:31 PM:
quote: Bobby Henderson
If the newly merged entity decides it has more clout (and wants to offset some of the costs of that merger) it will raise its rental fees to movie theaters. Then those price hikes get passed on to the customer.
I don't think film rentals will get much higher than they are. The "first week" rate of 60 to 70% has been in place since before I got into the business - it wouldn't make sense to pay more than that.
Theaters do pay more now though because those low-rental weeks at the tail end of the cycle have been lost to home video, combined with some studios going to the "sliding aggregate" system where even if you play off the break, you still pay the first-week rate -- although that can be lower, depending on the final gross of the film.
The only "major" change I can see is that Fox is NOT on the sliding system yet -- so if Disney buys them, they might shift to that system. But it won't make a huge difference from what we're paying now in rental.
Posted by Frank Cox (Member # 6258) on 05-09-2018, 06:13 PM:
My fear is that they will make put more stuff into the box where you gotta keep it for a solid month or wait two months to play it if you just want it for a week.
Could your theatre survive on only 12 movies each year?
Posted by Mike Blakesley (Member # 26) on 05-09-2018, 07:03 PM:
There was a time when my theater played about 150 movies a year because they'd do two features for 3 days each, and another one for one day in midweek.
When I bought the place they were doing 2 changes a week, with occasional full-week titles, but never anything more than a week -- so about 100 movies a year then (1979).
In more recent years, with getting more movies on the break, we've played 60 to 65 movies but the number has gone down as the "opening weekend blockbuster" era has set in. The last year we played more than 50 movies was 2010 (we played 55 that year). Last year, we played 35 movies.
Posted by Mike Blakesley (Member # 26) on 05-09-2018, 11:08 PM:
I'm posting this article despite it having a quote by Richard Greenfield.
Disney Could Give Up Sky to Get Fox Assets
by Paul Bond
To fend off a possible bid from Comcast CEO Brian Roberts, Disney chief Bob Iger could let Comcast have Sky.
Bob Iger once called Sky a "crown jewel," but the realization is setting in that the Disney CEO may have to concede the European broadcaster so it can push through its deal to acquire much of 21st Century Fox before Comcast messes it all up, a source with knowledge of the situation tells The Hollywood Reporter.
Disney’s proposal includes Fox’s 39 percent interest in Sky, and by the time a Disney-Fox merger would be approved, Fox may own the entire thing, which is coveted by Iger, though not at the expense of the whole Fox deal.
Comcast is said to be readying a cash offer of about $60 billion for the same Fox assets Disney has agreed to acquire for $52.4 billion, and Comcast has also offered to buy all of Sky for $31 billion. In order to appease Comcast, and sweeten its offer for Fox, Disney may encourage Fox to let Comcast have Sky.
As the deal stands now, if Comcast were to get Sky, Disney would assume about $12 billion less in debt when it acquires Fox in the partial merger. That could represent more negotiating power should Disney still need to outbid Comcast for the Fox assets.
Letting Comcast get Sky so that Disney could close on Fox is an arrangement that makes sense, given Comcast’s mission is to grow more rapidly overseas and Sky could be a perfect fit, while Disney’s goal has more to do with total domination of the movie business and crushing Netflix.
Disney, courtesy of Star Wars, Marvel and Pixar, is already tops in film with a 22 percent share of the domestic box office last year, and adding Fox’s Avatar, X-Men and Planet of the Apes franchises could make it the most formidable studio in the history of Hollywood. As for Netflix, Disney is planning to launch a competing product next year and Iger said on Tuesday that Fox content would be part of it. He also said the plan is that nothing on Disney’s over-the-top service would be available to any other digital entity, so he will need a good amount of strong, exclusive content if he’s expecting to do battle with Netflix, the worldwide leader with 125 million subscribers.
Another Disney goal is to get Fox’s portion of Hulu which, added to what it already owns, would give Disney 60 percent. Interestingly, Iger said Tuesday that Hulu and the upcoming Disney service would co-exist just fine, suggesting Disney content that is inappropriate for the latter would be fed to the former.
As for Fox, it is controlled by Rupert Murdoch, and his plans include becoming one of the largest shareholders of Disney, the premier entertainment conglomerate run by Hollywood’s best CEO. Should the deal close, he would own about 5 percent of the $153 billion company. Murdoch is said to like the Disney deal that involves payment in stock more than a Comcast cash offer that could carry more tax liability. Murdoch's son Lachlan is likely to run what's left of Fox after a sale to Disney (or Comcast), while son James is likely to venture out on his own, perhaps creating a company that will invest in digital-media startups.
For Comcast CEO Brian Roberts, whatever happens is viewed as a victory, as he could acquire Sky, most of Fox or all of the above. If he doesn’t, he will have succeeded in driving up the price Disney must pay for any or all of those assets.
Everything remains in flux, but some on Wall Street see Sky as a near deal-breaker for Disney.
"Is there any scenario where Disney would proceed with Fox, but allow Comcast to assume majority control of Sky?" asks BTIG analyst Richard Greenfield. "We continue to believe Sky is critical to Disney's direct-to-consumer ambitions and international expansion."
On the other hand, Stephen Cahall of RBC Capital Markets calls Fox "quite important to Disney" while adding that Sky is "less so."
Hollywood Reporter article
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