Q. Oh, you must get to see all the films then?
A. Actually, i'm too busy to watch the films
(and the answer i'd like to give, and occasionally do)..
A. Eh, well actually i'm so busy working my ass off that if i want to see a whole film properly i have to come in on my day off, and i really don't want to do that, i prefer to have a life, plus if i do i'll either spend the entire picture running up to the booth to get the picture just perfect for me, or i'll end up getting called to some disaster in another screen.
That's an example, but i'm sure you all have more
What questions do you get asked, and what do you answer (but, more importantly!, what would you LIKE to answer!)
Not relevant to this post, but something i just remembered-
My old Chief was onced asked if he watched films at home, his reply was-
"Well, sometimes, but after about 20mins i get up to see how the rest of the house is getting on!"
Classic, i love that one!
Q: I bet you get to see all the films, huh?
A: You bet your ass I do. I watch em all twice.. 'cept for Freddy Got Fingered... or any movie with that goatee guy in it. Every once in awhile I'll get up off my ass and do some work, but usually I am too lazy. And yes, I can get you and all of your friends and family into the movies for free without prior notice, with free popcorn and drinks.
(People thinking its a big ol' VCR)
"Why would someone pay you to push a start button?"
&
"You must have a real easy job, sit upstairs and watch movies all day long."
These are 2 comments that have been made by my friends and I wasn't only a projectionist but a GM also. YEAH, REAL EASY!
If you REALLY want to mess with somebody's head you make something up about a movie... "Did you see that scene in <some movie> where you can see that girl's bare butt in the background?"
The more obscure, if not totally made up, details you can toss in the more fun you can have.... "Right after the opening credits, this car drives by in the background and there's a girls butt sticking out of the car window! The story is that the movie was shot on location but these people slipped by security. The director didn't cut it out because nobody noticed it until after the film was sent to the duplication lab."
Really play it up and mess with them!
When I was a GM:
"Yeah, I do, but I see so damn many of them I don't really care what they are anymore. The only way I enjoy movies anymore is if they make a lot of money so they keep my theatre busy so my staff doesn't have time to complain about it being too slow."
or:
"I see so damn many movies that I don't care what I'm watching anymore. As long as I can sit down, and have the movie exceed my expectations, I'm happy. Because when you're watching some horrible family film, you just have to hope that it's better than you thought when you walked into the theatre. As long as it's better than I thought it was."
When people ask what I do and tell them I'm a projectionist, I've had people ask me what that means. Often, they don't seem to have any concept of what it means, let alone what's involved. When I tell them what a projectionist is, they say, 'Oh...', and immediately lose all interest in the conversation.
Either that, or they become excited and ask you that ubiquitous question about getting to see all the movies and of course, asking if they can come in for free. (If she's attractive, I usually tell her that I can take someone else in for free anytime!)
It would have to be one of the most misunderstood vocations out there! Generally, I have found that people do not seem to look at projection as a serious job (even though they may have never heard of it before). Perhaps that's because they don't understand what it is, or don't think it's important enough, or because it has been 'deprofessionalised' (I love that term!). You get the feeling that they would be more impressed and take you seriously if you said that you...did almost anything else. It can't be a money thing, because they wouldn't know how much I get paid. But there's that unmistakable sinking feeling that accompanies the reply of 'Oh...'.
Q: Could you show me how to run a movie?
A: This ain't like poppin' in a tape of "Little Mermaid" for your baby sister. This is actually a technical skill -- you know, like where you have to know something before you do it. Not like what you do for a living . . . .
Q: Why do you charge so much for snacks?
A: Greed. Unrestained Greed. It's really just that simple.
Q: Do people sneak in a lot?
A: Yes, but they never leave. If you ck the revised stautes for our fair state, theater owners are granted immunity to prosocution in the event they kill non-paying trespassers. Bounties are offered for that species too cheap to even pay for a matinee.
Q: Do you ever get tired of seeing all those movies?
A: No. I'm legally blind.
Q: What's your favorite movie?
A: Milk Maids from Mars or Amazon Women from the Avacado Jungle.
When you ask someone out on a first date don't say what your job is. Just give some vague description. Say you are a "technician" or a "machine operator".
Of course the usual first date outing is to go to the movies. Take your date to the theatre and when you get to the head of the line say, "Hi!", to the box office person, get your tickets and sign-in on the pass log. Hand your ticket to your date and make for the lobby.
Don't say anything about it unless your date brings it up first.
It's a great way to "score points" on a date!
Call ahead and let them know you're comming but THIS time tell them to completely IGNORE you. Then you take your date on a short drive which just "happens" to be right by the theatre. You get a sly look on your face and say, "Hey! Wanna' sneak into the movies?"
You say, "Just act natural..." You casually walk in the front door and stroll right into the theatre.
If you REALLY want to F*** with them, when the movie is over you stand up, walk out of the auditorium and say, "Lets sneak into the projection booth!"
I PRODUCE your tickets... 
and I DIRECT you to your auditorium... 
But people just look at me now and ask if they know me from somewhere... Then realize I am from the local movie theatre.
Or when I work at multiple theatres in a short period of time... "Didn't I see you at the other place?"
"Is (fill in movie name) good?" Like I'm going to say "No, it sucks, don't come and see it!"
Or,
"When are you going to get some good movies?" As if we have any control over what gets made!
Mike, I've said that to people a record number of times this year. Granted I am not working in a box office selling tickets, but let's admit it...movies have SUCKED this year.
However if we " spend our money on other entertainment items " the sooner quality entertainment returns.
The quality was much better in the fifties and sixties when product wasn't as plentifull but quality was superior, They did not produce as many films but the quality was far superior.
Am I wrong?
I think a lot of movies are targetet to one particular kind of audience. Obviously, the movie companies would like to have EVERYBODY pay to see ALL of their movies but, in reality, that's just not going to work.
We have War movies, Teenage movies, Comedies, Adult Dramas, Action movies and a hundred other categories or sub-categories of movies. I think that almost every movie has its merits IF you can correctly identify it's main audience.
For instance: People who didn't like the movie, Clerks, are probably NOT going to like Jay and Silent Bob. People who like Clerks and Jay and Silent Bob are probably NOT going to like Princess Diaries. However, families with pre-teen girls are likely to love it. (BTW: I think Princess Diaries is an EXCELLENT movie for pre-teen girls. It goes back to the old familiar Disney "formula" we all know and love.)
When I am asked the question, "Is it good?", the answer I want to give is, "I might not have liked it but there's got to be somebody out there who will, otherwise it wouldn't have been made."
The scattershot marketing techniques the movie companies use nowadays is only serving to confuse movie goers. When they come in to see two or three movies in a row that they didn't like they are more likely to pass on that one movie that they definately will like. Their marketing only serves to shoot themselves in the foot.
Thus, it is up to US to help people figure out which movies people will like to watch to keep them comming back. Like I said, if they keep comming to the movies and seeing things that they don't like, they are more likely to stay home and watch DVDs.
We, the people who work in the movies should start thinking of ourselves as sales people, just as if we worked in a clothing store. You wouldn't want to sell somebody a pair of pants that doesn't fit them, would you? Why would you try to sell them a ticket to a movie that doesn't "fit" them either?
Most of the questions I get asked is...who was that guy in the movie about the thing having to do with y'know...??
One person responsible for 12 to 16 screens means they "watch" about 40 movies during an 8 hour shift.
Probably an impossible task, so theatres trying to "do film right" need to train and empower their floor staff to monitor the picture and sound quality and report any problems immediately. Likewise, my suggestion of adapting the SMPTE Theatre Quality Evaluation Program by enlisting a group of technically-saavy movie buffs to be your "eyes and ears" in return for free admission.
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
What is the SMPTE program? Do you have a link describing it?
We had a small theater chain here in Washington State that hired a local film critic to advertize the movies being run in Mount Vernon. Well, the critic blasted most of the movies so bad over the local radio stations that nobody would watch them. Then the critic would say what theater had the movie.
The theater business owner seemed to be at a complete loss as to why the grosses for a specific movie were worse than everyone else.
The critic finally lost his contract - when the theater chain went bankrupt.
The SMPTE Theatre Quality Evaluation Program (TQEP) provided an evaluation form that SMPTE members attending movies could use to help theatres identify and correct presentation problems. The original technical paper and evaluation form are in the Film Tech "Manuals" section under "Instructional Documents".
The original TQEP had limited success, since SMPTE members were not uniformly distributed throughout the country. For example, theatres in the Los Angeles area often received multiple evaluations for each screening, whereas theatres in rural areas never received evaluations. The principles of having technically-saavy theatre-goers subjectively evaluate presentation quality were later adopted by the Lucasfilm THX Theatre Alignment Program (TAP) and the Kodak ScreenCheck program.
I'm suggesting that the TQEP evaluation form could be updated and modified, and that technically-saavy moviegoers could be enlisted by theatres to evaluate presentation quality on a routine basis, perhaps in return for free admission.
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Thanks for your ever flowing fountain of knowledge. I will see if I can work something out here.
Josh

Another odd question I've gotten:
"So, if you work at a movie theater, where do you go when you go on dates?"

Replies I've given:
~Who says I go on dates? Do you think they let me have any leisure time for that?
~What a narrow scope of socializing you possess.
~To the movies of course. I'm a cheap date like that, but as annoying as all hell, because if I get bored with the film -which can happen a lot, I'll start criticizing the presentation, and/or the elements of the mindless drivel on-screen. (
)
~I'll have to get back to you on that. I forgot what a social life is.
~GLB
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In some cultures, what I do is considered normal.
"Whats..(insert movie title here)...like?" or
"When is..(inset movie title here)...released?"
and once after a sound problem on a performance a customer asked me
"Can you rewind the film back, so we can see what we've missed?"
and that was a long conversation!!! 
Sorry boys and girls, NO we CANNOT rewind the film!
Then, a few days later, they come back in and say, "I wish you never told me .... I see those damn dots all the time now!!"
------------------
Kristin Wahlund
Regal Cinemas
Eagan 16, MN
A: yes we can by just turning this switch on from Colour to B/W.
Q: That's a big camera.
A: you just wait and see the size of the projector!.

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You spend 10 minutes looking for the section of the store where the fuses are and you finally button-hole some salesperson. The FIRST question out of their mouth is bound to be, "What is this for?"
But what I don't get is how in the world someone could confuse the definition of "camera" for that of "projector." Anyone with half a brain should know that. Rewinding, subtitling "machines,"...common misconceptions. Fine. But the idea that a camera projects an image? No! A camera captures the image. Is it just me, or is that common sense?

Paul
Answer, because obviously the whole world revolves around them. What were you thinking?
Q why do you charge so much for stuff
A because we have to pay for a team of cleansing experts to clean up after 5oo poeple stuff crap into seats throw shit onto floors and onto the screen. to pay for the 50 sacks of rubbish to be disposed of weekly left by you now *""$ o££ $£$ 5%$%£% %$^%^$%^%
One thing people would ask me is "Oh, you get to see all those movies" to which I reply (with an annoyed look
"Yes, endlessly.."
"*""$ o££ $£$ 5%$%£% %$^%^$%^%" Cool! Swearing in proper English text! In America we would say: "Pick up your trash, you @#*?%!!"
quote:
...my suggestion of adapting the SMPTE Theatre Quality Evaluation Program by enlisting a group of technically-savvy movie buffs to be your "eyes and ears" in return for free admission
I'm available, willing to cover the entire Eugene/Springfield metro area for Regal and/or Cinemark. 
------------------
- dave
Stay away from the meadow...
Then go for it!!! A .pdf of the SMPTE Theatre Quality Evaluation Program form is in the "Manuals" section of Film-Tech. You may want to update the form for digital sound and the particulars of your theatres. After watching a movie, fill out the form, and turn it in to the theatre's manager. Introduce yourself, and offer to help monitor their presentation quality in the future. It's up to them if they value your input enough to reward you in some way.
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Locally, for first-run mainstream movies, there is Regal Cinema World 8, and Cinemark 17:
Regal corporate does not reply to comments, either positive or negative, ever. Locally, the Regal staff usually gives me a look of exasperation if I mention a problem. Mind you I am always polite and non-confrontational. I can cite many examples, and their reaction is always the same. Seems to be a dead end there. Auditorium #8 there has had a problem with daylight infiltrating the booth and washing out the screen for 6 years. I've mentioned it many times, and they have done nothing to correct it. (Their booth is open to the lobby, which faces south and gets direct sunlight in the afternoon). Several of their screens exhibit travel or shutter ghosting, have mentioned it many times, no change. I think my name is "red flagged" in Regal's system as "Probable Nut Case, IGNORE!!", and they are hoping I will go away.
Cinemark is a little more receptive, or at least they were for a while. Comments made on their web page generally seem to be forwarded to the local manager (although I have sent in several comment cards with nothing but praise, but nobody responds to those). For a while now, I have communicated directly (email) with the local mgr, who seemed receptive to my input at first. I have made a point of mentioning when things are essentially "perfect", as well as when there might be a problem. But recently, there has been no response to comments, either positive or negative, which probably means I've worn out my welcome and they are tired of hearing from me.
I honestly don't care about a reward (I won't turn down free passes though!). But if they don't want objective input, there doesn't seem to be a lot of point.
I will continue though, whether or not they respond. BWAH HA HA! I won't give up that easily.
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- dave
Stay away from the meadow...
.
quote:
recently, there has been no response to comments [from the manager of Cinemark 17], either positive or negative, which probably means I've worn out my welcome and they are tired of hearing from me.
DUH! Reason I haven't received any replies from Cinemark is the manager has been on vacation! Just wanted to clear up that issue.
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- dave
Stay away from the meadow...
quote:
Regal corporate does not reply to comments, either positive or negative
They occasionally do. Every now and then (every third or fourth one), I do get a, usually canned, email response to the comment cards I send in. They have probably labeled me as a "nut case" and just respond occasionally. They probably figure "Who else but a nut would evaluate our presentation quality and put the results on a WWW site?"
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Evans A Criswell
Huntsville-Decatur Movie Theatre Information Site
My theatres screen every new release and I usually am the one to jump on the grenade, otherwise the crap flicks would never be screened.
"Woah thats big ,what's that?"
"The Projector"
"I thought you used tape now?)