This is topic What is the most ridiculous multi-plex in your area? in forum Film-Yak at Film-Tech Forum ARCHIVE.


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Posted by Scott D. Neff (Member # 185) on 04-11-2002, 10:28 AM:
 
I know this sort of thread gets brought up every so often, and usually doesn't do much good for any of us since few of us live near each other... BUT I'm going to be doing some travelling this summer in America, and when I'm out and about on my vacations, I like to look at ridiculously silly multi-plexes.

The ones I'm talkin about are the 4-Plexes from the mid 70's that've since been carved into 12 plexes and have theatres jury rigged into existence.

Like for instance, the UA Berkeley 7 in Berkeley, CA. It was one of the single screens UA built with the carvings on the front "Unity" and "Artistry". Anyway -- it was a SINGLE and now it's 7 screens. From what I'm told they twinned the balcony and they twinned the main floor with walls right down the middle. Then they discovered that the lobby and the mezzanine were SOOO large that they could build each of them into an auditorium. THEN they realized that back-stage was so large, that they could fit another auditorium back there. Needless to say there are amazingly intricate hallways and exit paths leading everywhere in that building, but it's a marvel of what theatre companies did to fit more screens in there.

Now I'm not necessarily ONLY interested in the butchered old singles or the cheezy 70's-plex, but overall... the weirdest and the funkiest multi-plex.


 


Posted by Dustin Mitchell (Member # 372) on 04-11-2002, 03:10 PM:
 
Rogers 5, Wasua, Wisonsin. Single now a fiver. Name might have changed because its owned my Marcus now. Its the theatre in the downtown area.

Rogers 5, Stevens Point, Wisonsin. Old service station expanded into a theatre. I shit you not.

Rogers 7, Marshfield, Wisconsin. Single screen turned into five, plus two screens added in the former music store next door. This theatre is actually very nice, was just remodeled. I didn't get a chance to judge projection quality though during my tour-aspect ratios and whatnot.
 


Posted by Scott Norwood (Member # 30) on 04-11-2002, 04:10 PM:
 
There are many of these in the Boston area. Examples include:

- NA Showcase, Woburn, MA. - originally a 4-plex built in the mid-1970s, now a 12-plex (the conversion involved some "hacking" and some "adding" and resulted in a really lousy venue)
- Loews Harvard Square, Cambridge, MA. - originally a single, now a 5-plex (the big house is largely intact, but the balcony was split and two shoebox houses were added behind the stage)
- West Newton Cinema, Newton, MA. - originally a single, now a 5-plex (this one is kind of hard to describe)
An honorable mention would be the GCC (umm...AMC) Chestnut Hill Cinema - originally built as a twin, now a 5-plex (both houses were divided widthwise and the original #2 house was also divided lengthwise; the #1 house is relatively intact and still quite decent, however)


 


Posted by Sean Weitzel (Member # 244) on 04-11-2002, 05:53 PM:
 
This all reminds me of the whole multiplex scene in 'Bachelor Party'
 
Posted by Bobby Henderson (Member # 840) on 04-11-2002, 07:43 PM:
 
Chances are you would not come through Lawton, but if you did you would be amazed at how silly the Central Mall 12 theater is, especially for a newly built multiplex.

All theaters have "stadium seating" but the small size of the auditoriums (most average between 85 and 100 seats) makes the seating more like bleacher seating at the little league baseball game. The screens, even in the two largest 200+ seat auditoriums, are tiny. That is because the ceiling is no more than 18 feet tall. That's a price you pay for building inside a mall.

The auditoriums have a really weird layout. One entry comes to the front of the stadium riser near the screen, but the other way is a stairway running horizontally between some of the last upper rows. And that stair way is very noisy if someone klomps down it to go pee during the show.

I don't know what kind of projectors this theater uses. They look like they were hammered together in someone's garage. I heard they were built in Czechoslovakia. Only 2 of the 12 screens have digital sound (DTS-6AD's hooked up to QSC amps). And the staff doesn't even bother to load the CDs to play any films in digital! I guess it is just too much trouble for them.

This is a theater that started out great in the initial phases of design. But the Central Mall authority (run by some group of bean counters from Texarkana) paid to have the theater built and only hired Dickinson Theaters to manage it. So they cut corners. And more corners, and more and more. What they wound up with is a theater that wouldn't qualify as a good build for 1993 even with the 2 DTS screens.
 


Posted by Tom Fermanian (Member # 1094) on 04-11-2002, 08:50 PM:
 
Here is a howler!There is a single screener in a small Quebec town called Rivière au Renard Quebec, on my last visit there 2 years ago, they had taken this small single screen with about 300 seats, in which the original auditorium mesured about 75 feet deep by 38 feet wide.The owners decided to go into the video business, they then put a divider wall in the auditorium left to right in the middle, leaving half of the front seats & screen there,The divider wall was a 3/4 wall leaving the top open in order to let the projection beam go thru!Sooo! in the back part you had shelves with cassettes with a passage on each end permiting access to the video store that is now the back half then right thru into the auditorium, no doors in between the lobby/ video store/ and cinema auditorium!! By the way, nice bright fluorecent tubes where instaled on the Video store side ceiling shinning of course on the cassettes + the back part of the newly chopped theatre.The projection light beam goes into the video store part then to the screen, sound from the movie is of course heard in the video part, to be fair, video shoppers are heard in the auditorium too! :bs

In was funny checking out cassettes in shelves from a slopped floor!

A friend of mine from around there said that this place burned down and is no longer running, The Question: Did Irate Moviegoers burn it down? or Video afficionados????

------------------

 


Posted by Dave Williams (Member # 299) on 04-11-2002, 10:04 PM:
 
Here in salt lake.. the worst of all multiplexes...

CARMIKE 12 REDWOOD ROAD 9000 SOUTH

Advertises stadium STYLE seating... meaning an ungodly 30 degree slope. DONT DROP ANYTHING, it will belong to the people in the front row.

Also, they do not replace bulbs until they stop lighting. Most of thier bulbs are on hours as high as 7000 hours. Yes, this means VERY DIM SCREENS.

Tickets go for 5 bucks. I think they are not lasting much longer.

Dave
 


Posted by Paul Harnden (Member # 1034) on 04-11-2002, 10:55 PM:
 
I've written about this theater a couple of times, The Alderwood 12. Now this theater is closed down due to revenue loss (it was a discount house and wasn't bringing much in I guess so Regal pulled the plug).
According to my ol' booth boss when taking a final tour of the place it was built in the late 70's from an old department store. The mapping of the place was very very odd and humorous. It had a main booth where 6 of the projectors and the office were located, but through the middle of the room ran about 4 gurders, which made it was quite a sight watching the operators move prints.
The other houses were scattered along the floor with rather easy access to the booths by the customers (one of the operators on duty told me of the countless people he had caught messing with equipment).
I was unable to find the brand of the projectors (I've only worked with Simplexes and Ballantynes) but my boss told me they were Cinemaccanicca (sorry if spelled wrong) knockoffs made in Bangor, India. I gotta tell you they looked funky. Anywho hope this \ falls under the guidelines of the thread, you said to write about the weirdest theater I've seen and this is it.
 
Posted by Scott D. Neff (Member # 185) on 04-11-2002, 11:43 PM:
 
This is all very very useful information. It's good to know which places to check out for a good amazingly mind-bending "What the hell did they think they were doing!?!?"

I was just in Salt Lake City and I didn't think that the Carmike would be all that amazing to check out, from pictures I've seen it looks like any other Carmike. Hopefully it'll still be there when I go again, I'll take in a movie.

RE: The Alderwood 12 -- is there also an Alderwood 7? I had a friend who ran projectors for ACT III at one of the Alderwoods, I thought he said it was a 7-plex with Strong PRO-35's. Just curious, my trips should bring me up to Washington one of these days.

I get Rapid Rewards tickets from Southwest Airlines when I fly for work, and I know eventually I'm just going to hop a plane and go be a big dork for a few days and tour theatres and harass managers for tours etc. etc. It is indeed good to know where I might want to head.
 


Posted by Ian Price (Member # 14) on 04-11-2002, 11:44 PM:
 
Cinema West's Sebastopol 9.

Sorry .

Of course the Rialto Cinemas Lakeside is no prize winner either.


 


Posted by Paul Harnden (Member # 1034) on 04-11-2002, 11:57 PM:
 
Oh my god Scott! The Alderwood 7 is my ol' theater!! Who's your friend? Maybe I worked with him/her. We had Five Ballantyne Pro 35's in the back and two Simplex 35/70's in the front. Cool someone who knows where I'm from
 
Posted by Paul Linfesty (Member # 214) on 04-12-2002, 12:07 AM:
 
You might want to check out the Academy 6 in Pasadena. The ONLIY thing in this theatre's favor is the heavy on the second-run arthouse product. Some truly bizarre double-features for good prices. This was once a Fox West Coast single screen that became wrapped inside what looks like medical office suites (even though they have different kinds of businesses, so the original marquee and entrance no longer resemble a theatre. The lobby is original, but the main floor was cut up into 4 theatres (the original 4 aisle doors leading to the 4 new theatres). Two theatres in the back half, two in the front half. The two front half screens project AR at somewhere between 1.37 and 1.66 for flat, and probably accurate for 2.35 scope. The two rear half auditoriums are probably about 1.66 for flat at maybe 2.1 or 2 for scope. All theatres have been outfitted recently for Dolby Stereo (or a derivitave) with mixed surround speakers (many of them being those tiny Aiwa units you see that come with personal stereo units). The two upstairs (former balcony) auditoriums have the BIGGEST screens with larger surrounds (that look like what you would use for a portable PA system) but the screens seem set at 1.85 (although the scope images are projected at about 2.0, falling into black masking I SUSPECT could open but are maybe broken...in any case, there is room in BOTH theatres for proper scope screens. Hard to focus, though. The original center booth is being used, and the projection is WAY angled. No seats in the last three (stepped) rows, probably because of the higher positioned screens, a ceiling height change in the balcony cuts off part of the view. The ONLY theatre Ive been in where people in the 10th row from the back can partially block off the bottom of the image when they stand.

Still, Ive caught some great double-feature movies here at bargain prices!
 


Posted by Adam Martin (Member # 641) on 04-12-2002, 12:11 AM:
 
You should have seen this one coming, Scott.

Alderwood 7

Alderwood Village 12

 


Posted by Paul Harnden (Member # 1034) on 04-12-2002, 12:16 AM:
 
Sniff...there's my baby. Thanks Adam for finding that link, I added it to my favs
 
Posted by Ken Layton (Member # 133) on 04-12-2002, 12:22 AM:
 
Scott:
Alderwood 7 and Alderwood 12 are near each other (within a block, I believe). Alderwood 7 was a Tom Moyer Luxury Theater and as such had the Ballantyne booth package. The Alderwood 12 had Cinema Film Systems consoles with Cine-cita projectors (Century knockoffs).
 
Posted by Adam Martin (Member # 641) on 04-12-2002, 12:25 AM:
 
While I'm on the subject, here's a couple of my picks:

Northgate Cinemas, Cincinnati, Ohio: This is now a 7-plex, but has been added to so many times that the hallways are literally a maze, including up and down stairs for no apparent reason.

Studio 28, Wyoming (Grand Rapids), Michigan: The Beltline 3 Drive-In was so successful on this property that Jack Loeks built a single screen indoor theater to complement it. The indoor was successful enough to warrant a second huge auditorium, followed by several more additions, making the Studio the first of its kind several times including being the world's first 20-plex and the largest movie theater complex in the western hemisphere for a while. The drive-in was paved over along the way, giving the indoor theater a parking lot to rival many shopping centers.

And then there's always the travesty of the Michigan Theater in Detroit. The owners of the Michigan Building converted the movie palace into a three-level parking structure. Much of the lobby, upper balcony, stage and projection booth are still intact.


 


Posted by Aaron Sisemore (Member # 145) on 04-12-2002, 02:46 AM:
 
: Even I was saying 'WTF were they thinking??' when they designed the upstairs portion of the Sebastopol.

Sonoma's #1, #2, and #3 booths are equally screwy.

btw, its film festival time again in Sonoma... http://www.sonomafilmfest.org

-

 


Posted by Charles Everett (Member # 889) on 04-12-2002, 05:25 PM:
 
Ridiculous but historical is the Clairidge Cinema in Montclair NJ.

Long ago it was the only Cinerama theater in New Jersey. When Cinerama faded the Clairidge became a giant single-screen like that UA in Berkeley. Later the Clairidge got chopped into 3 screens. Around 1996 it became a 6-plex set up much like the UA Berkeley 7.

Now the Clairidge is run by Clearview Cinemas and the most important arthouse/upmarket venue in New Jersey. How important? It got to open Amelie on 2 screens one week after that picture opened in NYC. Also, any arthouse movie in the national top 20 is usually playing the Clairidge. Not to mention most of the recent Oscar winners!


 


Posted by Mike Spaeth (Member # 524) on 04-13-2002, 12:28 AM:
 
Cinemark Palace on the Plaza - Kansas City, MO.

Screens #1-9 on the third floor of an old mall ... #10-14 across an enclosed skywalk built on the third deck of the parking garage (on the other side of the street).
 


Posted by Scott D. Neff (Member # 185) on 04-13-2002, 03:03 AM:
 
I've seen the Academy 6 in Pasadena... they were showing a scope movie with a flat lense in one of the downstairs theatres. It was definitely a sight to see.

As to my friend who worked at the Alderwood, his name was Kyle Hutchinson... probably only there for about 9 months or so then he went and worked for Edwards.

I'm too tired to comment and thank everybody for their responses... but come on guys... keep 'em coming. I post more tomorrow.
 


Posted by Dennis Benjamin (Member # 1137) on 04-14-2002, 10:42 PM:
 
I managed a few of the poor multiplexes when I worked for Regal in South Florida. It's sad that they used to be grand showhouses and they were split up multiplexes:

Byron-Carlyle 7, Miami Beach R.I.P.
- Opened as a two screen in 1968. Jackie Gleason cut the opening ribbon.
- Wometco theatre split it to 7 (yes 7!) Changed hands to Cobb and to Regal.

Miller Square 8, Kendall, Florida R.I.P.
- Orignally opened as a 4 screener, At one point it had some the highest per-screen grosses in the nation.
- Womecto, Cobb, and Regal ran this one - into the ground.

California Club 6, Miami (still open)
- When I managed it - it was the only ALL THX theatre in Florida (6 Screens)
- Opened as a Muvico, then Regal bought it.It is now a poorly run independant.

Britton 8, Tampa, Florida
- Was originally a GCC 1 screener - split into 8 screens.
- Muvico did an amazing job with this one, then Regal got a hold of it.

That is just a few of them.


------------------
"Running through life at 24 frames per second"
 


Posted by Jerry Chase (Member # 660) on 04-15-2002, 12:25 AM:
 
The Byron was a respectable theatre, but Miller Square was never ever a showplace. Many of Wometco's big theatres were on their last legs or closed before Cobb bought in. Some of those weren't multiplexed, but probably should have been.

Miami Lakes was the theatre that was so confusing ushers had to direct people at a point midway down the hall.

Oh yeah, Miller, Miami Lakes, and Byron all passed through Theatre Acquisitions, L.P. before being bought by Cobb.

The Fox in Tuscaloosa Alabama was another chop job, as was Midfield, near Birmingham. Chopping saved many locations from an early death.


 


Posted by Jeff Leyland (Member # 1092) on 04-15-2002, 12:51 AM:
 
Here it would have to be the Lakeline Mall 9. Built by UA and run for a few by Regal. It has four theatres on one level of the mall and five on the lower level. The upper level has the bigger theatres but a smaller lobby and concession stand. The lower level was opened with one of UA's failed Starport arcades. The lower level theatres are only manned on the weekends. It is weird to walk through the mall on a weekday and just walk into the lower theatres. I like to see what kind of business they are doing and walk out, but just imagine the amount of people just walking the mall that get a free movie.
 
Posted by Richard Fowler (Member # 893) on 04-15-2002, 12:52 AM:
 
The Britton was built by Mr Britton as a single reserved seat cinema...GCC took it over much later...it was orginally equipped with Norelco AAII and as a child and early teen saw "Around the World in Eighty Days",
"Oklahoma", "South Pacific", "Mad,Mad,Mad,World", in glorious 70mm....I was hooked
Richard Fowler
TVP-Theatre & Video Products Inc.
 
Posted by Evans A Criswell (Member # 381) on 04-15-2002, 09:49 AM:
 
quote:
The Fox in Tuscaloosa Alabama was another chop job, as was Midfield, near Birmingham. Chopping saved many locations from an early death.

Jerry, was it you, long ago, that noted that the Fox 12 in Tuscaloosa had 12 screens and 11 separate booths? Was the theatre originally a twin, with one theatre on each side, with each eventually split into 6? It is difficult for me to imagine the auditorium or booth layout there, since I've never been in the theatres. These are in the older Macfarland Mall, which was probably the first mall there. I guess I should make it a point to visit the Tuscaloosa library and see when the current theatres there were built and investigate the history like I've done locally and started doing in Nashville and Birmingham.


------------------
Evans A Criswell
Huntsville-Decatur Movie Theatre Information Site


 


Posted by John Pytlak (Member # 331) on 04-15-2002, 10:34 AM:
 
Richard Fowler said: "...it was orginally equipped with Norelco AAII and as a child and early teen saw "Around the World in Eighty Days",
"Oklahoma", "South Pacific", "Mad,Mad,Mad,World", in glorious 70mm....I was hooked"

A story shared by many!:
http://www.kodak.com/US/en/motion/newsletters/reel/december98/pppp.shtml


------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


 


Posted by Tom Fermanian (Member # 1094) on 04-15-2002, 10:48 AM:
 
I figure that now with DTS, 70mm prints shouldn't be as expensive to make as before, If I remember correctly, the major expense before was to magneticly stripe 6 tracks of fer/ox on the print, then record the sound in real time. Nowadays, I suppose that putting an optical control track could be done same time as picture like in 35mm, not making 70s that much more expensive than 35, Plenty of Norelcos, Centurys and Cinemeccanica's still around that would be adaptable for 35 /70, platters are also adaptable cheaply,That would be "Film done Right" especialy for the new king sized screens!

------------------

 


Posted by Tom Fermanian (Member # 1094) on 04-15-2002, 10:50 AM:
 
P.S. : 70mm still would be less expensive than Digital Projection!for now!
 
Posted by Jerry Chase (Member # 660) on 04-15-2002, 12:12 PM:
 
Evans,it wasn't 12 screens when I used to trapse through, but it did have individual booths for just about every auditorium. Freddie Dobbs might have more distinct recollections if he did service work there. I remember wondering how the place ever made it past code inspections. IIRC, there was one booth where the projectionist had to walk down the aisle of an auditorium, disappear behind the screen, and ascend an open stairway to a booth. If the lights were turned on in the access area the screen turned into a scrim and the audience could see the stairs etc. Opening the booth door allowed booth noise into the auditorium. I think the manager had to work his schedule around so that the audience wasn't treated to a major distraction in the middle of their movie.


 


Posted by Wes Hughes (Member # 981) on 04-15-2002, 05:15 PM:
 
Janus Theatres in Greensboro, NC is an odd theatre. It started in the 70's as a twin consisting of two octagonal (yes) shaped theatres with a central lobby. Then they took in a ranch style office building (which I suspect used to be a house)that was immediately behind it and added 3 more screens, two of which had sofas instead of fixed chairs. The main entrance was moved to the side where the offices were, and the old, larger lobby was just a big room you had to go through to get to the original two big theatres. The projection room stairs just dropped from the ceiling into the middle of that part of the complex. Then the owners bought another building across the parking lot and called it the CineBar. I think it had three or four screens, one of which they called the "penthouse screening room." It was upstairs, and the projector was on the roof in a little shack. It used rear projection.

But you can't see it. They tore the whole thing down a few months ago, and now the mixed use condominiums/retail space are almost done

I used to run a small screening room style theater called Studio I&II in Raleigh, NC. It is located in the basement of this now defunct three story downtown mall across from North Carolina State University. Screen one: 51 seats, screen two: 59 seats. It was very small and you had to go in through a very long hallway to the rear of the basement. Had a lot of good times there. We closed it in October of 2000 when we bought a closed UA 5 screener on the other side of the university. It is still there and up for lease, but the booth is stripped. People loved that theater...partially because we sold beer, and partially because it was so odd.

I'll try to find some pictures.


 


Posted by Mike Williams (Member # 1140) on 04-16-2002, 04:38 PM:
 
Dennis,

The Miller Square never had the highest per-screen gross in the nation. It didn't have enough seats! Kendall 9 had the highest.

Speaking of the Miller Square theater that was a bad chop job... 3 of the 4 auditoriums were split in half (so you had a front and back theater). That caused an interesting keystoning effect in one of the houses.

The extra theater (theater 1) was added in the former game room. It was a bear threading that auditorium because the projector was actually mounted 3 - 4 feet down in the former stairwell while the platter was up in the booth.

Not to mention the raised projectors for the split audiotiums. All of those platters were at booth level and the projector was up on a platform 4 or 5 feet up. (so it could throw over the back theater).

I got to fill in there during most of its last year. That was more than enough!
 


Posted by Adam Martin (Member # 641) on 04-17-2002, 12:30 AM:
 
The Esquire Theatre near the campus of the University of Cincinnati used to be a single that was chopped up into a tri, consisting of a "large" 2XX-seat house and a #2 of about 80 and a #3 of about 40 or 50. Screens 2 and 3 were at the rear of the original auditorium and the #3 screen had a throw of about 25 feet, with the port window almost at the booth floor! I remember seeing The Bad Lieutenant there when The Crying Game was in #1 and A River Runs Through It was in #2.

The theater is now a six-screener, famous for being the theater that edited the print of Center of the World and getting busted by the local paper for doing so.

I assume that they expanded into a neighboring building when they became a 6-plex, as there was simply no more room in their 3-screen building [circa 1992].


 


Posted by Dennis Benjamin (Member # 1137) on 04-17-2002, 01:05 AM:
 
Mike,

Check the grosses for Miller Square pre-Kendall 9. I have heard stories from some of the people who managed it during the Womecto Days. I could be getting my stories wrong (in fact I probably am). However - I did get a few people to respond to the post - right? How are things at the Palace 18? The theatre still hanging in there?

P.S. Also, I believe the title was "most ridiculus multiplex in the area" - I am sure that you agree what was done to the Miller was one of the most craziest chop-jobs on record. May it R.I.P.

------------------
"Running through life at 24 frames per second"


 


Posted by Mike Williams (Member # 1140) on 04-17-2002, 07:24 AM:
 
Dennis,

The Palace is still hanging in there.. My last day there was Saturday. Next Wednesday, I am make the move to Knoxville. I am actually getting your old job in corporate.

Back to the topic at hand (ridiculous multi plexes) the Palace has a feature that many of you guys might scream about. Stadium seating was a feature that was added half way thru the construction process of the theater. So, in order to accomidate the higher port windows required because of the seats going up so high, mirrors have to be used to project the image in 4 of the theaters. Another thing to keep clean and make the image more dim! I will post some pictures when I get home tonight.

 


Posted by Jerry Chase (Member # 660) on 04-17-2002, 10:27 AM:
 
Yes, Miller Square did quite well pre-Kendall 9. However, it was about 2.5 miles north of Kendall Lakes Triple and was more a neighborhood theatre and teen hangout than a destination theatre. It might have done especially well with selected product, and had a peak before newer theatres were built near Kendall Drive, but I don't think it was a regular countrywide gross leader. Be thankful you didn't see the Miller booth in the union days. It was a total mess, full of and operated by an agent with an attitude. He usually made a point of showing up unshaven and unwashed, in stinking dirty strap undershirts. Dressed like this, he regularly tried to stand in the lobby oogling all the teenager girls that showed up in lightweight summer dresses and no bras, placing himself where he could see them right as they first hit the air conditioning.

K-9 used to regularly whomp the nearby AMC theatre's ass, and had a near perfect location at the last big I-95 exit before Homestead. (And a waterfall curtain in the big auditorium.)

Dadeland was the big twin at the corner of Kendall Drive and U.S. 1 that had huge grosses in the glory days.

Bringing it back on topic, K-9 was a strange theatre because the mezzanine floor for the booth was "value-engineered" out, forcing the use of multiple booths and a reduction in seating capacity.


 


Posted by Richard Fowler (Member # 893) on 04-17-2002, 11:45 AM:
 
I did the multiplex that stood on the site of the Palace 18 which was a 10 plex for an independent....he was knocked out of the location by a substantial rent increase. The stadium "pods" in some of those rooms built by Cobb are pretty bizzare.......and as an afterthought some company in Atlanta is reopening the Britton Theatre in Tampa.
Richard Fowler
TVP-Theatre & Video Products Inc. www.tvpmiami.com
 
Posted by Mike Williams (Member # 1140) on 04-17-2002, 11:48 AM:
 

I used to be good friends with the manager that was there from 90 until 96 (Joel McLaughlin). I remember him mentioning that design was changed because of the horrible parking (and Wometco cutting costs). Have you been in there lately? They remodelled the lobby a bit. One problem with that place are those damned 5 deck Christie platters. My wife was an assistant there for a while and according to her they used to throw a print every couple of weeks.

I hear Muvico is talking about putting a theater in accross the street from K-9. (The same lot Regal had) That would be a disaster. The parking is just as bad (or worse) over there.

Overall though, I like K-9. Aside from the parking, it is a half way decent theater.

 


Posted by Carl Martin (Member # 1146) on 04-18-2002, 08:00 AM:
 
back to the theater that started the thread, the ua in berkeley. didn't i read in some post that brad cut his teeth there? perhaps he could tell us about his days? i've avoided it like the plague since 2 anger-inducing visits about 4 years ago. don't remember too much about the layout though. i do remember being flushed with light one time when ushers came in to clean the auditorium minutes _before_ the credits started. maybe 10 or so years ago, before i got addicted to movies, it was shut down for a while for renovation. probably some of the splitting happened then, as well as a refurbishment of the facade. i could be wrong, but i think the relief work with the "artistry" and the "unity" dates from then.

carl
 


Posted by Bill Gabel (Member # 1105) on 06-30-2003, 08:49 PM:
 
It's the Loew's State in Times Square, its only four screens and they never got anything right.
 




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