This is topic You Owe Me Splice Tape in forum Film-Yak at Film-Tech Forum ARCHIVE.


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Posted by Steve Kraus (Member # 476) on 09-08-2002, 07:11 PM:
 
I was placing an order for splicing tape the other day and I got to thinking that I really shouldn't have to. After all, I don't build up or tear down. Once in a while I might join a couple of commercials for a producer but that's about it. All that tape is going to splice or resplice leaders for those who don't resplice them or do so badly. So if you're one of those....you owe me!
 
Posted by Brad Miller (Member # 2) on 09-08-2002, 07:31 PM:
 
Assuming your projector can run single sided splices, which most everyone agreed was the proper and professional way to break down a film, you are most certainly right!

I wonder if you sent in an invoice to TES or whatever depot you get a used print from for $0.25 every time you have to use tape to re-attach leaders what people would say.
 


Posted by Daryl C. W. O'Shea (Member # 1303) on 09-08-2002, 08:08 PM:
 
Maybe one of those 'legal pyramid schemes' would solve the problem. You could send out notes in your film cans saying 'Send me a roll of Neumade tape and I'll email you info on how to properly ship out a print.'

I think it would have a higher probability of working than TES sending you money. (Although TES might send you even more broken reels after you invoice them.)


 


Posted by Steve Kraus (Member # 476) on 09-08-2002, 10:03 PM:
 
Before this operation became my own business I used to contemplate a rate card that would include a fee for repairing prints but realistically I'd be punishing the wrong people. I don't mind backsplicing heads (single side will go through fine but just for security) but attaching masking taped-on leaders or removing multiple single frames or other bad splices...well, a pox upon all their houses. I shouldn't even need a splicer!


 


Posted by Mark Gulbrandsen (Member # 72) on 09-10-2002, 02:46 AM:
 
Steve,
If you'd just make it to Showest(tax deductible for you of course) you could get enough free samples of splicing tape to last the year!
Mark @ Claco
 
Posted by Steve Kraus (Member # 476) on 09-10-2002, 09:06 AM:
 
Well then there is only the matter of labor!
 
Posted by Steven Privett (Member # 718) on 09-10-2002, 02:25 PM:
 
I notice there is no "Breaking Down 101" in the tips section. I guess the next guy with the film is just on his own. When breaking down films was part of my job, I was given a hard time by others for splicing the heads and tails back on the film. I was hourly and they thought I was just stretching it out. "Just get it in the can" was what I was told. It was the way I learned to do it, IMHO, it's the right way to do it and I would still splice them back on.
Steven
 
Posted by Gracia L. Babbidge (Member # 582) on 09-12-2002, 02:31 AM:
 
When I was shown how to break down films, I was shown the (seemingly) unpopular method of making taping heads & tails onto the reels.

I have been making a concerted effort to break myself of this habit. In fact when I was recently training one of my "minions" on how to break prints down - I instructed him to single-side splice the heads and tails back onto the reels.

~the Dungeon Dweller

------------------
In some cultures, what I do is considered normal.
 


Posted by William T. Parr (Member # 677) on 09-12-2002, 12:23 PM:
 
When I was taught how to break down film I was taught to splice the heads and tails back onto the film with splicing tape on both sides of the splice. I have trained all my booth people to do it this way.


 


Posted by John Pytlak (Member # 331) on 09-12-2002, 12:58 PM:
 
Although well-made single side tape splices are much easier to peel off without frame loss when the next theatre makes up a platter show, they do run the risk of folding up or stretching in the gate if the next operator runs the print reel-to-reel without taping both sides, possibly causing a jam or film break.

Since most theatres now run off platters, and most skilled changeover operators would hopefully check the leader splices before running, do well-made single side splices seem to be an accepted option? Opinions?

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


 


Posted by Peter Kerchinsky (Member # 1098) on 09-12-2002, 01:25 PM:
 
I agree John.
When shipping out a print we just make a single sided splice so all the next projectionist has to do is peel it off and re-splice on both sides for their run. I really hate getting a used print that has several cuts at the head of each reel. Unfortunately we cut those out. I never trust heads or tail splices when running reel to reel. Every inch of film is, as it should bve, fully inspected.
 
Posted by Daryl C. W. O'Shea (Member # 1303) on 09-12-2002, 01:55 PM:
 
John, I'm pretty sure almost everyone is in agreement about single sided splices.
http://www.film-tech.com/ubb/Forum1/HTML/000263.html


 


Posted by John Pytlak (Member # 331) on 09-12-2002, 02:21 PM:
 
Daryl: Thanks for remembering the previous thread.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
 


Posted by Craig Hanham (Member # 1010) on 09-17-2002, 08:06 PM:
 
I am with you Steve.
I have no problem with putting a 2nd piece of tape on the leader. Its easier than doing an emergency stop if it peels on changover.
I only add tape to a tail if its dodgy.
The biggest problem I have is with those too tired to strip off old tape before putting the H&T back on. When I have to strip off as many as 3 layers to remake a splice it makes me a Little GRUMPY
Not to mention those paper dots used to mark the splices for easier breakdown......
 
Posted by Steve Guttag (Member # 268) on 09-17-2002, 09:25 PM:
 
As usual, I'll stand with the small crowd. I always tape both sides. The print should be returned in as good or better shape than received. I use good splicing tape that can be peeled off without glue being left behind. I will never adopt the single-sided splice.

Steve

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"Old projectionists never die, they just changeover!"
 


Posted by John Walsh (Member # 168) on 09-17-2002, 10:09 PM:
 
It's tought to pick whether to do one or both sides, but after having to run a lot of film for producer evaluation/acquisition, I was real glad to get reels in with tape on both side. (This is where they will watch only a reel or two, sometimes jumping up a few reels, then tell you to put on something else. You might go through 10-12 features in about 8 hours.)

It depends on what side the tape is on and the projector. Emulsion side on a Simplex, and you hardly knew. Base side on a older Century and it might tear.


 


Posted by Brad Miller (Member # 2) on 09-18-2002, 04:49 AM:
 
So Steve, you use only Neumade tape?
 
Posted by Steve Guttag (Member # 268) on 09-18-2002, 06:22 AM:
 
Mostly Neumade but some CPI.

Steve

------------------
"Old projectionists never die, they just changeover!"
 


Posted by Brad Miller (Member # 2) on 09-18-2002, 12:29 PM:
 
But all other tape leaves residue. I don't know how you define residue, but once the tape is pulled off of the film, there should not be any marks or stickiness left on the film where you have to go back and pick at it again because it tore or you have to wipe the area truly clean. Although CPI is one of the better tape out there, it does leave residue...moreso with double sided splicing. Your prints are more apt to have another frame whacked by the next guy if you do not break down with Neumade.


 


Posted by Steve Guttag (Member # 268) on 09-18-2002, 07:52 PM:
 
You are entitled to your opinions but this won't be the first time you and I have opposite findings. As to the next guy whacking off another frame, that is his/her problem, not mine...they don't need to. Furthermore, the next guy should be a changover booth anyway

Steve

------------------
"Old projectionists never die, they just changeover!"
 


Posted by Brad Miller (Member # 2) on 09-19-2002, 03:39 AM:
 
We will settle this one during ShoWest at the Neumade booth. Bring samples of every kind of tape you think is decent.


 


Posted by Steve Guttag (Member # 268) on 09-19-2002, 04:17 PM:
 
At the Neumade booth? I'll be demoing the LC-2 lens cabinet there!

Steve

------------------
"Old projectionists never die, they just changeover!"
 


Posted by Brad Miller (Member # 2) on 09-19-2002, 04:24 PM:
 
What a great idea. Then afterwards we can go to the Kelmar and Strong booths to check out their lens cabinets. (They call them "turrets".)
 
Posted by Steve Guttag (Member # 268) on 09-19-2002, 04:48 PM:
 
Hey, the LC-2 is in a class by itself! Large enough to hold 2-projectors worth of lenses!

Steve

------------------
"Old projectionists never die, they just changeover!"
 






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