What in the world are they doing? I mean, I can tell this show is being videotaped and not filmed. The color character alone reveals videotape as the source. But it seems like the post-production team is putting the video through some post processing filters to try to imitate something resembling the film look. It doesn't work. Instead, it just harms the videotape image quality to where it looks as though it was shot using the cheapest low-grade VHS-C camcorder one could find. The blurry images and poor shadow detail make me think I need RK laser surgery on my eyes to see it correctly.
Curb Your Enthusiasm is a good enough show to justify keeping it around on HBO's schedule for at least another couple years. But if HBO green lights more seasons, I hope they also green light giving the CYE production money to rent film gear or just make them just use their 3CCD video cameras properly and let the videotape look like videotape. The show looks terrible with that in-between nonsense.
Given how HBO is doing more shows with HDTV in mind, it would be nice if Curb Your Enthusiasm used a real HD format (such as either shooting on film and doing an HD master or using some kind of HD video format that does service to the 1080 format).
stage.editorsnet.com/article/ mainv/0,7220,22747,00.html
"Riding the success of HBO's one-hour mockumentary about Larry David returning to stand-up comedy comes the HBO/Production Partners half-hour weekly series "Curb Your Enthusiasm." The show, shot in a semi-documentary style and mostly improvised, follows David through his daily life in Los Angeles.
Unlike the special, where David acknowledged the camera, the camera and crew are never acknowledged on the series. "Curb" is shot on two DigiBeta cameras and has a 20:1 shooting ratio, giving the editors a whopping 10 hours of footage per episode, on average. The show started production in March and is just now finishing its initial order of 10 episodes. On average, it takes about a month to cut one episode."
Frankly, I've even been disappointed with the image quality of most of the shows shot with the 24P HD cameras (e.g. Max Bickford, 100 Centre Street, this year's MTV Music Awards)
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
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