Film-Tech Forum ARCHIVE: Does anyone here podcast? On any topic at all?

This is topic Does anyone here podcast? On any topic at all? in forum Film-Yak at Film-Tech Forum ARCHIVE.

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Posted by Wayne Keyser (Member # 2420) on 03-24-2008, 11:39 PM:

I'm having a lot of fun with my own podcast, and I wonder if anyone else does likewise.

For that matter, are there any "projectionist podcasts" out there?

Mine is BALLYCAST - covering modern-day sideshow arts, carnivals and burlesque.

You might be interested in checking out these direct download links to my favorite episodes:

EPISODE 5 Interview with Glasserella, not just a glass-eating act.

EPISODE 6 - interview with "The Rev. Tommy Gunn" of Freakshow Deluxe

EPISODE 9 - Interview with "Swami Yohmami", comedian, 'human blockhead' and more.

EPISODE 10 - Interview with "Lady Aye" of 'Bump 'n Grindhouse', a mix of burlesque and sideshow in NYC.

EPISODE 12 Interview with all four members of Philadelphia's Olde City Sideshow.

[ 03-25-2008, 11:39 AM: Message edited by: Wayne Keyser ]

Posted by Mike Olpin (Member # 1115) on 03-25-2008, 01:49 PM:

Before I moved, we tried to get one together - "Space Shed"

Episode 1 sucks ass, but I do like episode 2 a lot. Now that I live in the far far north and everyone else is still in CA, I'm a little uncertain of the future for it.

Right now, I'm setting aside one room of my new apartment as a podcast studio. I have a few ideas peculating up in my head, which I will keep to myself ... for now.

I had posted earlier to gauge interest in a projection related podcast here . I still would like to get that going. Be happy to have you on the pannel - can you use Skype?

My eventual podcast empire will reside at Randomination.com

Posted by Dennis Benjamin (Member # 1137) on 03-25-2008, 02:29 PM:

Oddly enough, I have been toying with the idea of doing an 'audio blog'. Instead of the boring text one I have now.

Hmmm... Maybe an online "Podcast" show would work for me.

Thanks for the Idea!

[beer]

Posted by Mike Olpin (Member # 1115) on 03-25-2008, 03:03 PM:

Excellent examples of well produced podcasts:

1) TikiBarTV (Video)- Without a doubt, one of the best. A cliche problem occurs at the TikiBar (location undisclosed) and it's up to the gang to solve it. This usually happens when Dr. Tiki M.D. USB PhD perscribes a cocktail which bartender Johnny Johnny then teaches us how to make. And then there's La-La...
Highlight Episodes: Red October, Drinkbot, and Volcano
Web Site

2) This Week In Media (Audio) - Covers video and multimedia production. Web Site

3) The Meth Minute 39 (video) - A new bizzare animated short each week. Web Site

Posted by Greg Anderson (Member # 235) on 03-25-2008, 05:07 PM:

I've been interested in creating a podcast... but...

When I wanted to dabble in creating my own web site, there was Geocities to help me play around for free before investing in domain names and hosting services. If I didn't like it I could stop, without any loss except my hobby time.

In the same sense, I can use YouTube for free and I can quit whenever I want without wasting some kind of investment. But I'm wondering if there's any kind of "free" hosting when it comes to podcasts, so that a guy can try the whole podcasting thing without any great commitment. I mean, I need to figure out A) if I want to keep producing stuff on a regular basis and B) if anyone is really going to listen.

Posted by Mike Olpin (Member # 1115) on 03-25-2008, 08:13 PM:

Any file hosting service will do (even GeoCities!)

A podcast simply means that in addition to the audio file on your server, you also have an RSS feed that allows podcatching clients to automatically download new episodes as you release them.

That said, If you don't want to worry about having to learn RSS, http://www.libsyn.com offers very affordable podcast hosting (I pay 5 bucks per month) with unlimited downstream bandwidth. Instead they limit how much data you can upload per month.

Posted by Wayne Keyser (Member # 2420) on 03-25-2008, 09:28 PM:

Greg - All I had to do was Google (not even using any quote marks) PODCAST FREE HOST and a bunch of solutions popped up.

I paid for my own hosting/website, and powweb.com is incredibly cheap and installs wordpress for free, but then I already "swim in those waters" with my other websites I've had for years - I also have to admit that, even though tools like Wordpress are "so easy a child could do it," I found it to be a very steep learning curve (I guess a child could do it but then I'm 58).

Anyway, mine's up and running by some arcane miracle, so I'm not gonna complain, but then again I'm not gonna mess with it as lomng as it chugs along.

Posted by Tim Reed (Member # 137) on 03-25-2008, 11:37 PM:

I was doing this over 20 years ago. It was called broadcasting [Wink]

. A 4 or 5 hour show, 6 days a week.

[Big Grin]

Posted by Sean McKinnon (Member # 612) on 03-26-2008, 08:34 AM:

Speaking of broadcasting... The local rock station on Boston (the world famous WBCN) has a monthly contest where you can send in 12 songs and if you get picked you get to go into the studio and intro your songs, they call it the "Guest DJ Lunch" I am going in today to do this. I will be on live from noon to 1pm!

Posted by Tim Reed (Member # 137) on 03-26-2008, 02:35 PM:

Get 'em to roll an aircheck on you, so you'll have it to apply at other stations.

Btw, remember... when all else fails: time and temp it! [Razz]

Posted by Kenneth Wuepper (Member # 1174) on 03-26-2008, 04:53 PM:

Seean,

Tell us your thoughts on the old RADIO medium. How does it feel to be in a small space with the knowledge that there are thousands of ears listening to you?

As a teacher I really enjoyed turning students on to the medium of broadcast. I taught both radio and TV but had the most fun with TV.

KEN [uhoh]

Posted by Sean McKinnon (Member # 612) on 03-27-2008, 05:21 AM:

I think I have wanted to be a radio DJ longer than I've wanted to work in the movie theatre biz! I love radio, I listen to radio more than I watch T.V. This was really an awesome once in a life time opportunity. They were nice enough to burn me a CD of the hour long segment with all the breaks, and the songs. I was really nervous, the DJ got my from the waiting room had me sit down told me to put on my head phones and went right into the first break! I didnt even have time to get really psyched out. I got tons of pics, I will upload some later. I am seriously considering going to broadcasting school, I don't think I have a good voice but everyone else said I sounded good.

EDITED TO UPLOAD PICTURES. I am in the Black shirt. The DJ "ADAM 12" is in the white and red stripe shirt.

I just wanted to add that I have been in a radio station before but it was maybe 7 or 8 years ago and man, a lot has changed. Last time I was in one they used cart machines and has racks and racks of carts. Now they use a virtual cart machine program on the PC. The board is digital and outputs a high-def signal. The studios at WBCN (104.1 FM CBS Radio Boston) are very very nice. They have a main air studio which is very large. They have the main DJ position and 4 "guest" positions. They have an extensive patch panel where they can accept any audio input there is. They often have live bands that they plug right in to the on air board and mix right there. Some of the DJ's also plug in thier IPOD's so they can play music right from there. Besides the air studio they have 3 production studios that can also be patched into the air board. They have a lot of music on the computer but they also have 2 CD players (some of the songs I chose had to be pulled from the CD library and played on the CD players), a minidisc player, 1 cart deck, and a CD recorder that can record the on air feed.(last time i was in a radio station they still had turntables kicking around) Besides the music computer, and virtual cart machine they have another PC with software to record and edit phone calls, and another PC loaded with all the sound effects that every DJ uses. They also have an external sound effects machine that rich from the "Toucher and Rich" afternoon drive show uses.

[ 03-27-2008, 07:19 AM: Message edited by: Sean McKinnon ]

Posted by Scott Norwood (Member # 30) on 03-27-2008, 08:10 AM:

Nice! So, what was the playlist?

Posted by Tim Reed (Member # 137) on 03-27-2008, 10:04 PM:

Cool, man!

quote: Sean McKinnon
I am seriously considering going to broadcasting school

Please don't. Really, it's not necessary. Broadcasting school is a waste of money. Get yourself a tape and resume together, go to a small local station and apply for a gig. I got my first radio job with a 5 minute audition tape I recorded in my bedroom, reading newspaper copy and a :30 spot I wrote for a fictitious advertiser. My first job was running Sunday morning tapes (weekly religious programming). 6am til 2pm... and from the 1 to 2pm hour, I got to play the hits. I had a "show" for one hour a week. That's how I learned the fundamentals. A year or so later, as I became more polished, I got hired by a bigger station in a larger market.

Most likely, your first assignment will be babysitting the automation on overnights or the weekend, where you might cut weather and stop set breaks (on a system like "Voice Tracker"). Maybe some production. You might also be responsible for several stations at once, given the broadcast climate today. Take whatever you can get short of janitor. Read R&R, too (Radio and Records). They used to have a good classified section with job listings.

Just use that job to learn the biz while you get paid for it (it'll probably be minimum wage, sure, but at least you're not shelling out your own jack). Then work up to bigger stations as you learn the ropes and train your voice. That's how most everyone starts.

Posted by James Westbrook (Member # 3690) on 03-27-2008, 10:11 PM:

And I was thinking Radio was boring now, as a lot of stations don't even use cd players anymore.
Of course, Sean is in Boston...
Out here in the number one hundred something and something market...boring.
I'm listening to a Jack FM station as I am typing this. Allegedly, this is satellite fed from ABC in PLano. I don't know why...the format sounds computerized to me.

Posted by John Lasher (Member # 968) on 03-28-2008, 01:02 AM:

I have a videoblog which I post... semi-regularly on YouTube.

You can see it here.

For some reason, the one I posted with the rushes from "The Lucky Quarter" has substantially more views than the others (not counting my explanation of the David Copperfield mind-reading clock trick).

As a boy scout, I got to visit the Claymont, DE studios of WJBR. At the time they were running an oldies/sports station on AM (1290) and an Adult Contemporary/Pop station on FM (99.5). The FM station still broadcasts, although they are now owned by ClearChannel. I got to see the FM DJ take a few few requests, tape record one (on reel-to-reel). The AM side was relaying a Phillies game (I think, might have been Blue Rocks). They had someone show us the production studio, which was mostly analog tape (RTR and Cart, they had 2 top loading CD players, which had to be opened with a screwdriver because the eject buttons were broken, and a voice synthesizer the guy giving the tour used to make his voice sound like a monster-truck rally commercial.)

Later on I got to visit the local college station, they still had turntables they used for the evening jazz show, this would have been around 1998-2000. I think they still have them for that and a show called the cutting edge, which features unsigned/local/indie bands (many of which still release vinyl).

Posted by Sean McKinnon (Member # 612) on 03-28-2008, 09:56 AM:

Yeah, I agree that there is a LOT of really crappy radio out there. I am lucky as a listener to live in one of the tops market on the country and to have one of the oldest and most well respected rock stations in the country. I almost exclusively listen to WBCN 104.1 FM (CBS Radio) they have really good DJ's who really love what they do and know a lot about the music people literally line up to work for this station because of its reputation so we are lucky to get the best of the best. They also have a really really good afternoon show it is very entertaining but not hacky. It's The Toucher And Rich Show and they are consistently funny and have created a huge following in just about two years.

As someone who wants to break into the business it is not such a good thing to live in a top market. I really do not want to move. Maybe I can get a gig at one of the New Hampshire radio stations. Tim, Do you reccomend applying at any station or just stations that you like the format and are familiar with what they play? Is that very important, or should I try to get any station no matter the format? Also, the reason I wanted to go to school is I am not happy with my voice and think I can use the voice training. CSB (connecticuit school of broadcasting) has a campus near me and they run an 8 week course that covers on air operations, speech and voice training, production and commercials with pro-tools etc..., and they say that they provide job placement upon "graduation" They also claim to have state of the art studios that are open to students six days a week to work on projects and demo tapes etc... It seems like 8 weeks really isnt a long time to get a little training under my belt and get pointed in the right direction? Thanks for all your advice!

Posted by Jack Ondracek (Member # 1466) on 03-28-2008, 01:58 PM:

There's no easy answer to this, as the business has changed dramatically.

When I started (Tim too, I think), you could work your way up through stations in smaller towns, establish your identity and make plenty of aircheck (tapes!). Satellite programming has eliminated a lot of those 'training ground' opportunities, as small broadcasters have found it much easier (and cheaper) to toss a common PC into the control room and automate the whole station.

A lot of larger markets have gone the 'intern' route. They offer some opportunities to get in at near ground-floor levels, but the pay is low, or nonexistent. In a lot of cases though, that's a way to get in.

I think the best way to find a job in broadcasting is not to limit yourself to the music you personally like to listen to. We have a couple of college-based schools here. However, they play only... well, I don't know what they call it these days, and there are only two stations in the state that they could easily move that talent to.

On the other hand, there are two clusters of stations in Seattle, where announcers appear on more than one station. One guy does talk on a 50kW AM station, then does AC at a co-owned FM station, just down the hall. Another does a morning show on a Seattle FM, and co-hosts an afternoon show on a co-owned TV station. The point being that if you don't go into the talent pool with a narrowly focused set of abilities, your chances of landing something interesting might be a lot better. In one market I was in, I did rock at one station, country and engineering at another, and commercial production at one of the local TV stations. None of them were full-time gigs, but added together, it was a pretty good time and I had all the work I could handle.

Good luck!

Posted by James Westbrook (Member # 3690) on 03-28-2008, 02:51 PM:

Clear Channel has been given credit for "ruining" radio, though one could argue that they didn't do that alone.
The Lubbock market does have announcing staff at most of the stations here, especially on the FM band. Clear Channel was acutally producing and distributing programming from Lubbock to it's owned stations in Amarillo and Abilene but last year sold the Lubbock stations (2 AM and 4 FM) to Gap Broadcasting.
I used to find it interesting that some of the announcing staff and program directors would leave, say, the top 40 station and work at a country-formatted station and still thrive and vice/versa. I recall a program director at KLLL (country) named Chuck Luck. I found his name to be kind of odd so I asked the newspaper's entertainment editor what Mr. Luck's real name was. Chuck Luck IS his actual name. He later got a job offer to the local top 40 station as program director (KZII, or Z-102) and brought that station to the top of the Arbitron books.
Formats are just a formality in the business, it seems.

Posted by Scott Norwood (Member # 30) on 03-28-2008, 02:59 PM:

How many commercial radio stations still generate 100% of their programming in house with live announcers or DJs? I can think of only two in this market: WBZ (AM news/talk) and WFNX (FM alt-rock). It seems that pretty much every other station uses taped or syndicated shows or automation for at least some daily programming. There may be others that don't do this, but there can't be very many.

Really, the best radio programming seems to be at the low end of the FM dial, with NPR and various college stations. WERS (Emerson College radio) is particularly good: their signal is stronger than most college stations, the production work is quite good, and they play a wide variety of music, including many live performances in their studio.

Posted by James Westbrook (Member # 3690) on 03-28-2008, 03:28 PM:

In Lubbock, a lot of syndicated programming airs, including on the FM stations. (Mike Harvey Monday through Saturday nights on the oldies station, for example.)
I estimate the talk station I have on the most runs 6 hours of local talk a day, with the remainder being syndicated. I also suspect the station goes "automated" when the syndicated programs air (except maybe Bill O'Reilly, which is delayed so they can air Dr Laura live.) Ramar Communications owns this station, and when the top-of-the hour ID comes on, the computer consistently cuts it off before the ID finishes. ("AM 950 is KJTV, Lubbock. A service of Ramar C-")

Posted by Tim Reed (Member # 137) on 03-28-2008, 07:17 PM:

quote: Sean McKinnon
Do you reccomend applying at any station or just stations that you like the format and are familiar with what they play?

[warning, Frank Angel-sized post follows [Wink]

]

Sean, as Jack mentioned, you shouldn't "limit yourself to formats," or else you narrow your chances for jobs. It only takes a week to get used to a station's format. Whenever I started a new station (regardless of format), I listened to them for a good week before my first shift. This gets you familiar with their call letters, positioning statements, slogans, air talent, and playlist.

You can bet there's a percentage of jocks on your favorite station there who absolutely cannot stand the music they play, but you will never know it to listen to them. I've played the hits on country stations, Big Band, AC, CHR, and Contemporary Christian formats. Regardless of what station you're on, when you crack that mic, you gotta make it sound like there's no other place in the world you'd rather be.

At my first station (I was 18), I made the mistake of commenting about a Willie Nelson song on the backsell: "Well, there's one good thing about that tune, it's only a minute and a half long!" Almost immediately, the hot line lit up. I knew I was in trouble; program director. He told me something to the effect of, "While you may not personally like a song, there are plenty of listeners who do and you need to validate that with them." Before we hung up, he added, laughing, "By the way... that was pretty good."

Don't believe for a minute, the promos for a certain format that's currently popular around the country: NO ONE is on the air playing whatever they want, whenever they want! The consistency of a format is critical to pulling good (Arbitron) numbers.

Jack's info is probably more up to the minute than mine. I think he's still involved in that business and I'm several years removed. Try all the stations near you, it can't hurt. Send out a T&R (tape and resume) and see if you get any bites. You never know. A weekend spot might open up, running the board on ball games or something. But you'll certainly have a better chance at a small outfit to start.

Re: voice training. In a city as big as Boston, you can probably find good local voice coaches. Short of enunciating words clearly, the thing most people have trouble with is their breathing. Speak while expelling air from your diaphram, and not while taking it in. Don't try to sound like someone else, either. Everyone wants to sound like Don LaFontaine, but precious few have the pipes for it. Just be YOU.

If the Broadcast School whets your appetite, go for it. I can tell you the "job placement assistance" is probably helping you put a tape and resume together, and then sitting down with a copy of R&R.

Good luck!

Posted by Sean McKinnon (Member # 612) on 03-29-2008, 10:23 AM:

Thank you for all the replies and help. As I said this is something I have wanted to do since I was a little kid but never beleived I had the talent. The biggest thing that is holding me back is that I don't like the way my voice sounds, I have always been mindful of my pronunciation (Double-You not Dubbya etc...) but feel that I could use work on timing and voice quality. It is an awful lot of money for an 8 week course but they say that you have access to use their studios for life, invitations to different seminars for life, and job placement assistance for life. The other thing I was thinking about is their is a college station near me that lets people from the community produce their own shows not just students.

Posted by Greg Anderson (Member # 235) on 03-29-2008, 11:30 AM:

I'm still stumped about how YouTube can be sustained in its present form. Consider that there's very little advertising there and then the rest of the business model doesn't make sense. They host millions of video clips "for free." There's no limit to how many videos I can upload. And there's a ton of bandwidth used by viewers. So how can this activity pay for itself?

Anyway... The bulk of my radio broadcasting experience was throughout the 1990s, so I may be a little out-of-date. We were using satellite-based music services. We had automation to insert our local ads, along with station IDs and "liners" from the DJs that were doing their live shows over the satellite system. In other words, the same show was simultaneously being broadcast on dozens of stations nationwide and each station was making it seem as if the show was locally-produced. The fact that our programming wasn't locally-produced was a closely-guarded secret, as far as management was concerned. Today, of course, nobody seems to care where the programs originate as long as they're interesting.

At our small station, I did a little bit of everything, including some live, on-air work. I recorded the local ads, kept the automation computers running, scheduled the station breaks, ran the board for live, local sports broadcasts, performed maintenance and repairs, swept snow off the satellite dishes... and just about everything else when I felt like something needed to happen and I didn't want to wait for others to do it.

That kind of situation can wear you down. I have a habit of being a bit too "generous" with my abilities. I'll give myself tons of additional assignments without asking for additional compensation. Before long, those assignments became my responsibilities and I eventually resented the situation. I was doing double the work that I was hired to do but getting nothing for my additional trouble. This can happen easily at a small station. It's easy to start doing a lot of things and get a lot of experience. But if it starts to wear you down, don't be afraid to speak up (before you get really frustrated) or to take that experience elsewhere.

I ultimately realized that I didn't have radio "in my blood" and I decided that a life-long career there wasn't right for me. But, during my time in radio, I met a lot of guys who did have radio "in their blood." There was nothing to keep them away from radio. They loved every second of it and they could be enthusiastic on the air whether the format was country, rock, oldies, "soft hits," whatever! They had tons of music history in their heads, too.

As for broadcast school... I studied a lot of related stuff in college but never had specific training for radio. But I did tons of recording at home during high school. I sent tapes to friends just for our own entertainment. If a guy spends years playing the piano by himself before becoming a professional musician, that's cool. Why do we think a guy's a weirdo if he spends years practicing being a DJ before actually going on the air?

Posted by Mike Blakesley (Member # 26) on 03-29-2008, 01:14 PM:

quote: Tim Reed
I made the mistake of commenting about a Willie Nelson song on the backsell: "Well, there's one good thing about that tune, it's only a minute and a half long!" Almost immediately, the hot line lit up. I knew I was in trouble

Jeez, I can't believe people have no more to do than call and gripe at a radio station about a joke by a DJ. No wonder other countries hate us. [Roll Eyes]

Posted by Tim Reed (Member # 137) on 03-30-2008, 12:14 AM:

Mike, listeners don't have the hotline number, that was my program director who called to reprimand me. It was his job to monitor the air talent. [Smile]

I'm actually glad he did that, and continued to steer me in the right direction, because I was very green. The lessons I learned at that station about connecting with listeners carried with me, and I always pulled good numbers as a result.

Posted by Joe Redifer (Member # 3) on 03-30-2008, 01:13 AM:

Every time I see this thread on the Film Yak board, I think it says: Does anyone here post on topic at all?

quote: Sean McKinnon
The board is digital and outputs a high-def signal.

LOLOL

Posted by Tim Reed (Member # 137) on 03-30-2008, 09:49 AM:

[Razz]

Posted by Sean McKinnon (Member # 612) on 03-30-2008, 10:15 AM:

well it does, you know that new digital HD radio? [Confused]

Posted by Rachel Craven (Member # 1016) on 03-30-2008, 10:19 AM:

Damn Sean, I wish someone told me, I would have listened! You uploading the cd on youtube or anything?

Ok, on topic... I've never even SEEN a podcast... I'm so out of the loop! [Razz]

I guess I'll check out a couple of the links at the beginning of this thread. [Smile]

Posted by Tim Reed (Member # 137) on 03-30-2008, 12:26 PM:

Broadcasting, podcasting, it's essentially the same thing... just with a different company making money from it.

Posted by Joe Redifer (Member # 3) on 03-30-2008, 07:25 PM:

quote: Sean McKinnon
HD radio

LOL!!

Posted by Sean McKinnon (Member # 612) on 03-31-2008, 09:51 AM:

quote:
quote: Sean McKinnon
--------------------------------------------------------------------------------
HD radio
--------------------------------------------------------------------------------

LOL!!

But thats what they call it!!! STOP PICKING ON ME!!! [Big Grin]

Posted by Tim Reed (Member # 137) on 03-31-2008, 09:58 AM:

I keep hearing that term in NYC radio, too. I always wondered what it was all about. [Confused]

Posted by Joe Redifer (Member # 3) on 03-31-2008, 05:36 PM:

HD radio should mean they broadcast 24-bit 96Khz material. But most albums aren't even recorded above 16-bit 44.1Khz resolution. They probably mean streaming 128kbps MP3 files (or some other such form of lossy compression produced from "standard" resolution CDs). That is HD to them. LOL @ radio. Their standards are so low.

Posted by Sam Graham (Member # 2889) on 03-31-2008, 07:18 PM:

The "HD" in HD Radio actually abbreviated "Hybrid-Digital" when it launched, making reference to the technology being carried on the existing analog wave.

Ibquity claims it doesn't stand for anything today (imagine the irony).

Posted by Sean McKinnon (Member # 612) on 04-01-2008, 02:41 PM:

Well, I started my "training" today at the local college station 91.7 FM WMWM Salem. This station is a "class A" 130 Watt Non-Comm station.

Posted by Tim Reed (Member # 137) on 04-02-2008, 05:38 AM:

No kiddin'? Wow, that didn't take long. Is it a paying gig? Details, brother, details!

The call is a bit of a tongue twister on the "W's"... (my first was WWKY - a lot of guys had trouble with it).

[thumbsup]

Posted by Chris Slycord (Member # 4239) on 04-02-2008, 10:01 AM:

quote: Sam Graham
Ibquity claims it doesn't stand for anything today (imagine the irony).

That's only because they don't mind people thinking that it stands for high definition.

Posted by Sean McKinnon (Member # 612) on 04-02-2008, 01:57 PM:

No no pay, just college radio. Someone told me that they let anyone from the community do thier own radio show if you pass thier "training" program. I sat around and watched college kids screw around for five hours and then passed a test. I plan on trying to do the most professional sounding show I can. For the first four weeks you have to play mostly thier "core" music but after that you can play what you want so then I will focus on punk rock and local bands. I plan to have local bands send in tapes then come in to the studio for interviews. For anyone on the northshore of mass. WMWM 91.7 FM tonight (Wed) from 9-Midnight!

Posted by Phil Hill (Member # 371) on 04-04-2008, 06:14 PM:

Ooops! Wrong thread! Sorry...

Posted by Greg Anderson (Member # 235) on 10-13-2008, 03:43 PM:

As an answer to the original question: Yes. Perhaps a boring subject, but I suspect there will be listeners. The Internet is a big place. And there must be a few people who like to hear about atomic clocks and related gadgets.

EDIT:

I've actually started a second podcast about another subject. I'm talking about my many years working on film crews for movies and made-for-TV films. I ramble, but I assume there are still rabid fans of Touched by an Angel who still might want to hear about it.

http://feeds.feedburner.com/MovieStandin

[ 10-17-2008, 11:45 AM: Message edited by: Greg Anderson ]