Licorice Pizza (2021)

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  • Scott Norwood
    Pro Film Handler
    • Jan 2020
    • 216
    • Boston, MA., USA

    #1

    Licorice Pizza (2021)

    35mm:

    7 reels
    scope
    SRD
    cyan
    Foto-Kem
    2383

    ships on two large reels (1-4 and 5-7)

    Clint Phare cues

    also available in 70mm
  • Kyle Mikolajczyk
    Film Handler
    • Jan 2020
    • 78
    • Worcester, MA

    #2
    Interesting how there is no DTS on the 35mm print, but there is on the 70mm print. Do you think there is a reason for this?

    Comment

    • Jim Cassedy
      Film God
      • Jan 2020
      • 1450
      • San Francisco

      #3
      Licorice Pizza (2021) 70mm
      70mm Flat (2.20)
      DTS
      FotoKem
      Kodak 2383 70mm

      Change-Over Version-
      Shipped on 4 (heavy!) Reels
      > Professionally Scribed Cues







      Comment

      • Sascha Roll
        Pro Film Handler
        • Jan 2020
        • 106
        • Berlin, Germany

        #4
        For those of you screening L.P. in 35mm: what's your SRD error rate?

        Comment

        • Scott Norwood
          Pro Film Handler
          • Jan 2020
          • 216
          • Boston, MA., USA

          #5
          3.5-6, depending upon the reel. There were no dropouts.

          Comment

          • Sascha Roll
            Pro Film Handler
            • Jan 2020
            • 106
            • Berlin, Germany

            #6
            Alright, thanks. 2,5 - 3,5 with my print without any dropouts (Print #215. Kinoton Reverse Scan).

            IMG_20220116_021332.jpg
            ​​​​​
            Last edited by Sascha Roll; 01-15-2022, 07:45 PM.

            Comment

            • David Ferguson
              Pro Film Handler
              • Jan 2020
              • 269
              • Edinburgh, UK

              #7
              For those lucky enough to be running the 70mm, I'd be curious to know what the DTS serial number is. It should be printed on the disc, and I think the XD10 may show it on the display too when playing.

              Comment

              • Jim Cassedy
                Film God
                • Jan 2020
                • 1450
                • San Francisco

                #8
                For those lucky enough to be running the 70mm, I'd be curious to know what the DTS serial number is
                Dave- In answer to your question:
                The DTS Serial # is 14219

                "Actual Photo"
                DTS-1.jpeg

                I had the choice of loading the sound from either
                two disks or a USB thumbdrive, which were both
                shipped with the print. ( I used the USB)
                Last edited by Jim Cassedy; 01-25-2022, 09:08 AM.

                Comment

                • Jim Cassedy
                  Film God
                  • Jan 2020
                  • 1450
                  • San Francisco

                  #9
                  Last week I happened to walk by an auditorium where a digitalized version of LICORICE PIZZA was ending
                  and I noticed that the music under the end credits on the DCP is totally different than what's on the 70mm.
                  (And I oughtta know- - I ran the 70mm version of LP 110 times ~ ~ possibly more... I lost count)

                  Comment

                  • Michael Coate
                    Pro Film Handler
                    • Feb 2020
                    • 103
                    • Los Angeles, California, USA

                    #10
                    Any trailer(s)?

                    Comment

                    • Jim Cassedy
                      Film God
                      • Jan 2020
                      • 1450
                      • San Francisco

                      #11
                      Originally posted by Michael Coate
                      Any trailer(s)?
                      If you're asking if there were any trailers on the 70mm print I ran, "No" there were none.
                      There were also none on the 35mm print, according to a friend who ran it in 35mm.

                      Comment

                      • Mark Ogden
                        Pro Film Handler
                        • Jan 2020
                        • 178
                        • Little Falls, NJ

                        #12
                        I very much appreciated how this 1970s-set film brought back, at the very end, the Lippencott & Co. MGM logo which hadn't been seen since The Subject Was Roses.


                        mgm.jpg

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