I've often wondered how one would even begin configuring a registration on an organ with more than three manuals (great, swell, and choir) and 20-30 speaking stops, which is the biggest I've ever played. I strongly suspect that the monster theater organ trend followed directly on from the mega concert organs (concert as in, not in churches) built by Willis, Cavaillé-Coll, etc. in the late nineteenth century; intended to imitate the sound of an entire orchestra, but with only one musician needed, thereby enabling those who could not afford to attend an actual orchestral concert to hear arrangements of the pieces that would have been performed at one in the late c19. Recorded and broadcast music largely killed those organs off, but they were promptly reincarnated in the movie theater a decade or two later.
One of my favorite organ recordings is of Karl Richter playing a selection of J.S. Bach's best known stuff, but on the organ of a small parish church in Copenhagen, of the sort that a typical amateur organist like Yours Truly would typically get his or her hands and feet on (though needless to say, he plays it an order of magnitude better). The two pigf***igly difficult pedal solos in the toccata of BWV540 (yes, I know that you can cheat on a modern organ by coupling great or swell to pedal and playing it with your left hand, but my guess is that he didn't cheat!) sound all the more amazing, because they're coming out of a single 16' rank with no sonic muddle or obfuscation from an almighty subwoofer-like reverb allowing a toe in the wrong place to hide.
But just out of curiosity, I'd be interested to sit at the console of one of these monster theater organs with an expert in it instructing me on just how you would build a registration that big.
One of my favorite organ recordings is of Karl Richter playing a selection of J.S. Bach's best known stuff, but on the organ of a small parish church in Copenhagen, of the sort that a typical amateur organist like Yours Truly would typically get his or her hands and feet on (though needless to say, he plays it an order of magnitude better). The two pigf***igly difficult pedal solos in the toccata of BWV540 (yes, I know that you can cheat on a modern organ by coupling great or swell to pedal and playing it with your left hand, but my guess is that he didn't cheat!) sound all the more amazing, because they're coming out of a single 16' rank with no sonic muddle or obfuscation from an almighty subwoofer-like reverb allowing a toe in the wrong place to hide.
But just out of curiosity, I'd be interested to sit at the console of one of these monster theater organs with an expert in it instructing me on just how you would build a registration that big.
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