Paramount Theatre Oakland CA 35mm Films This Summer *Bright LED Lights*

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  • Terry Monohan
    Pro Film Handler
    • Mar 2020
    • 325
    • San Francisco CA

    #1

    Paramount Theatre Oakland CA 35mm Films This Summer *Bright LED Lights*

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    Good news and bad news the 'F​ox Paramount Theatre' a former Fox West Coast Theatre in downtown Oakland is again showing 35mm films on select Friday nights this July 2026. The show starts at 6:30 PM with 'Kevin King' on the newly refurbished Wurlitzer pipe organ along with pre movie entertainment a 35mm cartoon plus trailers shown on a 1.33 screen. They advertised a 35mm newsreel but last Friday July 3 2026 none were shown. Doors open at 6PM.

    A added attraction is the game show on the lift stage 'Deco O Win' along with the pipe organ. The Paramount is still in great condition except the new way to bright LED lights that are now under the balcony deco light fixtures and up in the upper ceiling grill. When you come into the auditorium before the stage or movie event It was like going into a store not a classic deco movie theatre. Not too long ago before someone decided to up grade (I call It a downgrade) the ceiling lights to new bright white LED's they took out all the nice effect blue and multi color lights that stayed on very dim during stage events. To make matters worse when they showed the pre show shorts on the screen they must have dimmed the house lights 10%. I understand there are security and safety issues these days but please they need to dim them more. The cartoon and trailers are part of the screen show and don't need white light leaking onto the screen. The Paramount is not a junky multiplex.

    When the 35mm 'Purple Rain' Prince film was shown on the 1.85 screen they finally turned off all the bright white LED lights but kept some white flood lights on dim above the screen stage on the curtain valance just above the screen. While the top curtain looks nice we don't need to see It all during the film. Some of the white light leaked onto the screen in some parts of the movie. Many of my movie friends say It distracted their eye site with the image on the screen. Also a blue light from left side of the backstage leaked onto the Paramount stage floor under the giant screen. The projected image surrounding the screen needs to be total dark black.

    The 35mm 'Purple Rain' print was in great shape but the 'Paramount' does not have any Dolby Stereo Sound speakers for films . Many years ago they took down the old 4 ch mag stereo surround box RCA speakers and wires from all the side walls. I was told they hook up two big speakers behind the screen for movie sound now. While many old movies they do show are 1.33 mono sound they do get some scope/flat 35mm prints in 'Dolby Digital 'stereo sound on movie nights. With 'Dolby Labs' being located in the SF Bay Area I'd like to see the 'Paramount Theatre' get some sort of a stereo system put in by the Dolby gang in San Francisco as a donation or sponsorship as the Paramount is owned by the City Of Oakland not for profit. Maybe they have some old working amps ,speakers or surround equipment. The surround sound can be placed hidden up in the back top ceiling coves and not wreck the nice deco walls. Stereo split surround in the huge Paramount would sound great.

    The projectionist on duty last Friday did all the curtain cues perfect on the giant wide red lit curtains. He projected the 35mm pre show shorts film image on the curtains first then opened them. Same with the feature film and credit timing, curtain close was on target Thanks !
    I don't know if he pressed a button from the booth or was It done by a union stage hand backstage. So many young projection types If they have curtains to play with just open them on a blank white screen then start the movie either DCP or 35mm film.


    I worked at both the downtown Paramount and Fox Oakland Theatres in the mid 1960's while in high school under Mr Robert Apple, he taught me showmanship , color lights ,curtains and presentation I saw my first CinemaScope movie at the Paramount in 1953 with the wonder of 4ch mag stereo surround sound. Now It seems many years later the movie sound at the classic Paramount has gone back words with no stereo at all these days. The Paramount has not shown these new movie nights in many years but last Friday they had over 1,000 $$$ moviegoers in the audience. They sell booze in the lobby bars.

    I talked on the phone to the semi new general manager 'Jason' of the Paramount about the lighting issues. He was kind and listened to my suggestions. Jason told me security and safety are his number one priority concerns for the Paramount audience these days not color light bulbs. At least he can dim the white bulbs when people come in. All the deco lights go out during the movie or stage show so the whole place in dark except for the valance distracting above screen lights. I don't see why they can't keep the color bulbs lit on low during a performance this would give a little extra safety glow in the aisles. Bring your sunglasses If you go downstairs on the steps to the restroom lobby with the over bright white LED bulbs put in on the deco lamps. The up stair lobby halls all seem to have this Yellow filter on all the deco lights.

    See my enclosed photos from Friday night movie night at the Paramount with the bright lights and stage game show & organ. If you live in the SF Bay Area check out this special July Summer 2026 movie night at Oakland's classic Paramount Theatre . If all goes well in July hope they will do this event some at other times of the year. Just take BART to the front door get off at the 19th/Broadway exit. Enjoy the show and hope they bring back some color effect lights soon. COMPLAIN AND MAYBE THINGS WILL HAPPEN.​
    ​

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    Attached Files
    Last edited by Terry Monohan; 07-08-2026, 07:28 PM.
  • Ryan Gallagher
    Film God
    • Nov 2022
    • 2855
    • Austin, Texas, USA

    #2
    They can fill in for my Paramount's 1 year departure from showing 35mm. ;-) How many "Paramounts" out there still do it? I know of 2 now.

    State of my booth before the contractors took control of the building:

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    We are definitely getting a new DCI cinema system. Everything is gone (CP2220, pedestal, screen, frame, surrounds, screen channels, masking, subs, amps).

    Only the AP20 remains boxed up for a rainy day (and all the 35/70mm equipment).

    Comment

    • Ryan Gallagher
      Film God
      • Nov 2022
      • 2855
      • Austin, Texas, USA

      #3
      Purple Rain is coming up for me too... but no in nearly as impressive of a venue with the full treatment.

      Comment

      • Ed Gordon
        Pro Film Handler
        • Jan 2020
        • 365
        • Seattle, WA, USA

        #4
        Terry, that auditorium lighting is perfect for post-show cleaning. Not too inviting for the incoming audience.

        Ryan, according to Cinema Treasures there a 25 Paramount theaters still open. I don't know how many still show films. The Seattle Paramount is mainly live entertainment, but they do show films occasionally.

        Comment

        • Martin McCaffery
          Expert Film Handler
          • Jan 2020
          • 575
          • Montgomery, Alabama

          #5
          The Paramount Theatre in Montgomery, Alabama is now the Davis Theatre. It was restored and reopened as a live theatre in 1983. Owned by Troy University it is mostly for events and touring shows.

          Comment

          • Tj Hopland
            Pro Film Handler
            • Jun 2025
            • 264
            • Minneapolis, MN

            #6
            Is that Oakland booth photo current? If so I'm assuming they had quit being a movie theater by the 70's? Its an interesting booth layout. Looking at the photo of the port windows it looks like the center 35 is probably the center line of the auditorium. I'm guessing there must be something odd about the building and the booth probably ends for some reason to the right of the right 35 machine? I'm just guessing that because looking at the ports all the other machines seem to be off to the left. The other ports are an interesting size. I wonder if maybe there were 2 slide projectors where the Eastman's are? But those are pretty big windows for slide projectors. Im assuming the thing past the Eastman's and in the bigger port is a less vintage follow spot? Then what if anything is in the far left port?

            It kinda looks like the left and center projector are the same with the mag so were the primary projectors? Is the right one that is mostly frame identical? Or is that perhaps older like maybe a Super with no mag that by the 50's was just being used for trailers and shorts before Scope features on the left and center machines? Thats how the 3 machine booths in my area were. They were the same when first installed but the 3rd machine didn't get upgraded for scope. When platters came in the 3rd was the one that went and the center got the xenon.

            Comment

            • Ryan Gallagher
              Film God
              • Nov 2022
              • 2855
              • Austin, Texas, USA

              #7
              Originally posted by Tj Hopland
              Is that Oakland booth photo current? If so I'm assuming they had quit being a movie theater by the 70's? Its an interesting booth layout. Looking at the photo of the port windows it looks like the center 35 is probably the center line of the auditorium. I'm guessing there must be something odd about the building and the booth probably ends for some reason to the right of the right 35 machine? I'm just guessing that because looking at the ports all the other machines seem to be off to the left. The other ports are an interesting size. I wonder if maybe there were 2 slide projectors where the Eastman's are? But those are pretty big windows for slide projectors. Im assuming the thing past the Eastman's and in the bigger port is a less vintage follow spot? Then what if anything is in the far left port?

              It kinda looks like the left and center projector are the same with the mag so were the primary projectors? Is the right one that is mostly frame identical? Or is that perhaps older like maybe a Super with no mag that by the 50's was just being used for trailers and shorts before Scope features on the left and center machines? Thats how the 3 machine booths in my area were. They were the same when first installed but the 3rd machine didn't get upgraded for scope. When platters came in the 3rd was the one that went and the center got the xenon.
              The furthest back machine pair is most definitely Strong spotlights of some model (can kinda tell by the lamphouse and the handrail below it, as well as the stool nearby), Probably super troopers if I had to guess and not gladiators.

              There is projector in the foreground just barely in frame too that seems to match the other two. So on the port layout you have 6 small windows for the 3 primary projectors and operator viewports, then a series of larger windows that likely used to host a combination of spotlights and scene effects machines. But today appear to host a pair of 16mm projectors... followed by a pair of spotlights.

              One of the 16mm (if that is what it is) projectors and the 1st spotlight appear to share the wide port window.

              Our port layout is not too different except the spots are at the extreme ends of the booth, only 2 primary projectors, and we added a port for the DCI projector. We have one unused large scene/spotlight port where the projectionist has a little desk and can watch the film (when not running 35/70mm).

              I'd also speculate it is not a current photo, but within the film era, I assume their configuration has changed slightly to permit addition of a DCI projector, but they may have had a better position than the top of the room to install that. But OP makes it seem current, in which case this is a real treat of a venue with historic 3 machine carbon-arcs setup, renewed and active again! And 16mm?
              Last edited by Ryan Gallagher; 07-10-2026, 12:38 PM.

              Comment

              • Tj Hopland
                Pro Film Handler
                • Jun 2025
                • 264
                • Minneapolis, MN

                #8
                Ok Ryan, I'm with you now on the Super Trouper(s) and having fun seeing how much stuff we can guess on looking at a couple photos. Had some time while waiting for some updates and reboots to download and zoom in on the booth photo. The first follow spot we see is indeed a Xenon Super Trouper, the 70's/80's style that used what us cinema people would call a Lume-X lamphouse. And there does appear to be 2 of them. Seems like there is cardboard or something on the left one but you can see that grab handle under the lamphouse and you can see 2 of those half circle tilt clamp things on their stands. There is for sure 2 stands in the pics also 2 exhaust pipes. What threw me off a little other than what must be the 2nd one behind it is the side didn't look right but what I am seeing is the knobs on the back of the Eastman lamphouse.

                There does seem to be an extra flex exhaust pipe kinda angled to the wall between a Trouper and an Eastman. So the far left square port is maybe Super Trouper left? Super Trouper right is in the left side of the larger rectangle window? Leaving room for perhaps another one that isn't currently there or in view and that's what the extra pipe can connect to? Maybe the 3rd one died at some point and got replaced with something newer that is more compact and doesn't have an exhaust connection.

                Maybe there were 5 of those square windows and at some point they needed a wider one so 2 got combined? Notice the bottom lines up with the others but the top is lower which threw me at first but if they took out the center section they likely needed some sort of header beam so that's why its lower than the originals?

                The 2 machines to the left of the 35's are the full theater version of the Eastman model 25 16mm projectors. The carbon lamps look correct and I can see the little recessed control panels they had at the top of the base. There were variations of those with different lamps and reel capacities and versions for tv and such.

                As for the 3rd out of frame 35 all I can see is that it appears to be the same meter panel mounted on top of the knife switch as the other 2 and its plausible that we are seeing the corner of the same model Strong Excellite 135? lamphouse. I can't tell for sure that the left one machine has a mag penthouse but what makes me think it has one is I can see a mag preamp on the wall behind center two magazine. You can kinda make out ALTEC in the middle below the knobs and the white horizontal stripe. There were 2 knobs because they had the effect/surround with its own fader. Its been a long time but I think the way the main fader worked on that is it was geared. The 3 pots (or what ever they were) for L C R were horizontal with gears linking/syncing them. If two and three had the mag heads the preamp would probably be between 2 and 3 rather than 1 and 2.

                I don't ever recall seeing in person signs of or manuals talking about having 3 projector mag system. Some may have existed but I don't think it was common. Seems like I have seen pics or manuals talking about 4. There were some 4 projector setups I suppose for continuous 3d shows? Never saw one in person but seems like maybe there are pics of Radio City in NYC where you can see 4 projectors? That's what makes me wonder about three. Maybe it doesn't have mag and maybe its got an original projector head on it that was never set up for scope? The bases saying Super Simplex and the 4 star soundheads would have been the vintage where a super would have been the projector. Cinemascope they likely upgraded to the XL's with the mag and the Strong lamps. if we could see more of the number 3 lamp that would also be clues. If its the same lamp then maybe number 3 also got upgraded but if its an older model then my theory of them not spending much on it fits.

                I have no idea how old that building is but assuming its 20's and they started running movies early those bases and soundheads are not likely the originals either. Most likely there would have been something like a Western Electric Universal base with the turntables in there that was possibly leased. When Vitaphone kinda died and movies were really taking off is when they didn't extend and or buy out the equipment lease. They instead bought the Simplex bases and soundheads we see in that photo. That stuff then ran till scope upgrade brought in the XL's and probably the lamphouses. If the theater was from the 30's then maybe those did go in new.

                What else can we see?

                Can anyone read the notes on the back of the lamps? IMPORTANT DO NOT TURN OFF LAMPS? IN? NO? ????? I'm trying to think what you would want to note there. I don't see any word that looks like water so its not water related. I don't think I see FANS. Maybe its not turn ON? The N is really wide? Being that its a knife switch that implies its switching the DC so its a generator or city DC so maybe its saying something about not turning off under load? Meaning that you should manually retract a carbon to break the arc then operate the switch? That was a thing but I'm just not seeing anything like that in those fuzzy words I can't make out.

                Now lets talk about more switches.... There are 2 on the base. There is the one with the regular switch cover on it that looks like its ON and maybe there was a label under it? That was where like in later years you maybe used that to control a more modern rectifier but if that was the case you would expect to maybe see the knife switches closed all the time, these look open and like neither machine is currently running. The bigger framed switch with the guard around the lever that looks down/off was often used as the motor switch for brands other than Simplex that had the switch on the side of the motor. There was a mate to it on the other side of the base and they could be set up as a 2 way so you could shut control the motor from the other side if needed. I have no idea what it says RE something, it looks like the left machine has the same label and arrows on it. RELAY? But relay for what? Would not make sense to label it what the relay is controlling if that's it. These could be the motor switches because it looks like the one on the side of the motor is on.

                There are those 4 horizontal switches on the wall, likely for something in the house. Lighting? Curtain/masking? Also looks like maybe some push buttons to the right of those? Maybe older style switches or some sort of intercom? Like maybe those light up a light on the stage to tell stagehands to do something? No idea really just guessing looking at a fuzzy pic.

                Looking at the lamphouse I'm trying to remember if they all had that focus knob at the front bottom corner or if that was the 35/70 special model. That knob moved the whole burner unit fore and aft and on the 35/70 model was used to help optimize the beam between the formats. Its possible the 'regular' models had it too and I just don't remember. I guess one could look in the manuals here. The little chutes on the back where the notes are are not stock. I assume those were a mod to deal with the extreme angle in this case? Or maybe some additional cooling? It kinda looks like the original nameplate is what is making up the top of that extension housing just where the note is attached.

                We can tell the photo is at least from the 2000's because of the takup reel. Those are the crappy snap together core ones.

                If you zoom in and look at the meter on projector 3 the needle is up. I'm gonna guess its voltage? Maybe the numbers are 20 and 40? Or 30 and 60 so we are at 38 or 50 volts? I don't think its amps because with those lamps they should be running at least 80 amps more likely over 100 and the meter just isn't that high. Is projector 3 running maybe? If 3 is running is that the odd shadow/ light that is on the side of number 2 there? It doesn't seem very white at least in the photo, seems more like sunlight from maybe a fire escape door onto the roof that is open? House lights seem to be on so if its running its not a show for an audience. Looks like full reels in both 1 and 2 so before a show of some sort.

                Where is the pliers for #2? Number 1 has the pliers and a nut driver. Looks like in much more modern times someone added that extra angle bracket with the stud on it to maybe set the nut driver on so it didn't go all wonky like they both are in the picture? Bet who ever made those extra brackets for that is likely spinning in their grave yelling at the current staff for not getting the driver on that little stud. Pliers would be for grabbing hot carbons. Nut driver I don't recall I was thinking the strongs had a lever to let off tension to change carbons but its been just a few years and I almost never had to work on those. Ashcraft there would have been an allen there for the collet that gripped the positive carbon. But now I'm thinking in the strong there was a lever that let the screw drive thing loose but maybe you had to loosen a bolt on the 'jaws' to let off the tension so a new carbon could slide in if you didn't have the National 13.6mm joinables?

                Seems odd there are no carbons in view. You would usually have seen them in boxes or some sort of racks under the lamps. Maybe that tray at the back could hold some negatives but I don't see any there. Guessing the tray was for stubs that may still be of use? Then the square can on the floor with the slot was for the ones that were done. Maybe the little square thing in the tray was for copper drippings off the negative? Maybe you dumped them there and let them cool before you transferred them to the official coffee can?

                I wonder what's in the blue milk crate on the floor?

                Dangit got bit by the film tech link thing using number signs talking about projectors and had to try and go back and type the correct numbers..... So if some doesn't makes sense that's why.

                Comment

                • Terry Monohan
                  Pro Film Handler
                  • Mar 2020
                  • 325
                  • San Francisco CA

                  #9
                  Yes guys this is a current projector booth photo. I had a friend that was a union projectionist not too long ago who worked at the Paramount. They have not showed 35mm films in many years till this Summer June 2026 unless for a special occasion or private studio screenings.

                  I'd love to hook up some of my 16mm trailer reels at the Oakland Paramount that I have on 1600 ft reels with rare intermission snipes to see how It would look at a long distance. Many years ago they did run a few 16mm short sneak preview trailers and a newsreel on 'Movie Nights' in 16mm film and they did not look that bad when the image hit the square stage screen many feet away.

                  I think the Paramount will run more 35mm films in the future and bring in some local sponsorship plus get someone backstage or in the booth to lower the house lights when they play the pre show 35mm cartoon and preview trailers.

                  I will not be in the crowd tonight so I hope someone will report here or some friends report to me If they did lower the auditorium LED white lights tonight or will all of us that complained last week go to deaf ears. Just look at my photo from a few days ago from last Friday at the Paramount of the cartoon on the screen playing all washed out by bright house walk in lights.

                  Some big professional show that books the Paramount will be in shock when they come in and see what they have done with the white LED light bulbs inside this classic deco auditorium. They will need to bring some color effect lights to light up the place not just on stage.

                  I'd love to see some big studio or producer come in and install /donate restored 70mm Todd-AO projectors with a giant curved screen with kick ass stereo surround sound for a special preview month or event at the huge deco Oakland Paramount. 'Christopher Nolan' needs to check out the Paramount . He will be showing his new 'Odyssey' 70mm film print over in San Francisco CA next week at the Sony Theatres Alamo Drafthouse 'New Mission Theatre.' They named the main auditorium with his name recently and put his name up on their long empty blank neon marquee out front.

                  Chriss is not going to be happy with the new phone cell food/drink ordering policy 'Drafthouse Cinemas' has now to cut back on food servers when his 70mm film epic is playing the 'New Mission' screen. Maybe he will book the Paramount that does not allow cell phones inside during a performance or food for a SF Bay Area 70mm film exclusive in the future. The 'Fox Grand Lake Theatre' in Oakland will have a 70mm print also of 'Odyssey' along with the AMC Metreon IMAX SF. Many of those shows have long been sold out and the scalpers are getting rich.
                  Last edited by Terry Monohan; 07-10-2026, 08:35 PM.

                  Comment

                  • Terry Monohan
                    Pro Film Handler
                    • Mar 2020
                    • 325
                    • San Francisco CA

                    #10
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                    Here are a few more Paramount Theatre Oakland 35mm/16mm booth photos for Film Tech taken recently. Sorry not much lite and my camera is not the best in focus under low light. I have more new photos up on the 'Cinema Treasures' site of the whole theatre under Oakland CA Theatres . Hope you enjoy this 1st Class former movie theatre in downtown Oakland a must if you ever visit the SF Bay Area.

                    ​​​​​​​​


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                    Last edited by Terry Monohan; 07-10-2026, 08:22 PM.

                    Comment

                    • Tj Hopland
                      Pro Film Handler
                      • Jun 2025
                      • 264
                      • Minneapolis, MN

                      #11
                      Cool, more photos! Looking at the one that is a straight shot at the front booth wall between 1 and 2 top to bottom left to right ish......

                      We more clearly see the Altec 4 track mag preamp box up high, gray box 2 knobs white stripe.

                      To the right of the view port we see a pretty industrial looking gray push button control box that is most likely curtain and or masking. Open, Close, and the red stop at the bottom.

                      To the right of that box is the mag sound change over. I don't recall if it was a button or toggle and then I think there was an indicator lamp to indicate if that was the live machine.

                      To the right of that looks like switches built into the wall so some sort of house functions?


                      Now if we go back to the left under the view port thats what I saw in the other photo thinking those were maybe buttons for some sort of intercom system or maybe those are lighting or masking controls?

                      To the right of that is a Dolby Cat 122/123 remote fader usually seen with a CP50 but could be made to work with other units. Possibly a change over switch sticking out the top of it. No idea what the silver and yellow thing is above it.

                      To the right of that is the Simplex 4 star optical preamp fader changeover box.

                      To the right of that is the power supply box for the Altec mag preamp box.


                      Now down a row and back to the left there is some interesting boxes that may or may not be related to what I was thinking could be an intercom or control box. Looks like at least 4 modules. Looks like some sort of control dial at the top? Then a rather chunky switch below? Don't look big enough to be say the amps for the mag system and those would not need such a chunky switch. So maybe lighting controls?

                      And then a slight gap to the right then we see what is probably a Selsyn motor with a belt hanging on it. This would have been for 3d. There would have been a matching notch belt pulley on the regular soundhead motor which was still doing the work. The Selsyn when power was applied would 'lock' all the other Selsyns motors connected in the same circuit together. So regular motors were providing the drive and those keep things in sync. So the process would be thread your projectors. Flip a switch that then turned on the Selsun's then you had a master switch that turned on both regular motors at the same time. Its also possible that this is a another regular motor with different pulleys or a frequency drive to change the speed like for silent films. The motor itself looks kinda normal and the lack of 6000' magazines sort of points away from 3d. If they left the motors to be ready for 3d anytime you would think they would have also left the large magazines.

                      Comment

                      • Ryan Gallagher
                        Film God
                        • Nov 2022
                        • 2855
                        • Austin, Texas, USA

                        #12
                        TJ, We still have much of our RCA era wall mounted gear in place... in particular the fader linkage via brass rods, which shares some bones with the ALTEC box with the geared linkage I presume.

                        I think I snagged photos in my prior booth museum thread... but it doesn't show the full linkage system between the two projectors stations.
                        https://www.film-tech.com/vbb/forum/...2593#post42593

                        I don't think Oakland's Paramount is functioning as a primary broadway touring house, maybe they once did, but the typical followspot requirement in broadway spaces is 3 to 4 in a booth, typically 4 available.

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