Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Technicolor Screw-up of the Week - The Sequel (Page 3)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: Technicolor Screw-up of the Week - The Sequel
Paul Cunningham
Expert Film Handler

Posts: 146
From: Melbourne, Australia
Registered: Jun 2000


 - posted 07-20-2000 08:57 AM      Profile for Paul Cunningham   Email Paul Cunningham   Send New Private Message       Edit/Delete Post 
The Val Morgan Olympic advertising is starting to wear thin with me, if it was so good to be sponsoring the Olympics then why has it taken 100 years for a cinema advertising company to do it, why hasn't anyone done it before?

 |  IP: Logged

Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 07-20-2000 10:30 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I had that "repeating scene" problem with "The World Is Not Enough." I forget the reel number, but about 90 seconds was repeated. The extra footage was spliced in, not printed in.

Is this a Technicolor problem or what? Or are projectionists splicing the film in the wrong place, and then mixing the reels up?

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-20-2000 01:50 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Joe Pandolfi wrote: "By the way whatever happened to those huge 6000' blue plastic reels WB would send out?"

The Extended Length Reels (ELR) were supported mainly by Warner Bros. and New Line. ETS depots have the equipment for handling and storing the larger reels and cases. The May 1997 issue of Boxoffice had an article about the ELR project:
http://boxoff.com/may97story2.html

Unfortunately, momentum for the conversion to ELR has been lost, due to the retirement of Barry Reardon of WB, and the untimely death of Al Shapiro of New Line. Barry and Al had the vision to see the advantages of ELR, despite some initial design problems, and led the industry support. Hopefully, other distribution leaders will get this project moving again.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com

 |  IP: Logged

Dave Cutler
Master Film Handler

Posts: 277
From: Centennial, CO
Registered: Jun 2000


 - posted 07-20-2000 02:10 PM      Profile for Dave Cutler   Email Dave Cutler   Send New Private Message       Edit/Delete Post 
I didn't really like the 6000' reel that Warner was sending out. Why? You still had lab splices, and lab splices means possible discoloration among other problems. I also thought it was silly that they were still printing the reel change marks as if they were on 2000' reels.

My question is, if Kodak sells film in 6000' reels and Warner was having prints shipped on 6000' reels why were there any splices at all? In the cases were there was extra film, just use it for trailers.

 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 07-20-2000 02:20 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Dave - if I remember correctly, prints that were distributed on ELRs were actually printed in the same way as normal prints, but were spliced together either at the lab or the depot and the extra leaders were discarded, hence the splices and cue marks at the normal reel breaks.

I've never actually had to deal with ELRs, since they were apparently used only for a few mainstream releases and I've spent most of my time in theatres at art houses. Maybe I'm lucky, if the reports of the ELR implementation diasasters are correct.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-20-2000 02:47 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Very few printers are currently capable of handling 6000-foot picture and sound negatives. Capability would develop if ELR was widely adopted.

ELR design issues and logistical problems were being addressed.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-21-2000 04:15 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
None of the ELRs I ever got had any splices at the reel changes. They just had a guaranteed lab splice somewhere within. Still, I'd much rather get prints in on those and have 2 lab splices per print than get 6 separate reels where commonly there are 3-4 splices total.

 |  IP: Logged

Chris Erwin
Expert Film Handler

Posts: 195
From: Olive Hill,KY
Registered: Oct 1999


 - posted 07-21-2000 11:22 AM      Profile for Chris Erwin   Email Chris Erwin   Send New Private Message       Edit/Delete Post 
Brad,

To you know of anyone from TES coming to the web site? I mean,if they did,I looks like they'd have something to say about it.

(an I'm sorry would be a start!)

--Chris

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-21-2000 12:40 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
According to stats I've payed attention to in the past, yes there are people from TES "lurking" here. I guess rather than registering so they can answer questions and help out, they just want to see how many people are complaining about their service.

 |  IP: Logged

Dave Cutler
Master Film Handler

Posts: 277
From: Centennial, CO
Registered: Jun 2000


 - posted 07-21-2000 04:06 PM      Profile for Dave Cutler   Email Dave Cutler   Send New Private Message       Edit/Delete Post 
What service?

You call for trailers, "Sorry it's not in stock." They call wanting to pick up a print on Thursday night, but it HAS to be a specific print number. I know you can just switch the cans, but I still don't like that. I have even had times when they would come pickup a print on Friday morning and demand a different print. That's retarded, just make sure it's the right MOVIE and don't worry about the print number.

TES really needs a good quick kick in the...

 |  IP: Logged

Curtis Barnes
Film Handler

Posts: 15
From: Laguna Hills, CA, USA
Registered: May 2000


 - posted 07-21-2000 04:45 PM      Profile for Curtis Barnes   Email Curtis Barnes   Send New Private Message       Edit/Delete Post 
We don't need no stinkin service!

Anyone know how to build a bomb?

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.