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This topic comprises 3 pages: 1  2  3 
 
Author Topic: 16/35mm Projector?
Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 03-15-2002 02:00 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
When you say there are a mirrored pair, do you mean that the operator side of the right-hand projector on the left of the projector rather than the right? It's hard to tell from the pics.

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 03-15-2002 02:33 PM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
I can't comment about the FP38E, the one I have the unfortunate task of servicing in Edinburgh is not that model. As for picture and sound, I genuinely feel that there is nothing to choose between them, based on what I've seen and worked with, at any rate. Certainly the reliability of those Kinotons has left a huge amount to be desired, I don't think that theatre will buy Kinoton again, if they add more screens or refurbish the other existing ones. At the price two Kinotons, one being the 35/16 type, and a Kinoton dubber come in at you'd expect them to be able to at least supply the correct manual for the equipment, so that when it doesn't work you've a chance of figuring it out, but alas, no.

Steve I do agree with your comment about change over, the last Prevost job I was involved in, the change over operated so badly that we disconnected all the on board stuff and wired in our own. Now it changes over when you press the button, like any sensible system. From the factory you started the motor on cue, and the machines changed over, seven seconds after motor start, on their own, with no operator pushing the C/O button! You can't miss Kelmar change overs going 'CLUNK' as confirmation that you've done it! Wire the same buttons into a simple relay system to change over sound and you're away.


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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-15-2002 10:27 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Ken, Yes. If you stand between the two machines there is a film side of each projector on both sides of you!
If you look at this photo you can see the spindles on the upper cans. http://www.kinoteam.de/kt/image/big/bauer_b_11_anordnung.jpg
Pretty strange, ha?
Mark @ GTS


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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 03-16-2002 09:48 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Does Kinoton still put the c/o switch on the _front_ of the machine? I assume that this can be reworked to use a button on the booth wall or a footswitch instead, but to put the switch in a difficult location by default seems a bit silly.

What would be the advantage of a "mirrored pair" of projectors? If anything, it would seem to be a disadvantage since many parts would presumably be non-interchangeable between machines. Apparently many of the theatre-model 16mm projectors are left-hand-thread models so that they can share a porthole with a 35mm machine, but that doesn't seem to have been an issue in the booth that Mark is talking about.

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 03-16-2002 10:42 AM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
Scott, yep the Kinotons in Edinburgh have the C/O button on the front of the machine, where it's really easy to get to, he said with a hint of sarcasm!

The 16mm side of the Nš2 projector there is on the left, as per stand alone Phillips/Kinoton 16mm.

I suppose having a mirrored pair would mean that they can be closer together which would be useful in s small booth, or where lateral keyston distortion is an issue.

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 03-16-2002 01:10 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
A mirrored pair would also be quite useful if you're doing rapid changeovers between a pair of projectors, for instance if you have a pile of scope trailers on the left and flat trailers on the right, and need to run them in a particular order. This lets you stop the motor on the inactive projector almost immediately after you execute the changeover on the now-active projector.

(That's is a frequent scenario for us here at MIT, where we do changeover and don't have any automated lens turrets.)

This is assuming we're talking about a case where the operator sides are facing each other.

--jhawk


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Gunter Oehme
Film Handler

Posts: 17
From: Frankfurt, Germany
Registered: Jun 2000


 - posted 03-16-2002 07:39 PM      Profile for Gunter Oehme   Email Gunter Oehme   Send New Private Message       Edit/Delete Post 
Mirrored projector pairs have been pretty popular in Germany.
Bauer introduced the first left sided projector in 1925. Production of mirrored pairs ended about 1960.
The reasons for mirrored pairs are the safety regulations of the pre safety film era.
German law required in those times two projectionists on duty for change over with two right sided projectors. For mirrored pairs only one operator was required.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-16-2002 11:55 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Scott:

The current kinotons do have the buttons stupidly facing front. There is an option (for money) to have the buttons face the operator. One can also make any sort of foot or other type of switch of their liking. Using dry contact closures, all of the projector functions are remotable.

Steve

------------------
"Old projectionists never die, they just changeover!"

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Larry Shaw
Expert Film Handler

Posts: 238
From: Boston, MA, USA
Registered: Mar 2000


 - posted 03-20-2002 06:40 PM      Profile for Larry Shaw   Author's Homepage   Email Larry Shaw   Send New Private Message       Edit/Delete Post 
Pete,

There are fairly good manuals for those projectors in existence, I'd yell at whoever sold them until I got them. Sometimes the seprate FP 30 and FP 16 books have more details than the combined book. That stuff must be much older than 3 years, Kinoton hasn't made dubbers for a long time. The newer equipment has much, much better manuals, and they're improving all the time. The factory now has a full time manual writer. While many years ago Kinoton projector manuals were pretty lame, I don't know of anyone currently producing better ones.

Steve,

What was the last machine you got with front buttons? The only model that may still have front buttons is the basic FP 30D, and we'll continue to get rid of them. When I used to run a booth with the front buttons I got used to them pretty quickly, so they didn't really think of them as a problem, but that's not to say there aren't better locations. I actually really like our current backlit buttons in that small switch box, especially when its mounted fairly high up. When its down low because the upper space is used for digital readers, I'm still fighting to get the factory to angle the box up. The parts of me at that elevation have no eyes.

------------------
Larry Shaw
Boston Light & Sound, Inc.
North American Distributor of Kinoton GmbH
290 North Beacon Street
Boston, MA 02135-1990
Tel: 617-787-3131 x104 Fax: 617-787-4257
E-Mail: larry@blsi.com
Web site: http://www.blsi.com/kinoton

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-21-2002 10:54 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
>>"Steve,

What was the last machine you got with front buttons?"<< An FP38ES last April because we didn't order the optional operator facing panel that you mention in your post. In that installation, there was a full remote contol to be used for 95% of all operation so the operator facing panel wasn't deemed necessary.

For your reference, the option is part number 0040 140 001200 and must be ordered for each projector (this is a factory installed option for the FP-30E series) and carries a list price of $270.00.

I believe for the PK-60E it is standard equipment. As to the panel location, high or low depends on the particular installation. A high mount is mostly preferred unless the projector must mounted on a riser. Mounting it above the lens brings the operator's arm (and possible bracelets) close or into the projection beam. Mounted low (below the lens) tends to have the controls somewhere near pocket height.

We have taken to having a separate control box with just the motor and changeover functions since at changeover time, having a mass of identical looking buttons (except STOP which is red) can be confusing and lead to botched changovers (and no-no in my book). One shouldn't have to look for their controls when making a changeover.

Now before picking on Kinoton too much on their control panel, one must reflect on just how many other projector manufacturers provide any manual buttons! While they once may have provided a motor switch (and on some that was on the pedestal) and some may have provided a changeover pushbutton (if you bought their sound system) not too many now have manual switches since they are presummed on the automation. Kinoton also provides for one to install any manual switches they choose...all with low-voltage using dry contact closures.

------------------
"Old projectionists never die, they just changeover!"

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 03-21-2002 11:16 AM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
Cinemeccanica gives out a manual switch panel / slow start set up if requested....It must the European mentality to provide as much as possible in the basic package.
Richard Fowler
TVP-Theatre & Video Products Inc. www.tvpmiami.com

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Erkan Umut
Film Handler

Posts: 27
From: Istanbul, Turkey
Registered: Jan 2000


 - posted 12-09-2002 04:08 PM      Profile for Erkan Umut   Author's Homepage   Email Erkan Umut   Send New Private Message       Edit/Delete Post 
Nippon Denshi Kogaku (Brand: Cineforward) and Victor Arcs (Brand: Fuji-Central) of Japan manufacture 16/35 dual gauge projectors as well.
For more info you may visit my web page at www.erkanumut.com/j.htm

[ 03-20-2007, 11:25 AM: Message edited by: Erkan Umut ]

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Dick Prather
Master Film Handler

Posts: 259
From: Portland, OR, USA
Registered: Feb 2002


 - posted 12-09-2002 04:48 PM      Profile for Dick Prather   Email Dick Prather   Send New Private Message       Edit/Delete Post 
The 35/16 Mark speaks of is a Nichion model NA-101. Mark, I was there when you picked it up at Wolk. At that time it was missing the 16mm intermittent but I think most of the rest was there. It was a combined picture and soundhead for both 16 and 35. B.F. Shearer sold them on the west coast from the spec sheet.

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System Notices
Forum Watchdog / Soup Nazi

Posts: 215

Registered: Apr 2004


 - posted 04-23-2011 01:48 AM      Profile for System Notices         Edit/Delete Post 

It has been 3056 days since the last post.


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Paramjit Singh
Film Handler

Posts: 1
From: Kapurthala, Punjab, India
Registered: Apr 2011


 - posted 04-23-2011 01:48 AM      Profile for Paramjit Singh   Email Paramjit Singh   Send New Private Message       Edit/Delete Post 
Hi all. I am a new member to this forum. Professionally I am working as Executive producer in ALL INDIA RADIO, the largest Govt Broadcasting Network in India.
I have tremendous interest in Film Projectors. In my collection I have a 8mm, super 8mm, 16 mm Projectors. I was looking for a portable 35mm projector in affordable cost. But I could not get one. So I purchased an old FUJI Japan Projector Head, worked on it for 6-7 months in spare time and converted it into a complete portable unit with 24v 250 Watt halogen lamp, optical sound with, in built Amplifier, plain as well as anamorphic lenses. I did it all with hand tools in my home work shop. I ll soon post its photographs

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