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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » house lights for end credits? (Page 4)

 
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Author Topic: house lights for end credits?
Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 04-15-2002 10:53 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
When we played "We Were Soldiers," we had a used print. Somebody had put a cue at the beginning of the part where the casualties were listed. Talk about ruining the emotional end of the movie! (Yes, luckily I caught this and removed it.)

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 04-15-2002 12:23 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
Does anyone know if that delay timer can be done with Big Sky automation?

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Rick Long
Jedi Master Film Handler

Posts: 759
From: Toronto, Ontario, Canada
Registered: Nov 1999


 - posted 04-16-2002 12:38 AM      Profile for Rick Long   Email Rick Long   Send New Private Message       Edit/Delete Post 
From what I have seen of the Big Sky manual, Ken, I don't see any easy way to do it.

However, if you buy your local service technician a beer or two, he might be able to provide you with a second sensor, which could be used to pick up cues from the edge of the film, (along the sprocket holes).

This sensor could be independantly wired to pulse whatever function you wanted to happen. (P.S. I have found old garbage Scope aperture plates can be bent and mangled into excellent emergency sensor brackets).

Depending on the current and voltage this sensor would be required to drive, an interface relay may be required.


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James R. Hammonds, Jr
Jedi Master Film Handler

Posts: 931
From: Houston, TX, USA
Registered: Nov 2000


 - posted 04-16-2002 06:43 PM      Profile for James R. Hammonds, Jr   Email James R. Hammonds, Jr   Send New Private Message       Edit/Delete Post 
It Hurts My Feelings When You Leave Before The Credits Are Done


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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 04-16-2002 08:01 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
That poor woman must be an emotional wreck.

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Paul Cassidy
Jedi Master Film Handler

Posts: 549
From: Auckland, New Zealand
Registered: Aug 2001


 - posted 04-16-2002 08:10 PM      Profile for Paul Cassidy   Author's Homepage   Email Paul Cassidy   Send New Private Message       Edit/Delete Post 
Well she would of killed the owner of one cinema owner in Auckland as he (name with-held) used to cut the End credits all together ,until customers complained and he was forced by the distributors to finish all the credits or have no films to show

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A KIWI eats,roots & Leaves.

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Michael Swarbrick
Film Handler

Posts: 23
From: London, England
Registered: Jan 2002


 - posted 04-16-2002 08:16 PM      Profile for Michael Swarbrick   Email Michael Swarbrick   Send New Private Message       Edit/Delete Post 
At my cinema we don't put any house lights on until the curtains close after the last studio credit on screen (or until every customer has left the auditorium). Also, there' a chance that we might have the director or other crew member sneakily watching the presentation, and we wouldn't want to piss them off!

If the film is really busy (like 1000+ customers in our main screen), then our GM might request that we have 'Credit' lights on during the ads and trailers only. But our lights aren't designed too well, and they can easily shine on the screen, so we don't do that often. Plus, our contract with our advertisers states that the ads must be played 'in the dark' (and at Dolby level 7, yeah right!).

I will admit though that at my last cinema, I sometimes put the house lights on towards the end of the end credits if it was the last show, but only if I didn't have any time and my taxi was coming soon! But I didn't put on any lights that would shine onto the screen, and I don't do that anymore.

I agree that if your standard 'emergency lights' aren't enough for people to leave safely during credits, the film, or an actual emergency, then you shouldn't have the public in your building anyway.

As for cleaning the screen during the credits, I never used to clean or turn on the cleaners lights until everyone had passed me by at the exit. Unfortunately I've noticed not every usher today is so polite. In just 2 years I've been in booth, I've had a moan at many an usher for turning cleaners lights on before the curtains have even closed! It can bloody hurt your eyes if bright halogen lights come on when you've been in the dark for 2 hours!

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Michael Swarbrick
Projectionist, Empire Leicester Square

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 04-17-2002 05:33 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
At one place I worked there was an usher who was so bad about putting the cleaners' lights on during credits (regardless of whether customers were still in the auditorium or not) that in the end I had to switch them off at the breaker in the projection box in order to prevent a deluge of complaints from customers. She even did it once at the credits of The Big Sleep - a 1946 film which has nothing but a 30-second cast list at the end! No sooner had 'The End' appeared on the screen than she'd lit up the room like Wembley Stadium during a floodlit match!

None of the managers wanted to tackle her about it becuase she'd cause a scene and complain that we were victimising her.


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