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This topic comprises 3 pages: 1 2 3
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Author
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Topic: Why white leader at the end of film?
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Michael Barry
Jedi Master Film Handler

Posts: 584
From: Sydney, NSW, Australia
Registered: Nov 1999
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posted 02-16-2003 07:37 AM
I remember having this exact conversation with a major theatre chain when I started projecting there.
They had no extra tail added to their prints at all - just what the lab supplied with the final reel, which is certainly not enough to avoid film damage. As a result, the final credits suffered some pretty horrendous emulsion scratching and even creasing.
When we had our first projection meeting, this was one of the points I addressed. I suggested 50 feet of extra tail, but the objection that was raised was that there may not be enough time during tight schedules to allow the extra film to run through.
I pointed out that 50 feet of film runs through in just over 30 seconds, and that if they cannot allow an extra 30 seconds, then they have very serious problems with scheduling!
Of course I mentioned that this will save the end of each print. Unfortunately, they just weren't interested. How sad.
The other major objection they raised with all the revisions in film-handling technique that I suggested was that they would take too much time, and that they were too pressed for time. How can there be not enough time to perform the job correctly? You either do the job or you don't. Interestingly, there seemed to be plenty of time for other (mandatory) tasks that had nothing to do with improving the results on the screen that customers were paying to see! An example of such a task would be dusting the handrail in the concrete stairwell that connected the projection rooms on a regular basis.
I left that job soon after, as it was too frustrating trying to run a quality presentation with co-workers who paid plenty of corporate-speak lip-service about 'quality presentation' this and that, but when it came to the crunch (which is what their tail leaders always did!), it was just that - corporate lip service, rather than a genuine commitment to get the best possible show on the screen.
Now I work with John Wilson again. (hey John! ).
'Nuff said.
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