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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » "We Ran It Wet" (Page 3)

 
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Author Topic: "We Ran It Wet"
Bernard Tonks
Jedi Master Film Handler

Posts: 619
From: Cranleigh, Surrey, England
Registered: Apr 2001


 - posted 02-26-2003 02:40 PM      Profile for Bernard Tonks   Email Bernard Tonks   Send New Private Message       Edit/Delete Post 
Very interesting Stephen,

I have a short length of horizontal VistaVision from “Battle Of The River Plate” which confirms the type of soundtrack you mentioned. I did see a demonstration by Technicolor of horizontal Technirama at the Odeon, Leicester Square, which was excellent.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-27-2003 12:04 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Many RCA TP-66's were fitted with "Wet Gates" for doing film transfers. The solution was a special freon based stuff though and I can only assume that its no longer available. I do knowone transfer facility that used Film-Guard in this application device quite sucessfully.
Mark @ CLACO

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 02-27-2003 06:29 AM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
Mark, the only thing I've seen like that is a device that applies that liquid in advance of the gate. It is all evaporated by the time the frame is presented for projection. One of my TP-66's has such a device that I use to apply FilmGuard.

In any event, I don't think the poster was referring to the film still being wet from processing. The emulsion is still way too soft.

>>> Phil

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-27-2003 08:22 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
As I recall, one of the devices used on early telecines was "Pic Clear", which used an index-matching solvent that had a fast evaporation rate, but slow enough that it was still on the film as it reached the aperture of the TP66 telecine projector.

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