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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Running 3-D without selsyn motors (Page 3)

 
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Author Topic: Running 3-D without selsyn motors
Paul Cassidy
Jedi Master Film Handler

Posts: 549
From: Auckland, New Zealand
Registered: Aug 2001


 - posted 04-26-2004 05:43 AM      Profile for Paul Cassidy   Author's Homepage   Email Paul Cassidy   Send New Private Message       Edit/Delete Post 
Warren I remember seeing the Roadshow of "This Is New Zealand" at the Embassy Theatre in Auckland and although this was a 70mm cinema they set up the screens in front of the existing one and as I remember this was very impressive presentation at this time ,having 3 separate images to watch and then joining to 1 Huge screen image at times ....... the audience used to stand and clap after each performance [beer]

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Warren Smyth
Expert Film Handler

Posts: 158
From: Auckland ,New Zealand
Registered: Aug 2003


 - posted 04-26-2004 08:13 AM      Profile for Warren Smyth   Email Warren Smyth   Send New Private Message       Edit/Delete Post 
That's the one Paul. It's cost for twenty minutes of screen presentation was $60,000 in 1969. It was never intended to make money as the purpose was to promote the country at the Expo. When the Minister of Trade Jack Marshal saw it in Japan, he insisted that it be shown back here. At a nominal charge it covered it's production costs at the Embassy Theatre in Wellington in six weeks. It then toured and I was one of the projectionists who ran it at Auckland.

In each centre, an additional projection room was built - in our case, in Auckland, in front of the existing one in the circle. The three projectors were located along the front wall of the new projection room so that they sat laterally centred to the optical axis. I think the flat screen was about sixty feet wide. The academy standard aspect ratio was used for each strip with amazing results when the images cut from split screen to a single image across the whole width.

In terms of working, it wasn't unlike three strip Cinerama except all the equipment was housed in the one projection room. With sessions repeated on the hour, we worked much harder though. There was also a fourth projector, an Ernemann which was used to run a twenty minute short on the centre portion of the screen prior to changing over to the three strip presentation. This showed the Expo and some of the technical aspects of the main three strip programme.

It was my first introduction to Xenons. The only technical hitch I remember was a change-over solenoid burning out on one of the Toshiba projectors. As I said, all three projectors and sep mag sound reproducer held in perfect sync with just a start up help from the selsyns.

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Bernie Anderson Jr
Master Film Handler

Posts: 435
From: Woodbridge, New Jersey
Registered: Apr 2000


 - posted 04-26-2004 10:24 AM      Profile for Bernie Anderson Jr   Author's Homepage   Email Bernie Anderson Jr   Send New Private Message       Edit/Delete Post 
Out of phase shutters with a 3-D presentation is very annoying. Movement does not look natural, and you get a strobing effect when there is any action. Even lip movement looks wrong.

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Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 04-26-2004 11:16 AM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
It's easy to run 3-D without selsyns...
...just run over/under! [Eek!] [eyes]

((runs and hides))

=TMP=

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-26-2004 11:43 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Thomas Procyk
((runs and hides))

You can TRY to hide, Thomas, but we'll find you! [evil]

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