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Author
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Topic: Motiograph Projector question
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Bob Koch
Expert Film Handler
Posts: 183
From: williams ca
Registered: Nov 2001
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posted 06-12-2004 11:48 PM
I have to agree with Sam on this Motiogrief stuff. The post war stuff[AAA AA'] was strickly crap.As a parody for Will Rogers saying,he never met a man he did`nt like, I, like Sam, have to say I never saw a Motiograph without travel ghost. It was so apparent in the trade, the 1940 Model K sales brochure refered to this as "soft vignetting" of the projected image. The early Motiographs, Model "H" "HU" "F`s" and the K were beautifully made and the machining was great, even at that time,when hand fitting and lapping of intermittents, et al,were the norm. Those aforementioned models would run like sewing machines until 15 minutes before they fell on the floor.The worst thing about these Motiographs was the barrel shutter and the "u" joints that drove them. You had to raise the back half of the projector case to thread it, and because of this,you could`nt get any arc lamp[Peerless Magnarc, Brenkert Enarc, Ashcraft "C"] closer than 36-7 " from the aperture plate when the working distance of those lamps reflectors was no greater than 34"; a huge loss of illumination. One time about 50 years ago I had a booth with Model K`s and Brenkert Enarcs in the location of Adam Martin`s Esquire Imax. With a collusion between the projectionist and myself we sent one of the "K"`s out for an overhaul and replaced it with a BX 60and just for fun threw in a 31 1/2" reflector in the Enarc. You should have seen the lite difference on the changeovers.But then as now, the exhibitor reaction was predictable. Don`t accept the improvement; "get the "K" back so we can be as we were before" Always hated the post war Motiogrief, too many gears between the movement and the shutter, and all those New Departure hexagonal ball bearings
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