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This topic comprises 5 pages: 1 2 3 4 5
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Author
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Topic: Lamphouse Spot-the-Difference game! (With pics!)
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Jason Burroughs
Jedi Master Film Handler

Posts: 654
From: Allen, TX
Registered: Jun 99
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posted 10-07-2004 10:03 PM
Only in Canada! Looks like Red Green got a hold of that thing (including the use of duct tape)
Honestly, I would have been better to have lost shows, and taken the loss, than have the possible catastrophic results you may have had. Sure we commend you on your desire to put the show on, but young Jedi, there is a time when you just have to say enough is enough.
Honestly I seriously question the ethics of the "tech" that advised you though this process, including the use of a wire hangar for the bulb support. I'm sure everyone has had to go to some pretty great legnths to make sure that the show goes on, but at the same time, we've also had dark theaters as well. Regarding the potential upset customers, there's little more you can do than letting them know that the project is broken, and that you are awaiting parts. Most can handle an honest answer like that.
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Matthew Nock
Film Handler

Posts: 82
From: Bairnsdale, Victoria, Australia
Registered: Jan 2003
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posted 10-08-2004 07:12 AM
I know I am late coming in to respond to this - but I too have to agree with the majority of people here.
While the "fix" might seem ingenious, there would be a couple of issues here...
1) What sort of decent technician would even recommend doing such a thing??
2) Yes, the "Show must go on" but not at the expense of equipment, or personnel.
When ever I train new staff, I do inform them of the important of "The show Must Go On" but with conditions - ie: in short, if you are causing damage to equipment, or film, then stop - otherwise, use what ever methods within your power to keep the show on screen.
I agree that the shows for that weekend should have been cancelled - I have and will continue to do things like that before putting any equipment, or staff at risk. Being in the country, running a small theatre, sometimes its not always possible to have new lamps readily accessible, but we do have a stock of 'taken out cause they flicker a bit, or take a bit to strike' lamps that we would use as a temporary solution.
And I too would agree with the "contact a local cinema" - we have done that in the past... thats why its important to build good relationships with your competition.
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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 10-09-2004 12:02 AM
I think I understand your "meaning" in doing this kind of repair and, though I think you were pretty sure of yourself when you did it, I must say that it probably wasn't the smartest thing to have done.
Okay, okay. You got the thing to work... Or to LOOK like it was working. Yes, you got light to come out of the thing but I'm worried about some other things besides the danger in running the lamp the way you did.
I really hope you didn't do lasting damage to the machine that won't make itself known to you until the lamphouse, the projector or the power supply have totally melted down at some time in the future, when you least expect it, nor can you afford it!
1) The obvious: While you were making these modifications, can you be sure that you didn't break anything? (Either while doing or UNdoing?)
2) The lamp you installed, being a higher wattage, probably ran hotter than the usual one. Can you be sure that there was no excess heat that caused damage?
3) Since the lamp was a different size than usual, I can't imagine HOW the thing would be in alignment/focus. Can you be sure you didn't "hot spot" the film and put burn marks on it? Can you be sure the projector's shutter, dowser, gate and/or lens(es) didn't suffer any heat damage? Do you have any idea how much those parts cost to replace? Hint: More money than you are likely to have in your bank account!
4) Since the lamp draws more power than the usual one, can you be sure the excess "draw" on the power supply didn't cause it to overheat? Diodes, capacitors and other parts of power supplies are famous for appearing to be okay on the outside but they are really damaged on the inside. That damage often doesn't show itself to you until later.
You really have to know where to look and what to look for in order to know if any of these things have gone wrong. Even an experienced person can overlook this kind of thing.
You really have to look out for old Murphy's Law! In a situation like yours, if there is any hidden damage (I fear there is) it won't make itself known to you until the worst possible moment. It'll be a busy Friday night when your projector will simply stop working... or worse... collapse into a shower of sparks and flame!
I'm not going to sit here and tell you that I have never used "Yankee Engineering" to solve a problem but I will advise you that you need to learn when to quit. There are times when coat hangers and duct tape may be an appropriate way to make temporary repairs but there are also times when when you should just walk over to the fuse box, shut off the breakers and say, "Sorry folks, the show is over for tonight!"
All this is coming from a guy who, not too long ago, advised a member of this forum to consider making a repair with a piece of coat hanger wire!
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This topic comprises 5 pages: 1 2 3 4 5
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