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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » How Dolby Digital and SDDS Works? (Page 4)

 
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Author Topic: How Dolby Digital and SDDS Works?
Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 09-14-2007 08:38 PM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
This is getting absurd with all sorts of speculation and conjecture (i.e., horse shit) about facts not available.

No one at Dolby Labs now or in the past would know what if any money Sony made on the SDDS processor so therefore would be unable to seriously make a statement contrasting any money Dolby might have made on the SDDS project.

What is this a slow news day?

[ 09-15-2007, 12:49 AM: Message edited by: Sam D. Chavez ]

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 09-15-2007 07:25 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The UV system was a development of the National Film Board of Canada and in one of the SMPTE mags there is a article on the laser scanning reader with a 45 degree prism to read the superimpossed digital track over the analogue in a century soundhead

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 09-15-2007 10:36 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Can you scan and reproduce that article for us?

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