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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » New Christie P-35GP Pulley Kit (Page 2)

 
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Author Topic: New Christie P-35GP Pulley Kit
Tim Lewis
Film Handler

Posts: 12
From: Okatie, SC, US
Registered: Dec 2006


 - posted 10-22-2007 05:43 AM      Profile for Tim Lewis   Email Tim Lewis   Send New Private Message       Edit/Delete Post 
Mark, am i correct in the assumption that the P35GP is essentially the same machine as a P35GPS? are there any major differences?

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 10-22-2007 11:39 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
Oh, you must mean like the 5 star flutter???
Christie is in a flutter class all by itself. [Razz]

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 10-22-2007 11:41 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
FWIW, when I did service Christies, I never had any digital basement readers, so I can't comment on them, but I never noticed any audible flutter in the analog sound. What would cause that?

Regarding the new pulley kit, does each pulley use the same bearing as the old version? I remember I was changing out bearings like crazy on those machines. Are the bearings still expected to wear like that with this new kit?

[ 10-22-2007, 01:38 PM: Message edited by: Ken Lackner ]

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 10-22-2007 06:32 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Ken Lackner
Regarding the new pulley kit, does each pulley use the same bearing as the old version? I remember I was changing out bearings like crazy on those machines. Are the bearings still expected to wear like that with this new kit?

Looks to be the same bearings. You can go through bearings for several reasons... 1. Belts are too tight, 2. Pulleys are worn and you're generating alot of belt particles. These particles get into the bearings and wear em out in a hurry... just like on a 5-Star. Out here where its very dry bearings with rubber seals are just about mandatory or the grease in the bearing drys up in a short time, even sitting in stock on the parts shelves. If use bearings with rubber seals you take care of at least two of those problems above right off the bat.... Bearings with rubber seals also works well on Tims favorite 5 Star Flutter reproducer but just don't use them on the sound drum on any reproducer for that matter.

I also forgot to mention that this pulley kit is also available in 50 hz and that each individual pulley is also sold seperately.

Mark

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 10-22-2007 07:06 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Hey, I'm an old DeVry suitcase man, all the way!

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 10-22-2007 07:58 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Ok, I will confess to owning an XD.... and a couple of Phillips FP56, and a couple of Super Simplex's... some Western Electric stuff... really way way too much stuff around here!

Mark

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 10-22-2007 08:22 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
I've never used anything but rubber sealed bearings on a Christie.

I use sheilded (not sealed) bearings on the sound drum in a 5 Star, but just out of curiosity, why should you not use sealed?

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 10-22-2007 08:38 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Funny that ernamann and cinemecanica hasn't had belt and pulley issues

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 10-22-2007 08:44 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Ken Lackner
I use sheilded (not sealed) bearings on the sound drum in a 5 Star, but just out of curiosity, why should you not use sealed?

The sealed bearings can place a drag on the drum and it generally won't get to freewheeling speed.

quote: Gordon McLeod
Funny that ernamann and cinemecanica hasn't had belt and pulley issues
Neither of those brands used a double sided belt but they sure had their share of other problems.

Mark

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 10-23-2007 12:25 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
(yea, did that once: did a 5 star rebuild with the shields on...didn't work too well since the drum had serious drag and the drag on the film would cause the lower snubber roller to pull up tight-and with it tight, started to seriously put base side scratches on the film. Found out to take the inside shields off, and wash out the grease inside the bearings with a solvent, then relubed the bearings with a synthetic oil so they'd spin a lot more free'er)

I remember V5's having doozie sorts of problems with the main belt loving to break when wanting to. But, I do think it had to do with the rollers that surrounded the INT assembly drive sprocket and the cheap aluminum sprocket wheels that would make the belts fail on a regular basis.

Yet, once in a while a motor drive belt would give out, but not as frequent as the main belt.

Why at first, I'd shy away from a belt driven machine compared to a gear driven like Simplex or Century..until I began to work with the P35 units and found that their belt path stucture was better to work with - just had to get used to the shutter drive belt.

-Monte

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 10-23-2007 08:23 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
actually the ernaman 12 has a double sided belt
as to the vic 5 we have no breakage or pulley problems the belts get changed once a year

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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 10-24-2007 07:17 AM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
The Ernamann 15 is also a double-sided belt setup.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 10-24-2007 09:37 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
All the Ernemnns I've seen use whats closer to an L size but metric belt and on those models if the double sided belt is driving soundhead sprockets as the Christie is and you measured for flutter you'd probably find it at a much lower frequency. The XL sized belts like Christie used for years generated their flutter frequency in the midrange (dialog) or most audible part of the spectrum.

Mark

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Frank Dubrois
Jedi Master Film Handler

Posts: 896
From: Cleveland, OH
Registered: Mar 2005


 - posted 10-28-2007 01:37 AM      Profile for Frank Dubrois     Send New Private Message       Edit/Delete Post 
Will this set work for the M35 as well?

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 10-28-2007 09:37 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
On another note at least Christie hasn't stood still on continuing refinement of film products as have other US projector mannufacturers. I think thats something to be said for a company that is way larger in the D-Cinema field than they are in film.
Ah and here it is...you seem to like to see continual improvement...very admirable, for sure. So because a manufacturer makes a product SO bad, it has to continually be improved to make it start to come up to par with other products.

Just what hasen't that projector hasn't be changed due to poor design? Seriously...what is original on that thing since the the P-35? What is the upgrade path? How expensive is it for an end user to have upgrading right along to keep it current.

Certainly the Simplex and Century projectors did evolve...over 50-100 years and changed models along the way...not just nudge it a bit here, a bit there.

They've changed most every part on the thing...a virtue to some...an admission of guilt to others. How many times have they fooled with something so simple as the changeover douser?...How many times have they fooled with the soundhead? Christ the Simplex 5-star....nobody's "proud" product designed in an era of mono sound (for optical) out tracked the Christie until maybe this generation some 30-years later...note, the 5-Star used the dreaded XL, "I'll pluck you a tune", belt style too.

The shutter...yes they improved it...20-years after the problem was identified. If a chain bought this machine (in quantity) with the bowtie blade...how much would they need to invest to correct such a glaring mistake?

Have the other US manufacturers put as much time and effort into improving their designs? Well no...they didn't NEED to...they did evolve them a bit...sometimes for better, sometimes for worse. Strong did bring out the Apogee...an evolution of the Simplex...with mixed results...the picture is darn steady on the ones I've seen. The sound portion still needs improvement. If film is still major player in exhibition in 20-30 years, then they'll have as much time as Christie to iron those kinks out.

If you want to talk about constantly advancing a machine...you really need to look at Kinoton...the FP20-FP30 line has constantly improved...from a very high starting point. They certainly are not perfect in all respects (I'm no fan of their turrets)...but in the actual presentation of the movie...everything seems to keep getting better. Their soundheads have improved too. But not from apologetic, "oops we screwed up" standpoints but from "we have something good, now we have something better."

It is no small wander you like the DCinema machines...they constantly need more $$$$ to improve them from their not-good-enough beginings. Except those will come with hefty price tags as new projectors replace old ones...not just blade kits or belt kits or pulley kits or soundhead kits or changeover kits or motor mount kits or....we you get the picture.

Steve

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