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Topic: Tips on screening rooms
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Steve Beverly
Film Handler
Posts: 83
From: El Paso, Tx.,
Registered: Nov 2007
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posted 11-30-2007 02:57 PM
Oh, I APOLOGIZE Big Bri, I was unaware that all film should be shot on brand new equipment in order to keep manufactures in business and maintain the high standards people like yourself demand. Again though, let me just get this straight so I don't offend you anymore, what exactly is "doing the job properly" I mean Hitchcock spent well under a million dollars to make Psycho and Kevin Smith spent 28k to make Clerks, Robert Rodriguez spent 7 grand to make El Mariachi and Blair Which cost 15K, Chasing Amy cost 250K sooooo what exactly would YOU, being an expert on independent film, deem in your omnipotent judgment a "proper" amount of cash to make a feature film? As for asking questions on a public forum,If you had READ my posts, you woulda realized there ARE NO FACILITIES nor are there any local consultants available to support in El Paso and the surrounding area so I'm kinda forced to create one on my own and further more, the only person that seems to have a problem with it is YOU so IIII would recommend that YOU not answer any questions if you feel that seeking advice from people in the know is inappropriate.I personally don't feel the loss of any information or opinions you have given me in this particular thread would be missed. As for MY standards, I'm shooting 35mm anamorphic in spectacular desert locations with a 10 ton grip and lighting truck as support on late model, upgraded cameras that were the premiere Soviet motion picture cameras up until the late 90s, SORRY if that doesn't meet YOUR standards, scooter, but they meet mine so I'll jus' keep on doin' what I'm doin' and you do your thing.
You know I also find it a bit hypocritical that the ONE and only feature you worked on (as an assistant editor I might add) on was shot on 16mm and you're criticizing MY standards. [ 11-30-2007, 05:05 PM: Message edited by: Steve Beverly ]
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Brian Guckian
Jedi Master Film Handler

Posts: 594
From: Dublin, Ireland
Registered: Apr 2003
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posted 11-30-2007 06:21 PM
Well I obviously touched a nerve
Here are some possibilities:
a) Commit to raising $ 3 million by the end of March 2008
b) Set up a website or use an existing one and break that figure down into multiple investment slots. 20 slots at $ 50,000 = $ 1 million 100 slots at $ 10,000 = $ 1 million 100 slots at $ 5,000 = $ 500,000 300 slots at $ 1,000 = $ 300,000 1000 slots at $ 200 = $ 200,000
c) Re-boot your business plan and make films people want to see - not inferior product like Blood Moon Rising (Great Date movie! ) Films that connect with audiences and look and sound good.
d) Offer a Prospectus based on your re-booted plan and make that available on the website (the web vastly increasing your access to potential Investors). Offer a decent potential return of 5% as you are now in the business of creating quality films that people will pay to see. The scheme will have to be audited and overseen by a lawyer or whatever to make sure it's all above board.
e) Money-where-mouth-is time: if you can make the above happen and make it work, I give you my word that I'll invest $ 200, which is commensurate with my current income. I will accept the potential risk; no point in making these proposals if one isn't prepared to stand by them!
BTW don't take things too seriously...it's all about challenging mindsets and perceptions and the negative "cheap and nasty" ethos Indeed your job is NOT to "save cash where possible" but to make movies that might mean something to people (in the broadest sense...which e.g. could include great comedy).
[BTW to clarify re. 16mm, I did work as an assitant editor going back about 15 years ago, but the films were all products of first-timers and were not in any way meant for mainstream cinema distribution, but primarily for TV screening. Please also be careful using these arguing tactics, because it's like saying that reasonably well-fed people can't voice concerns about world hunger!]
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