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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Tips for training new projectionists...??? (Page 3)

 
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Author Topic: Tips for training new projectionists...???
Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 06-30-2008 05:10 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I divide the training thusly:

1. Makeup/teardown/splicing/cueing

2. Threading & lens selection

3. Control settings and lubrication

Later (30 days?) I go back and show them the finer points (threading in frame & other tricks. Louis

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Kenneth Wuepper
Phenomenal Film Handler

Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002


 - posted 06-30-2008 05:28 AM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
Perhaps we should look at the learner for a minute.

People do not all learn in the same way. Some are visual, some are auditory while some are tactile learners. There are even some who learn through a combination of these senses. Thus it is the challenge of the instructor to see that all of these senses are properly utilized in instructing the learner.

As an example, use a drawing of the machine to be loaded. Have the student draw where the film goes as it passes through the machine. First the instructor explains the size, location and purpose for each of the loops and then the student adds these notes to the drawing. Then the drawing and a piece of film are taken to the machine where the instructor demonstrates the process of loading the film into the machine. The size and reason for each loop is described by the instructor as the machine is being loaded with film. Finally the student loads the machine while referring to the drawing and telling the instructor what is being done each step of the way.

Although this seems elaborate to some, I can assure you that it will be effective in teaching trainees to understand and do any operation quickly and well.

KEN

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-30-2008 10:41 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Louis,

How do you teach people to thread up and then a month later show them how to thread in frame? When someone racks the framing, that throws off the loops and then the projectionist no longer pays close attention to the loop sizes (and may be scratching film in the process).

I do just the opposite. I don't explain what the framing control is and instead if they thread out of frame make them shut down the entire show to fix it. That embarrassment usually happens about one time and they never thread out of frame again and are extra careful about their loop sizes from day one.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 06-30-2008 11:40 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I like your idea better. Louis

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Chad M Calpito
Master Film Handler

Posts: 435
From: San Diego, CA
Registered: Apr 2006


 - posted 06-30-2008 12:26 PM      Profile for Chad M Calpito   Author's Homepage   Email Chad M Calpito   Send New Private Message       Edit/Delete Post 
I like Brad's approach as well. That is how I teach in my booth. I also always insist that even before starting a movie, that the trainee always (and I emphasize Always) double check their threading at all points: From Platter to Projector and From Projector to Platter every step of the way.

I have one guy who is ready to be certified, is sooooooo passionate about Film and doing Film Done Right. It certainly makes me feel better that he genuinely cares about running booth and I have seen it in action as well.

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Justin Hamaker
Film God

Posts: 2253
From: Lakeport, CA USA
Registered: Jan 2004


 - posted 06-30-2008 03:48 PM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
Does anyone else find that sometimes it's difficult to teach someone completely new because you have to stop and think about things that you normally do without even thinking. When I thread, virtually every movement is muscle memory and it actually is more difficult when I have to stop and think about what I'm doing - especially when actually threading the projector.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 06-30-2008 03:53 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Justin Hamaker
because you have to stop and think
..when you've done it as long as some of us here has, it is an easy thing to happen...

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Laurie Higgins
Film Handler

Posts: 45
From: Norcross, GA, USA
Registered: Jun 2008


 - posted 06-30-2008 04:16 PM      Profile for Laurie Higgins   Author's Homepage   Email Laurie Higgins   Send New Private Message       Edit/Delete Post 
I'm training somebody new right now. I'm starting with the basics of threading, framing and starting the movies. That and the differences and glitches of our projectors and platters and their various sound systems.

Our stuff at this particular theater is very old and cobbled together. So he is getting a baptism by fire. I figure when I'm done with him, he will be able to go to one of our other theaters with relatively new equipment and it will be a cake walk for him. [Smile]

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 06-30-2008 05:52 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Unfortunately I have no choice to teach about the framing knob for two reasons:

#1 - We need to adjust the framing slightly on some theaters between Scope and Flat due to the way the auditoriums/masking were constructed in combination with the way the apertures were filed.

#2 - We sometimes show films with subtitles from countries that have absolutely no business making movies, and they put their damn titles too low. I would like to nuke those countries.

[ 06-30-2008, 10:09 PM: Message edited by: Joe Redifer ]

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 06-30-2008 09:44 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
At one of my drive-in "hobby jobs" several years ago, I had some hayseed as my relief guy who only threaded in frame by chance (c/o's with 60-min. reels). I figured he never was taught properly, but later learned he just didn't care.

So, I took the framing knobs off and forced him to do it right! [evil]

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Darryl Spicer
Film God

Posts: 3250
From: Lexington, KY, USA
Registered: Dec 2000


 - posted 07-01-2008 02:23 AM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
quote:
So, I took the framing knobs off and forced him to do it right!
Sometimes you gotta do what ya gotta do... [Smile]

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-01-2008 02:59 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Odd, the last time this discussion came up it was with Joe and I talking about how we would just lock down the knobs on the Christie projectors, and we got flamed for it.

I do feel your pain Joe. There is just no excuse for an installation to be out of frame at a lens change.

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Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 07-01-2008 09:28 AM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
quote: Tim Reed
At one of my drive-in "hobby jobs" several years ago, I had some hayseed as my relief guy who only threaded in frame by chance (c/o's with 60-min. reels). I figured he never was taught properly, but later learned he just didn't care.

I had a projectionist who "learned" at Carmike to just thread up and then frame on screen. He at least knew something was wrong about that, but was never told about setting the intermittent and threading in frame. Fortuneately, he came to work here because he loved movies and wanted to do it right.

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Patrick Dunn
Expert Film Handler

Posts: 120
From: newark, DE, United states
Registered: Aug 2005


 - posted 07-01-2008 11:09 PM      Profile for Patrick Dunn   Author's Homepage   Email Patrick Dunn   Send New Private Message       Edit/Delete Post 
Fortunately the projectionist currently working with me understand the importance of threading in frame.

Although I much rather see a movie start out of frame and see it reframed instantly as opposed to a movie starting out of frame and than shutting down so the person could rethread, I would not return to that theater afterwards. Just explain to them the importance of threading in frame and if they don't care kick them out of the booth.

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Andy Frodsham
Expert Film Handler

Posts: 238
From: Stoke on Trent, Staffs, UK
Registered: Nov 2006


 - posted 07-02-2008 05:11 AM      Profile for Andy Frodsham   Email Andy Frodsham   Send New Private Message       Edit/Delete Post 
I have generally found that people learn best when they know why they are doing something. For example, showing someone a length of scrap film and emphasising the fact that each frame is four perforations high. I tell them that the projector is 'stupid' (it doesn't know where the frameline is, so we need to show it). Once we have 'shown' it, the machine will happily keep pulling down those four perforations on each cycle. Whether or not the frameline continues to co-incide with that cycle also, of course, depends on other things like 'in rack splices' (which you can raise at this point too)!

Generally, I find that if you show them why you need to do it, they 'internalise' the information more readily.

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