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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » How the West was Won at the Bradford Widescreen Weekend. (Page 3)

 
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Author Topic: How the West was Won at the Bradford Widescreen Weekend.
Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 01-26-2009 07:13 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
I was very fortunate to see THIS IS CINERAMA in the original three strip at the long defunct and demolished Princess Theatre in Honolulu in the late fifties and it was awesome! I saw it again at another theatre in the city that was set up for the three strip process long after the Princess stopped showing films in the format. This time, the Cinerama theatre ran a 70mm version on their deeply curved screen and it was terrible and very unimpressive. I was also not very impressed with the pseudo Cinerama process using a single 70mm projector when I was told it would be like the original three strip process. I did appreciate the fact that the films were shown in 70mm but it did not excite me like the three projection process did.

-Claude

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 01-27-2009 02:44 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Brad hit it the nail on the head -- 3 projector digital presentation of HTWWW -- now THAT would be the knock-your-socks-off event. And I think it would give people the proverbial goosebumps that everyone admits was lacking from 70mm out-of-one hole Cinerama, which, sure that's what Todd wanted, but which most people agreed, next to 3 strip Cinerama, was yes, out-of-one-hole, but it was mostly arse.

Trying to mimic Cinerama with a single digital projector while no one doubts the techs have gone thru lots of trouble to get this to come to pass, still, will it really thrill anyone the way 3 strip does? My fear is that it will only give people already dubious of digital one more reason to point to it as a very expensive let down.

I actually surprised myself with how impressed I was seeing 2 projector digital IMAX, more than I could have imagined. It had the feeling of a really good top-notch 70mm roadshow presentation. I would guess that 3 projector digital Cinerama would be equally impressive and not have people walking away mumbling about the lack-luster nature of digital. Again, no disrespect to the dedicated guys who put heart and soul into this event.

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Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002


 - posted 01-28-2009 10:32 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
quote: Ramon Lamarca Marques
The original Cinerama sound is gorgeous, and albeit as Thomas says it is old, it still sounds powerful and full and warm.
I saw "How The West Was Won" at the Loews Cinerama on Broadway in New York City twice during the original run and the sound WAS spectacular. One scene that I recall in particular had a character in front of a glass window that had a performer behind either in a saloon or music hall or something and the sound of the music behind the glass was the most realistic thing I have ever heard in a movie.

The only other 60's-era presentation that came close to my ears was the Todd-AO 70mm 6-tk presentation of West Side Story at the Rivoli.

When I saw "It's A Mad World..." at the Warner Cinerama, there was no perceptible separation between channels. And I had the same feeling when I saw "2001" at the Boston Cinerama in 1968. I remember being very disappointed in that presentation after all the hype about the movie.

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