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This topic comprises 4 pages: 1  2  3  4 
 
Author Topic: Optical Sound Troubleshooting Help
Scott Christopher
Film Handler

Posts: 69
From: Adelaide, South Australia
Registered: Apr 2001


 - posted 07-25-2009 12:21 AM      Profile for Scott Christopher   Email Scott Christopher   Send New Private Message       Edit/Delete Post 
Sorry Demetris, but Tony is right. Everything he suggested I would have checked aswell.

Yes you did suggest the sound drum, but Tony mentioned it in his post before you which would indicate you didn't read the entire post.

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Demetris Thoupis
Phenomenal Film Handler

Posts: 1240
From: Aradippou, Larnaca, Cyprus
Registered: Apr 2001


 - posted 07-25-2009 01:14 AM      Profile for Demetris Thoupis   Email Demetris Thoupis   Send New Private Message       Edit/Delete Post 
Scott, I did not say that Tony was wrong. Read all my posts and you will see. I have read a lot of Tonys' posts in other threads as well and they are very well detailed posts. What I was simply saying and nobody seems to have understood is that when a client says that something is working fine your should not start checking the things that are working fine!
quote: Martin McCaffery
Digital sound is fine.
How much clearer shall it be for a technician to NOT start looking for Digital errors. From Martin's posts it was clear that is was something mechanically error, lateral guide roller not sitting correctly as Tony suggested e.t.c. But because I've seen this effect 2 times I went straight to the drum. If the drum was not spinning correctly I am sure Martin would check all that is necessary to fix it and that was the case.
Demetris

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Victor Liorentas
Jedi Master Film Handler

Posts: 800
From: london ontario canada
Registered: May 2009


 - posted 07-25-2009 11:46 PM      Profile for Victor Liorentas   Email Victor Liorentas   Send New Private Message       Edit/Delete Post 
Despite Demetris having seen this 2 times. I see why Tony would ask about digital error rate and i agree with his quick connect the dots approach!

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Scott Christopher
Film Handler

Posts: 69
From: Adelaide, South Australia
Registered: Apr 2001


 - posted 07-26-2009 07:14 AM      Profile for Scott Christopher   Email Scott Christopher   Send New Private Message       Edit/Delete Post 
quote:
What I was simply saying and nobody seems to have understood is that when a client says that something is working fine your should not start checking the things that are working fine!
I've found MANY times what the client THINKS is working fine, actually isn't. The digital may be working, but the error rate is higher than usual.

If there's a problem with optical sound I start from the sound head and work my way through the system... Even if the client has reported digital is ok (in a basement reader setup).

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Tony Bandiera Jr
Film God

Posts: 3067
From: Moreland Idaho
Registered: Apr 2004


 - posted 07-26-2009 01:31 PM      Profile for Tony Bandiera Jr   Email Tony Bandiera Jr   Send New Private Message       Edit/Delete Post 
Victor and Scott, thanks for your support on this. Some people cannot be convinced that there are other and sometimes better ways to troubleshoot problems. Perhaps the methods they use have worked well for them, but then again they may not be on the clock and expected to get to the bottom of a problem in the shortest time possible, and without making a lot of incorrect guesses.

When dealing with ANY troubleshooting, it pays to look at the WHOLE picture to help pinpoint the actual cause of a problem. The time spent looking at the whole picture is a LOT less than the time wasted chasing a wrong diagnosis and repeat service call. For example this, which was a 4-hour(!) call which, had I applied a bit more logic from the start, could have been found in 20 minutes:

quote: Me a few posts back
Example of unusual cause/effect: Customer had a CP-200 that would randomly switch to Format preset "D" (set for non/sync in that case) with no thumps or other drop-outs in the sound. After disconnecting the automation connection (rules out automation issue), pulling and re-seating ALL of the cards (rules out bad connection at the cards), pulling, inspecting and re-seating the power supply DC bundle (rules out bad Molex connections/loose pins) the problem persisted. What I eventually found, was that in the rat's nest of power cords (ALL the plug ends were cut off and tied in by a terminal strip) that the neutral on the CP-200 power supply cord's screw was loose. Tightened up the screw and no more problems. The loose connection would interrupt the power just long enough to fool the logic circuits into thinking the processor was powering up, but not long enough to make a thump in the sound. I found the bad connection when I kicked the rack in frustration. [Big Grin]
In Martin's case, yes it turned out to be a mechanical issue, which WILL show as higher error rates in Digital. Had Martin mentioned or noticed that, it would have led to a quick pinpointing of mechanical trouble. BUT, let's say the Digital errors were running at 1-2 or 3, but the analog sound was a mess. NOW we can say let's focus on the analog part ONLY, as now the trouble could be:

Bad optical lens focus;
Oil in the optics (good call Mark);
LED for analog bad;
Power supply for analog bad;
Electronics for analog bad;
"A" Chain needs adjustment.

Demetris mentioned the following:

quote: Demetris Thoupis
If the drum was not spinning correctly I am sure Martin would check all that is necessary to fix it and that was the case.
I agree with that, BUT: how many people can look at that drum and see it's not spinning "correctly"? With the flywheel loose it may, to the inexperienced eye, APPEAR to be spinning correctly. Only if the bearings are grossly tight or some other issues cause it to spin VERY erratically the average projectionist will NOT be able to tell that it is the problem.

And if it was so obvious, I doubt Martin would have asked us for help, he would have perhaps made a "Did this ever happen to you" kind of posting.

quote: Demetris Thoupis
Hmm so when there is no sound in the auditorium I need to take the ladder and check first if a speaker cable is out, then go back to the amplifiers to see if the cable is out, then see if the signal cable from the amps to the processor is damaged and THEN check if they are off!! Hmm does not sound like a good advice to me. Sorry but his point clearly mentioned analogue sound. Someone saying that analogue has a problem means that the analogue has a problem! .....
Now that's the kind of smart-ass attitude I was talking about. You need to open your mind and close your mouth a bit and you'll find a lot of things that you don't know, just like I have found out after 26 years in this business there are LOTS of things that I don't know!! Why do you think I have continued this job for so long? Because I like encountering new things and situations and when the day comes that it gets to be routine that's when I'm retiring. [Big Grin] You can ask other techs here on F-T and find out that I have asked questions to get to the bottom of something I couldn't figure out. It's all part of the learning curve.

Oh, and by the way, on the screening room I'm currently updating for D-Cinema, the HF horn for the left channel was out. AFTER checking the processor, crossover, amp and yes the cabling connecting to the amp, the problem was simple: someone had stepped on the cable backstage and pulled the wire out of the driver's terminals. And yet I STILL fell into the trap of ASSUMING at first that the driver was blown out. Good thing I dug deeper before ordering the parts.

quote: Gordon McLeod
I think two people need to take a valium
they are many methods of troubleshooting and often the equipment type or common method of installation in a given region needs to be taken into account

LOL as for the Valium, I don't need to, I don't get riled by people I don't know. [Smile]

But yes you are absolutely right, there ARE many methods of troubleshooting and yes region and equipment play into it. BUT a basement reader here in California and a basement reader in other parts of the world will still operate on the same basic principles and the same logic to find the trouble apply.

It still boils down to looking at the WHOLE picture to help narrow down the possibilities. As I said above, IF we could have proven that the Digital in this case WAS "fine", with NORMAL LOW ERROR RATES, then of course the cause of the problem would NOT have been the mechanical issue that Martin had.

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Tony Bandiera Jr
Film God

Posts: 3067
From: Moreland Idaho
Registered: Apr 2004


 - posted 07-26-2009 03:34 PM      Profile for Tony Bandiera Jr   Email Tony Bandiera Jr   Send New Private Message       Edit/Delete Post 
quote: me with dyslexia
Only if the bearings are grossly tight or some other issues cause it to spin VERY erratically the average projectionist will NOT be able to tell that it is the problem.
That line should read:

Only if the bearings are grossly tight or some other issues cause it to spin VERY erratically, the average projectionist might be able to tell that it is the problem.

It is totally wrong as originally posted. A few misplaced words makes a big difference.

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 07-26-2009 09:05 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
quote: Scott Christopher
I've found MANY times what the client THINKS is working fine, actually isn't.
This is true. Especially if you ask them on the phone and they say "yes" before you even finish the question. That has proven to be a big red flag for me. I have saved myself countless unnecessary trips, and client down time, just by not accepting broad statements of condition as 100% fact. It often helps to approach in a circular fashion and zero-in on the problem.

I'm not saying this is the case with Martin, but some people think that if a pilot lamp is lit, the device is working.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 07-26-2009 11:50 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Tim Reed
but some people think that if a pilot lamp is lit, the device is working.

May I borrow an incident from a movie that had this similar situation:

How many of us remember Universal's "Patch Adams?" There was a section that one can take heed from that really holds true-which also includes what Tony's coming across and from what Tim above quotes:

Remember the scene where the one patient had "Patch" hold his hand to his face and ask him how many fingers he could see? Course, the answer was obvious 4 fingers..and the patient told him that he was wrong. Moving towards the movie, the patient had him do the same test again, this time "Patch" could see more,and the patient told him that he was right...

People, in general, only see what's in front of them (like if the bulb is lit, everything is okey..as what Tim mentions), but if we can see "past our noses" - "past the okey" - then we really can see what we really need to see.

Here's an example that happened to a fellow worker of mine: He comes back from the shop from having his car worked on since he had mentioned of a strange engine noise and an oil change. It still has the noise and the shop told my friend that he's looking at major engine repair bill.

Out of my curiosity, we went out to the car, he started it up and there definitely was the noise. I told him to stop the motor and I pulled the dipstick - bone dry. I then asked my friend, "didn't they change the oil as requested?" I went to the local quickcare auto parts place, bought a 5quart container of oil, shoved it down in the oil fill which got the oil level up on the dipstick, he started up the car and the noise was definitely gone.

I then told my friend to go back to that shop and raise some hell on this one...which he did.

Case in point: shop heard the noise and said 'motor repair' (even though I'm sure it was planned that way so they could earn his business back....), I went farther and with a simple check found the problem being no oil in the crankcase.

I also agree with Tony: being a tech is a continual learning experience, sometimes on a trial and error basis (which is actually good for us for that helps up to really remember what we experienced) - we never will get all the learning that we always need since it's always changing..

quote: Tony Bandiera Jr was the last to post
Only if the bearings are grossly tight or some other issues cause it to spin VERY erratically
May I borrow this statement as well: Thx to STRONG not having pressed in bearings on their 5-star units, how many of us seen grooved out scanner drum shafts due to bearing failure, yet the scanner drum still rolls smoothly in the normal eye? Why, when I do belts on the 5-star units, I spin both the scanner drum shaft and the main drive shaft with the flywheel/pulleys off so I can check these bearings out.

-Monte

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System Notices
Forum Watchdog / Soup Nazi

Posts: 215

Registered: Apr 2004


 - posted 02-13-2013 07:52 AM      Profile for System Notices         Edit/Delete Post 

It has been 1297 days since the last post.


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Allan Riddelll
Film Handler

Posts: 33
From: msida , malta, europe
Registered: Jan 2009


 - posted 02-13-2013 07:52 AM      Profile for Allan Riddelll   Email Allan Riddelll   Send New Private Message       Edit/Delete Post 
On much the same subject regarding analog sound distortion, am having problems regarding sibilance mainly during music passages *particularly high freq and piano . equipment involved Kinoton FP50 reverse scan. Any help from you guys and gals appreciated. Not speaker trouble as digital not affected. Optics thoroughly cleaned and rubber o rings replaced either side of sound pressure roller as a precaution but to no avail.

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-13-2013 09:57 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
This is not a mechanical problem. It could be a number of things having most likely to do with slit loss adjustment.

You don't mention the processor so can't comment further as to what to do.

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Jim Cassedy
Phenomenal Film Handler

Posts: 1661
From: San Francisco, CA
Registered: Dec 2006


 - posted 02-13-2013 10:12 AM      Profile for Jim Cassedy   Email Jim Cassedy   Send New Private Message       Edit/Delete Post 
quote: Martin McCaffery
Anyone ever have that screw come loose on its own before?
Yes, but it was because someone had not re-assembeled the
soundhead drum back on the shaft properly to begin with.

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Allan Riddelll
Film Handler

Posts: 33
From: msida , malta, europe
Registered: Jan 2009


 - posted 02-14-2013 03:43 AM      Profile for Allan Riddelll   Email Allan Riddelll   Send New Private Message       Edit/Delete Post 
Thanks Sam. Processor is a Sony DFP D3000. Would playing the track in mono for the time being solve the distortion prob.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 02-14-2013 09:53 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Hard to say with a Sony in optical. (Their optical is decidedly bad)

If this were a Dolby, I would assume radical overload of something, perhaps hf controls up full on preamp card or level problem internally.

"It's a Sony!" Louis

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-14-2013 10:27 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
Allan,

I don't know the Sony at all but assume it has some sort of slit loss correction on the optical preamp. I would start by turning this down.

Reverse scan readers have freq. response to 12 Khz and beyond so there's not much useable audio up beyond there.

It's strange you hear it on piano, it almost suggests wow and flutter problems which are mechanical

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