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Topic: The digital revolution
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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
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posted 03-24-2011 07:07 AM
quote: Ron Funderburg Try to buy a new 35 MM professional quality camera for still photography you can’t do it they aren’t made anymore. Try to buy 35MM film it is hard to find even in photography Stores. Try to get 35MM film for still photography processed and real film paper prints made for them, go ahead tell me where you can get it done.
This is pretty far off from reality. Nikon makes the F6 and Canon makes the EOS 1V. Both are professional quality 35mm cameras and they take the same lenses as their digital counterparts. Both companies have discontinued most of their other mid-market 35mm cameras, but there is a glut of used models on the market that can be had for reasonable prices, which sort of obviates the need for new productions.
Pretty much every drugstore that I have seen lately sells at least a limited selection of 35mm film (CVS even carries Tri-X, though only in 24-exp. rolls, for some reason). Most have an on-site photo lab, too, and can make silver-halide prints from film or digital material. For those who want better than minilab quality work, there are enough commercial photo labs (many of which accept mail orders) to service the demand. Home processing of B&W is not a problem, either.
Large-format is also alive and well, with a wide variety of new-production cameras and lenses from various manufacturers.
I don't know the current state of printing technology, but, as of the mid-1990s, plates were made from Kodalith negatives. This may have changed, however.
I agree that demand for photographic and motion-picture film has probably peaked and will never be what it once was, but I would not write off film as a lost cause.
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 03-24-2011 11:30 AM
quote: Scott Norwood Pretty much every drugstore that I have seen lately sells at least a limited selection of 35mm film (CVS even carries Tri-X, though only in 24-exp. rolls, for some reason). Most have an on-site photo lab, too, and can make silver-halide prints from film or digital material. For those who want better than minilab quality work, there are enough commercial photo labs (many of which accept mail orders) to service the demand. Home processing of B&W is not a problem, either.
Scott, you live in the Boston area which probably has a far greater demand for camera film processing than anywhere in Oklahoma. In the 1990s Lawton had at least a dozen or so places where you could get still camera film developed on site and prints made, often within an hour. Eckerd Drug and Wal-Mart had the last facilities in town. CVS bought out our Eckerd Drug location a couple years ago and removed the film processing lab. Wal-Mart got rid of theirs not long ago.
You can still buy certain rolls of film at Walgreens or CVS. But now it has to be mailed off for developing and print making.
Home processing for black & white photography can be done if you can get the necessary chemmicals and other supplies needed. I had a lot of fun working with B&W film, enlargers and prints back in art school. Working with photostat cameras wasn't nearly as much fun, but it's virtually unnecessary anymore. The graphics paste-up trade was replaced with scanners, Photoshop, Illustrator, QuarkXpress, InDesign and various color separation/imposition programs.
Large format photography is still alive and well in specialized areas of professional photography -like landscape and product photography. Digital is making more inroads on fashion and high end portrait photography. Film is all but dead in news and sports photography fields; digital allows photos to be uploaded to news wire services almost instantly. Can't do that with film. Outside of what NFL Films is doing everything else is digital/video.
quote: Louis Bornwasser I can personally assure you that any large metropolitan area still has film available, along with development. Maybe not at the grocery store, but the wedding photogs still have their system.
Everyone I know doing wedding photography shoots digital. Not only that, most of them shoot their images in JPEG (instead of RAW) so they can fill the CF cards with as many images as possible. They're also covering the event using multiple camera bodies for covering different focal lengths and working as a backup in case one camera body fails.
Wedding photography gives me the heebie-jeebies. The lighting in most churches is very low and you often can't use flashes for what it does to video footage being shot as well as being a general disruption to the ceremony. Many wedding photographers have to use very fast prime lenses, like a 85mm f/1.2L and still crank up the camera gain. With the depth of field so narrow it's very easy to miss the focus on a critical shot. When the moment is gone there's no doing the shot over again.
quote: Scott Norwood I agree that demand for photographic and motion-picture film has probably peaked and will never be what it once was, but I would not write off film as a lost cause.
I certainly hope film continues to be used in feature film production as long as possible. The image quality is very clearly better. Video cameras are improving, but they still don't cut it in terms of resolution or color quality as a replacement for film.
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