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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » LED aisle lights are annoying (Page 3)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: LED aisle lights are annoying
Jean-Marc Toussaint
Film Handler

Posts: 60
From: Paris, France
Registered: May 2008


 - posted 11-25-2011 02:19 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
I'm surprised by the numbers read in the last two posts. Don't you have regulations for seating? Here, you can't have more than 8 seats between a wall and an aisle and no more than 16 seats between two aisles.

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Kenneth Wuepper
Phenomenal Film Handler

Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002


 - posted 11-25-2011 06:13 AM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
The fire regulations in Michigan require that there are no more than 6 seats to the nearest aisle. Therefore the maximum number of seats between aisles is 13. The local civic auditorium got a variance for their theater and they have "continental seating". There are many seats with the aisles only at either side wall. Most people do not like these center seats as they are totally user unfriendly. Oh, Yes, the rows of seats are so close together that everyone must stand up to let you pass in front of them.

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Mark Hajducki
Jedi Master Film Handler

Posts: 500
From: Edinburgh, UK
Registered: May 2003


 - posted 11-25-2011 09:10 AM      Profile for Mark Hajducki   Email Mark Hajducki   Send New Private Message       Edit/Delete Post 
quote: Sam D. Chavez
Just to be clear, I can't remember the last time I saw a stadium with a center aisle. I miss them as you need to trip over twice as many feet to get to an aisle.
The average number of seats to an aisle will be the same, so will the maximum.

The customer has to choose between the better seat for access (aisle) or better seat for view (centre), whereas a centre aisle had seats (at the wall) that were worse in both situations.

Customers using the side aisle will be less visible than those using the centre aisle. Late arriving customers will be less disturbing to those already seated. A handrail mounted down the wall will ease access for those more infirm.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 11-25-2011 10:41 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I don't know about anyone else but the theatre I mentioned was built in the 1930s so it was "grandfathered in."

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 11-25-2011 11:27 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
That wide, no center aisle is sometimes called "Continental Seating" to dress up the concept.

It does look pretty in pictures but does not work so well, especially now with silver screens where sitting on an end seat is intolerable due to poor light distribution.

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Tony Bandiera Jr
Film God

Posts: 3067
From: Moreland Idaho
Registered: Apr 2004


 - posted 11-25-2011 01:16 PM      Profile for Tony Bandiera Jr   Email Tony Bandiera Jr   Send New Private Message       Edit/Delete Post 
quote: Robert Throop
My pet peeve with multi use rooms is location of the booth floor even with the floor in the back of the auditorium for "handicap access". This requires the projectors to be raised on some sort of platform. When the projectionist falls off a stepladder while loading a projector they'll need handicap access.
Yep we have that exaggerated elevation to the film projector's floor at UCI's HIB 100 but it was more because of the dual use booth. Still a pain and it does result in a steeper than necessary projection angle. Thankfully the throw and screen size make it not too bad in the keystone department.

quote:
Robert: we would have been fined (because we might have a handicapped projectionist) if we ever did that. I even have a few theatres that had to install a $175k elevator for wheelchair access. Louis
Yep, one of the biggest jokes of the whole HIB 100 booth is we have said elevator installed as well. The Kinotons are so tall and the #2 machine is so close to the sound rack (and the machines are close together anyways) that there is NO WAY an operator in a wheelchair could ever run a show there. But since the booth's restroom is on my upper level, and the mid level used to be run for classroom use, they had to put it in I guess.

Come to think of it, the counter for the A/V use on the lower level is so high that again a wheelchair-bound operator couldn't see over it to do anything anyways.

One location where they should have pushed hard for an ADA exemption and saved a ton of money.

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Markus Ito
Film Handler

Posts: 27
From: San Diego, CA, USA
Registered: Apr 2011


 - posted 11-29-2011 03:44 PM      Profile for Markus Ito   Email Markus Ito   Send New Private Message       Edit/Delete Post 
In our theatre we simply unscrewed the grill that directs the light to the floor and installed a blue gel between the light and the grill. This makes the light dimmer but it is still bright enough for lighting the stairs and walkways. Blue is also not as distracting as a bright white light.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 11-29-2011 05:38 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
It think those regs are probably set by local or state and like it's been mentioned, those with deep pockets can buy almost any variance they want.

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