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Author Topic: Roma Bill Brandenstein Master Film Handler Posts: 413 From: Santa Clarita, CA Registered: Jul 2013 posted 02-19-2019 12:00 PM                     So a 4K digital restoration, such as was done for Lawrence of Arabia, thus has to be printed back out to film on the CRT unit. That being the case, it must be said that it's quite a CRT. On the other hand, going forward there will be an increasing number of 70mm titles where a photochemical restoration will be impossible. Too bad a laser-based solution is either too expensive or too impractical to be built.  |  IP: Logged Carsten Kurz Film God Posts: 4340 From: Cologne, NRW, Germany Registered: Aug 2009 posted 02-20-2019 04:02 PM                     Wouldn't it still give the better results to use an ARRILASER for a 4k-35mm, and then a blow-up to 70mm? Does anyone know how digital-outs for IMAX 15/70 are done? Have been done, I mean... - Carsten  |  IP: Logged Jean-Pierre Gutzeit Film Handler Posts: 43 From: Berlin, Berlin, Germany Registered: Nov 2012 posted 03-13-2019 04:35 PM                        Who releases it for the european cinemas, who is the distributor, please? Participant Media? (We would like to screen it at first in Austria. Thx for any information.)  |  IP: Logged

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