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This topic comprises 5 pages: 1 2 3 4 5
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Author
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Topic: The Joker from WB to be released in 5/70mm
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 09-06-2019 12:41 PM
That's like claiming that because a gas station next door to a Ferrari dealership sells 58% of a city's 91-grade fuel, that the general public are willing to pay more for higher quality gas.
Interstellar was an arthouse slash event movie, not a mainstream show for the popcorn munchers. And that theater is a well known attraction for cinema geeks who actively seek out high end technical presentation. I could probably make a cat video on my (4K) cellphone camera, have FotoKem blow it up to 70mm, and draw a decent crowd at one of the few theaters worldwide that has made top quality technical presentation its selling point.
The issue for WB is that The Joker, from what I've heard about it, is a popcorn muncher movie, most of the target audience for which won't care if they're seeing it on a cellphone or a laser projector. It would still do well on 70 in places such as the Imperial Bio, Odeon Leicester Square, Cinerama Dome, etc., but in one of the mall multiplexes that installed 70 for H8, I can't see 70mm being a significant audience draw in itself.
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Thomas Hauerslev
Master Film Handler

Posts: 451
From: Copenhagen, Denmark
Registered: Aug 2000
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posted 09-06-2019 02:21 PM
"This silliness of intentionally creating a typo..."
If it is good enough for Stanley, it is good enough for me...
It's not "2001", it's "2OO1"
Make a better search engine is what I say.
SEVENTY MILLIMETER is out of this world, bigger than life and it need bigger letters to get the audience in – it's simple teaching for all. For me, as a former projectionist, this is all about how HALVFJERDSMILLIMETER is the most authentic cinema experience right now. Regardless of digital cameras, 35mm, 16mm, 8mm or whatever. It’s selling the product. It’s authentic, and unlike the “plastic” experience of digital cinemas today, it is about real people showing you FILM. People upstairs working to show you a piece of film.
It's the talent behind the camera who is the judge of what is good or bad, how it shall be released and presented, the chosen aspect ratio etc. etc. What you think of it is completely irellevant. It's "our" job to give the best possible performance of whatever material we have.
ps - this last paragraph is a quote from a MAJOR film producer by the way
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 09-07-2019 01:04 PM
quote: Thomas Hauerslev It's not "2001", it's "2OO1"
In plain body text, such as the text in this forum, anything with numbers should be typed using numbers unless there is some specific exception where that exception is the only thing ever used. Nevertheless, if I'm going to mention something about the 1995 movie Seven, I'm not going to write it out as "SE7EN" even though some of the poster artwork featured that clever play between a "V" and "7".
If anyone is wanting perfectly round zeroes in some numerical display, such as "70mm." then it's a matter of choosing a typeface equipped with wide zeroes.
The original poster artwork of 2001: a space odyssey featured the title set in a bold weight of Futura. The zeroes were not capital O letters. They were oval-shaped zeroes. Now, I'll give you the "O" thing for the opening title card in the actual movie (title set in a light weight of Gill Sans). But that's the only place where you see that treatment.
As for 70mm logos, most of those used actual zeroes rather than capital "O" letters. Eurostile Bold Extended was used for the most famous of 70mm logos; its zero is not skinny, but it's not as wide as the "O" either. Times New Roman was used in Fox's 70mm logo for Return of the Jedi; that's definitely a vertical oval-shaped zero there. Compacta Black has a reasonably fat enough looking zero in the 70mm logo Fox used for The Abyss.
There are many thousands of digital-based typefaces. Some have weights that are very wide. Modern OpenType fonts can feature alternate glyphs for a given letter or numeral. But you're still going to use a zero for "0" and a capital "O" for words like "Ohio."
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 09-08-2019 02:38 AM
If the title card is all-compassing, then we have to write it as "2OO1: A SPACE ODYSSEY", in all caps constantly.
The Os in the title card look weird and off-place. I always considered it to be a hack, probably because Stanley Kubrick didn't like the zeros in Gill Sans, which are rather narrow.
Regarding the movie Seven. That movie still has me confused regarding its official title, as it is actually written as Se7en all over the place. Even IMDB features it as Se7en and Rotten Tomatoes also doesn't seem to be sure, as they feature Se7en between parentheses. Then again, most of the poster artwork seems to use "seven" as title, all lowercase and in a dirty, white or red font.
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