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Author Topic: Dvd
Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 09-07-2002 07:34 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Well,

The ".1" thing comes from the fact that it isn't full bandwidth and on most systems can't be full bandwidth. Thus if someone wanted to use a 5.1 system to say do a special mix in Todd-AO format, it couldn't do it. So how could one equate a 70mm 6-track film (or mag masters for dubbers) where there is the possibility of 6 full-range channels with a crippled 5.1 system? Heck, for the bulk of DTS systems, they cheat it even more...there are only 5-channels on the disc.

5.1 is mostly a consumer term anyway. Most people I deal with in the industry never refer to any of the digitals as "5-1" as many, many consumer people do. What I like about the whole 5.1 thing is it immediately identifies the morons out there just trying to use buzzwords.

Steve

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"Old projectionists never die, they just changeover!"

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 09-07-2002 08:31 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
Maybe DD-EX should be referred to as 6:5:6 or something like that. Dolby SR should just be called 4:2:4. It's more descriptive of what's going on.

But, Steve, I think that's a bit harsh. I often use ".1" when referring to these audio systems and I know I am not a moron who's just using buzzwords. A decade ago, the ".1" thing may have been a buzzword but I think that it has gradually "taken hold" and become bona fide terminology. The phrase may not be the most accurate form of reference but that does not mean than only morons use it.

~Manny.

"In space, no-one can hear you scream."
Tagline for Alien


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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 09-07-2002 10:04 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Manny,

Seriously...the only people that have referred to the film digitals as "5-1" (they don't say the "point") are the morons that come from the consumer side. If you are talking about Dolby Digital, say so. If it is DTS, say so...if it is SDDS call it that. If you need to append EX, then do so. If you just talking about channel configuration, then I suppose 5.1 is a good descriptor. It just doesn't come up for me. But when some bozo claims to "have 5-1" they are almost always a moron just trying to use buzzwords.

Steve

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"Old projectionists never die, they just changeover!"

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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 09-07-2002 12:14 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
My home theater is Dolby Digital AC-3 5.1 (pronounced "ack hyphen three [pause] five dot one"). The system is wired throughout with Monster and Kimber Digital Cable. The center of the system is a Sony Digital Receiver with 100 Watts of digital power per channel (the Circuit City salesman assured me 100 Digital Watts is equal to 1000 Analog Watts). It also has DTS (pronounced "dits") (DTS = Digital Theater Stereo, though some people incorrectly refer to it as Digital Theatrical Surround). But not very many DVDs (pronounced "div-uhds") (DVD = Digital Videoscope Disks) seem to have DTS. The salesman said most DVDs are in Dolby because it sounds better than DTS, and it costs less to make since it uses the same Dolby noise reduction system found in cassette tapes (makes sense).

My Sony DVD player uses progressive scan (sometimes referred to as "liberal scan") with 3:2 Pullup (pronounced "Thirty-Two Pullup"). The salesman said that means it doubles the number of pixels in each frame and doubles the number of frames. Based on that, you'd think it would be "Four Pullup" (the original frame data x 2 x 2) but since a DVD spins 8 times faster than a VCR, it's technically accurate to say DVDs are 4 x 8 = 32 times better than "videos". Obviously "thirty-two" has more marketing sizzle than "four". But then the lawyers made them stick a ":" in the middle in case anyone questions the 32-times-better claim. The bottom line is, all of this techno-wizardry means DVDs look as good as HDTV (Hi-Digital Tele-Vision) or even IMAX (Image MAXimus).

Anyway that's what the salesman at Circuit City told me. Also I read some of it on the Internet.


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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 09-07-2002 03:41 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
"5.1" is indeed a consumer term. The more accurate technical term for describing 5.1 is 3/2.1. A Dolby Digital Surround EX 5.1 audio track would be 3/2:3.1 (as would be the description for DTS-ES Theatrical or DTS-ES Matrix 5.1 at home). A DTS-ES 6.1 Discrete audio track would be 3/3.1. I'm not sure how exactly you would describe a Dolby Pro-Logic II audio track. But essentially it is taking what is only a 2.0 audio track on the media and trying to make it sound like 5.1. Just because the hardware is doing some matrix trickery doesn't mean the audio track recorded onto the media is 5.1. It is still only 2.0 no matter what.

Anyway, I am right in saying a lot of misuse has been made of the "6.1" term for audio tracks that are essentially 5.1. Dolby Labs has made it clear in their advertising rules that Dolby Digital Surround EX is a 5.1 format and should never be described in product literature as "6.1".


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Paul Linfesty
Phenomenal Film Handler

Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999


 - posted 09-07-2002 05:43 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
Quote:
quote:
I am right in saying a lot of misuse has been made of the "6.1" term for audio tracks that are essentially 5.1.

Agreed. Which is why Ive always been careful to refer to them as CHANNELS and not TRACKS. Same principle of calling the Dolby SVA system 4:2:4 (two tracks on the film print, 4 channels being reproduced in the theatre). So, in dropping that silly .1, I'll just keep adapting Dolby's original idea of a theatrical 2 track 4 channel system, to Dolby Digital Surround EX as a 5-track, 6 channel system, the way Dolby and THX orginally pushed the system as. Dolby can sue if they want!

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 09-07-2002 07:18 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
AFAIK, the term "5.1" was originated by Tomlinson Holman, and was part of the original digital sound discussion in the SMPTE Audio Technology Committee:
5.1 History
IEEE Review
Holman Book
Course
System 6000

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 09-10-2002 12:28 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Actually, Mr Stambaugh, dts ("dits") stands for Digital Theater Systems, not Stereo
It should be kept in mind that for the consumer the different processes and channel configurations are vastly complex, so it wouldn`t work without simple terms such as 5.1. It should also be remembered that other than new movie releases, which are practically always 5.1 (or "7.1" for some SDDS releases), many DVDs come in different configs such as "1.0", "2.0" or "4.0" and it`s quite helpful to have a simple denotification system which will tell you at a quick glance on the DVD sleeve how the DVD is produced.
Personally, I am much more irritated by the fact that many cinema "professionals" keep referring to SR as "Surround". When somebody uses that term for a movie soundtrack, it immediately tells me that he doesn`t have a clue what he`s talking about and that he hasn`t even read the user`s manual.
Michael

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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 09-10-2002 01:18 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
quote:
Actually, Mr Stambaugh, dts ("dits") stands for Digital Theater Systems, not Stereo

Michael, Hopefully you spotted a few other technical errors in my earlier post. It was meant as a joke. Although some salesmen and consumers really are almost that misinformed or ignorant.


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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 09-10-2002 06:37 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
One of the reasons why some people got into the habit of calling SR a denotation of "surround" has to do with the visual design of the Dolby SR logo. Remember those curved "Spectral Recording" letters? It seemed to do more to imply widescreen or surround sound rather than an improved overall quality of sound, with increased dynamic range and a lower noise floor being some of the benefits.

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Christopher Duvall
Jedi Master Film Handler

Posts: 500
From: Denver, CO
Registered: Dec 1999


 - posted 09-11-2002 02:38 AM      Profile for Christopher Duvall   Email Christopher Duvall   Send New Private Message       Edit/Delete Post 
All this talk of the surround issues and and sound in general reminds me of the dumbass patrons that have home theatres bitch at me because the "surrounds are not working" or some other lame . In fact, the last time I had that complaint is when I ran CURSE OF THE JADE SCORPION. You should have seen the face of the customer when I told him that all Woody Allen films are SR-D mono (except EVERYBODY SAYS I LOVE YOU of course). I even I have an employee now that talks through his ass about his home theatre and how we should "tweek" our system at my theatre. Of course I blame the sales personel at Circuit City or Best Buy becuase they were talking through their collective asses first. They are like a cancer...


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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 09-11-2002 09:47 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
David, I am from Germany, I am not supposed to understand humour However, somehow I did get the one with progressive=liberal scan, and I even laughed a bit!
The surround thing is so annoying because there are so few people in the cinemas who know what they are doing. Once in my former theater, we played Raiders of the lost Ark, and I said that movie was supposed to be played in Dolby A, and my distinguished colleague replied "let`s play in SR so we have surround"
Michael


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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 09-11-2002 10:13 AM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Dolby could print up a simple quick reference card explaining all their formats & terminology etc. and send a couple dozen to every theater to help educate exhibitors and it wouldn't cost them very much.


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Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 09-11-2002 12:26 PM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
Christopher -- you are absolutely right.

My friend has his "5.1" system set up in his living room. Lo and behold, each and every speaker is always on at the same level. The bass is turned up so high, that when someone closes a door on-screen the shelves rattle. And he's proud of it. I can explain to him what it's supposed to sound like until I'm blue in the face, and he'll just look dumbfounded, smile, and nod. Then again, he also thinks he's getting a Digital picture from his Digital cable on his Analog TV.

Salesmen are just repeating what they are fed in a 30 minute training seminar: That the more expensive one is better. Sometimes while browsing, I overhear salesmen talking to a clueless customer about DVD players and "S-video gives you a much better DIGITAL picture..." and how "5.1 Digital Sound is included in this model..." --- to someone who probably has a 25" mono TV with only a coax input who will probably come back and complain that the black bars are cutting off the picture.

All thanks to mindless consumerism.

=TMP=

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