Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Change Over To Digital Cinema (Page 5)

 
This topic comprises 6 pages: 1  2  3  4  5  6 
 
Author Topic: Change Over To Digital Cinema
John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 03-18-2005 09:44 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
In a sports bar, what size screen attracts the attention of the rights holder? I would think 16 x 9 foot rear screen HD displays filling the walls of a sports bar would be a really neat venue, but when does the "entertainment" become more important than the food and drink to the extent that the lawyers come knocking?

I do know that the NFL came down hard on some local sports bars that were showing games that were being "blacked out" in Rochester NY and Ontario Canada when the Bills played at home in Buffalo, even on regular TV sets.

http://www.sportslawnews.com/archive/articles%201999/NFLBars.htm

quote:
The NFL has successfully sued more than 100 pubs in the United States and Canada in the past five years for showing blacked-out games. According to the Tribune News Service, the league was awarded $440,000 (Canadian) because three southwestern Ontario-area establishments had televised blacked-out Buffalo Bills games.

Both lawsuits seek $200,000 in damages per game from each bar and an injunction to stop the bars from broadcasting future games.


 |  IP: Logged

Paul Mayer
Oh get out of it Melvin, before it pulls you under!

Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000


 - posted 03-18-2005 10:11 PM      Profile for Paul Mayer   Author's Homepage   Email Paul Mayer   Send New Private Message       Edit/Delete Post 
For us the magic number is 55". I'm sure they just pulled that number out of their butts. [Roll Eyes]

 |  IP: Logged

System Notices
Forum Watchdog / Soup Nazi

Posts: 215

Registered: Apr 2004


 - posted 04-10-2006 05:00 PM      Profile for System Notices         Edit/Delete Post 

It has been 387 days since the last post.


 |  IP: Logged

David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 04-10-2006 05:00 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
I guess this thread is as appropriate as any for this post...

Vancouver's Cinetopia has converted 7 of their screens to "2K Super High Definition" DLP. Or is it 8 screens? [Confused]

SPECIAL ANNOUNCEMENT: Cinetopia is the Northwest’s only all Digital Super High Definition multiplex theater. As of March 31, 2006 Cinetopia has seven (7) new state of the art Christie 2k Super High Definition Digital Projectors.

Cinetopia now proudly show cases its Digital Light Projection systems (DLP) in all eight (8) of its auditoriums*. Cinetopia will become the Northwest's only pure digital movie going environment (sound and picture) offering its viewing audience the following remarkable amenities:

1. Super High Definition capability on all 8 screens* – 2050 lines of resolution which is greater than what HD TV technology offers.

2. Super High Definition Movies digitally projected on screens up to 50 feet in width.

3. Over 35 trillion color variations bringing remarkable vivid color to the screen.

4. 2000 to 1 Contrast Ratio.

5. A perfect blemish free presentation every show. Conventional 35 mm film rapidly deteriorates over time as dust, dirt, and scratches accumulate each time a movie is presented. Colors also fade as the film is exposed to heat from the projector. Because they come from computer content and not film, Digital movies will run blemish free indefinitely, retaining their remarkable life like image show after show.

6. Real 3D technology. Several times a year feature films will be released in a Real 3D format, a new technology that allows viewers to watch 3D films with a life like virtual reality feel to them.

7. Perfect focus every show. Several human and film related factors regularly cause 35mm film to be out of focus. Digital projectors are focused by a computer and then locked in to perfect focus show after show.

8. Accrurate [sic] and Consistent Light Distribution Across the Screen. Digital projectors and their computer components accurately and consistently distribute an even amount of light accross a movie screen whereas 35 mm film projectors often throw light unevenly across the screen. Moreover, 35mm projector bulbs fade as the bulbs wear out. This causes the images on the screen to look dim. In contrast a digital projector and its computer components will increase the power to a bulb and brighten the picture if it detects a bulb is wearing out.

* Most films will be presented in Digital Super High Definition. Check our website and newspaper listings to confirm which films are scheduled in Digital High Definition.

 |  IP: Logged

Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 04-10-2006 06:06 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Woo hoo. By that standard, if 3 more pixels are added to the image then it can be called "ultra mega phiggidy defintion digital cinema."

Normally one would need a significant jump in pixel count to use a term like "super high defintion." As far as I'm concerned, there's not all that big a leap between 1920 pixels across and 2050 pixels. Certainly not enough to warrant some bullshit "super" term. I'm not even sure I could go along with the "super" term being applied to native 4K level material. That's still only in the native detail realm of 35mm.

 |  IP: Logged

Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 04-10-2006 06:39 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
This is setting off the B.S. Meter bigtime!

 -

quote: David Stambaugh
Moreover, 35mm projector bulbs fade as the bulbs wear out. This causes the images on the screen to look dim.
That can happen with a DLP xenon as well.

quote: David Stambaugh
In contrast a digital projector and its computer components will increase the power to a bulb and brighten the picture if it detects a bulb is wearing out.
A 35mm projector and its human components can crank up the current to brighten a picture if it detects a bulb is wearing out...

[Mad]

-Aaron

 |  IP: Logged

David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 04-10-2006 06:47 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Hey, just for the record, I didn't say that stuff - Cinetopia said it! I just quoted them. [Big Grin]

 |  IP: Logged

Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 04-10-2006 06:52 PM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
quote: David Stambaugh
Hey, just for the record, I didn't say that stuff - Cinetopia said it! I just quoted them
Yes, but it resulted in the posting of the BS meter... by itself, well worth the thread! [Smile]

 |  IP: Logged

Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 04-10-2006 07:23 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I'm suprised we haven't had to use this meter more often! Louis

 |  IP: Logged

Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 04-11-2006 01:37 AM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
I just got it working again... [Smile]

-Aaron

 |  IP: Logged

Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 04-11-2006 09:05 AM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
quote: David Stambaugh
1. Super High Definition capability on all 8 screens* – 2050 lines of resolution which is greater than what HD TV technology offers.
I do like how the use the number of lines as a reference. The number they use is across.

Isn't the normal standard, up / down which would only be 1K, not 2.

quote: David Stambaugh
Digital projectors are focused by a computer and then locked in to perfect focus show after show.
Ummm, no. You still have a focus knob. Granted you may not have to adjust it, but no.

quote: David Stambaugh
Digital projectors and their computer components accurately and consistently distribute an even amount of light accross a movie screen whereas 35 mm film projectors often throw light unevenly across the screen.
ummm, no. The power supply can increase power requirements to the bulb to keep up a certain number of FL, but there is nothing inside that keeps the light spread even. That is done during setup.

They should stick with the name of Digital Cinema, rather than Digital High Definition. Unless they are showing HD content.

 |  IP: Logged

Tristan Lane
Master Film Handler

Posts: 444
From: Nampa, Idaho
Registered: Feb 2002


 - posted 04-11-2006 06:06 PM      Profile for Tristan Lane   Email Tristan Lane   Send New Private Message       Edit/Delete Post 
Some corrections:

quote: Paul Konen
Ummm, no. You still have a focus knob. Granted you may not have to adjust it, but no.
The CP2000 projector that Cinetopia is using does not have a focus knob. Lamp focus is adjusted using the control panel on the projector.

quote: Paul Konen
ummm, no. The power supply can increase power requirements to the bulb to keep up a certain number of FL, but there is nothing inside that keeps the light spread even.
To the best of my knowledge, the Christie projector used there has a sensor at the end of the light guide that can sense illumination and compensate for it automatically by adjusting the focus.

quote:
Vancouver's Cinetopia has converted 7 of their screens to "2K Super High Definition" DLP. Or is it 8 screens? [Confused]
To answer David's question, there was already a Barco projector installed during opening. The article is referring to the 7 new Christie projectors added recently.

 |  IP: Logged

Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 04-11-2006 06:49 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
quote: Tristan Lane
To the best of my knowledge, the Christie projector used there has a sensor at the end of the light guide that can sense illumination and compensate for it automatically by adjusting the focus.
True. We have 102 CP2000 now.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-11-2006 10:00 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Michael Schaffer
True. We have 102 CP2000 now.
I thought that you had been installing NEC systems? So the 102 new systems were funded by AccessIT as part of the Christie/AIX deal announced last November? Are all the new servers JPEG2000 compatible (Doremi)? I hear the originally announced plan of completion by December 31 ended up being mid-February.

Do you still have any of the original systems from Barco/Boeing or NEC in operation?

 |  IP: Logged

Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 04-12-2006 02:51 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Yes to all in the first paragraph - I never saw end of December as really possible, but it's good to have goals and deadlines, although the vast majority of the systems was ready for action not long after. Obviously, we aren't playing digital everywhere since that depends on how many releases are available. But it has gotten more and more.
We don't have any Barco or NEC systems left.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 6 pages: 1  2  3  4  5  6 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.