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» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Digital: Scope inside Flat? (Page 2)

 
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Author Topic: Digital: Scope inside Flat?
Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 10-15-2010 01:06 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Bruce McGee
my Sony projector will not switch from flat to scope the first time we run something new.
Welcome to the "World of SONY Digital" - the fun's just beginning.

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Mike Olpin
Chop Chop!

Posts: 1852
From: Dallas, TX
Registered: Jan 2002


 - posted 10-15-2010 05:39 PM      Profile for Mike Olpin   Email Mike Olpin   Send New Private Message       Edit/Delete Post 
The person who "built" the show might have set it up as a flat show on the server, either because they weren't paying attention, or perhaps because no one showed them how. This would cause the automation not to swing the anamorphic lens into place, open up the mask, or select the correct processing option in the projector.

It would be strange for any professional installer to set up an auditorium like this intentionally.

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Bruce McGee
Phenomenal Film Handler

Posts: 1776
From: Asheville, NC USA... Nowhere in Particular.
Registered: Aug 1999


 - posted 10-15-2010 06:51 PM      Profile for Bruce McGee   Email Bruce McGee   Send New Private Message       Edit/Delete Post 
I built the show. I build all the shows. It's built correctly. That was the first thing I checked.

It's a weird thing. It never does it again after the first trial run.

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Mike Olpin
Chop Chop!

Posts: 1852
From: Dallas, TX
Registered: Jan 2002


 - posted 10-15-2010 07:05 PM      Profile for Mike Olpin   Email Mike Olpin   Send New Private Message       Edit/Delete Post 
Oh sorry, i thought your previous post was anecdotal about your experience, did not know you were replying directly about this specific incident.

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 10-15-2010 08:15 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
It's unlikely that Bruce's post was referring specifically to what Eric saw considering that their locations given are in opposite ends of the country (and Eric referred to a theater near him)...

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Bruce McGee
Phenomenal Film Handler

Posts: 1776
From: Asheville, NC USA... Nowhere in Particular.
Registered: Aug 1999


 - posted 10-16-2010 01:01 PM      Profile for Bruce McGee   Email Bruce McGee   Send New Private Message       Edit/Delete Post 
No offence taken at all.

It doesent start in the wrong format every time, either.

But, IF it does, we know how to resolve the problem fast. The folks in the auditorium only see a moment of black, and then they see the incredible image that only Sony can provide!

I'm surprised that we dont have Trinitron printed somewhere on the screen now! [Razz]

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Kyle Butler
Film Handler

Posts: 47
From: Belton, TX
Registered: Jan 2010


 - posted 10-17-2010 04:01 AM      Profile for Kyle Butler   Email Kyle Butler   Send New Private Message       Edit/Delete Post 
Well, if it was a sony, it could have just fucked up by itself like ours does [thumbsdown]

It generaly starts in the wrong format, and shows scope films in the flat viewing area.
If the projectionist isn't paying attention, they obviously wouldn't be there to switch the format.

Or as people have said, the play-list could have just been built incorrectly.

I sure hope it was one of the two.
Id hate to see theaters "upgrading" their presentation with digital like this.

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Eric Hooper
Jedi Master Film Handler

Posts: 532
From: Fort Worth, TX, USA
Registered: May 2003


 - posted 10-19-2010 11:52 PM      Profile for Eric Hooper   Email Eric Hooper   Send New Private Message       Edit/Delete Post 
Well I returned to the offending theatre tonight and saw a "flat" movie. The image filled the entire "flat" screen. Wandered into the other auditorium and yep, a scope image inside the flat screen still, with black bars (blank screen) at the top and bottom.

Looked inside the booth through the port window and the projector said "Real D XL" on it. What was even more strange is the projector booth has (had) an auditorium exit (to the outside) next to it, and they walled off the exit with a cheap plywood door and lock, making the projection booth area larger, but blocking the exit. And they didn't even bother to paint the plywood or anything. [thumbsdown] I shoulda took a picture. I wonder what's behind the plywood door...? (The projectionists used to enter the original booth though a door next to the exit, which is in the area that's now walled off by the plywood.)

I've probably given enough info away that folks can probably figure out which theatre it is I'm talking about.

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Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001


 - posted 10-20-2010 06:35 AM      Profile for Dave Macaulay   Email Dave Macaulay   Send New Private Message       Edit/Delete Post 
Maybe I misunderstood, but they blocked a fire exit?
That is an unwise move in a theater. Around here the fire department would shut the place down instantly and whoever did it would be spending time in court if not jail.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 10-20-2010 11:25 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
This place sounds like they have a lot more to worry about than a letterboxed scope picture. Sounds likt they are the kind of operation that gives theatres a bad name.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 10-20-2010 12:56 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Eric Hooper
a scope image inside the flat screen still, with black bars (blank screen) at the top and bottom.

I bet the image was zoomed down then to put that scope feature in a 1.85:1 screen.

I've seen screens like that before were the cinema had common width and height screens where they "band-aid" the scope presentation so they can have true scope ratio presentations.

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Eric Hooper
Jedi Master Film Handler

Posts: 532
From: Fort Worth, TX, USA
Registered: May 2003


 - posted 10-20-2010 01:20 PM      Profile for Eric Hooper   Email Eric Hooper   Send New Private Message       Edit/Delete Post 
Yes, the fire exit is blocked and "walled over" with the plywood door. You can see the exit sign illuminated above the plywood door. There is another fire exit on the other side of the booth...but still.

It seems to me the projectors are set up for a theatre with top and bottom masking. When flat, the image is tall and fits the flat screen with the masking open, and when scope, the masking at the top and bottom is supposed to move in and crop the scope image in the center. However, this theatre has SIDE masking. [Roll Eyes]

Monte though might have the answer for why they are doing what they're doing. Even though they have side masking curtains, when they did show scope films and opened them up sideways, it still wasn't as wide as some other screens may be. But still...what they are presenting now looks absolutely terrible. It's an insult to the industry. Other folks on this forum have commented that the public thinks theatres are just showing DVD's anyway. This type of set up only feeds that, when they see a letterboxed scope movie, just like at home.

I created a picture of the theatre to show what the presentation looks like using a photo from Cinematour, and inserting what the scope images now looks like on their now permanetly flat-masked "upgraded digital screens"...but the film-tech server won't upload it. I guess it's protecting the guilty. [evil]

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Tony Bandiera Jr
Film God

Posts: 3067
From: Moreland Idaho
Registered: Apr 2004


 - posted 10-20-2010 02:00 PM      Profile for Tony Bandiera Jr   Email Tony Bandiera Jr   Send New Private Message       Edit/Delete Post 
Welcome to the wonderful world of D-Crapema, where the incompetent can more easily display their stupidity to the movie-going public. [Roll Eyes]

Most format errors on film can be corrected easily by even the most dense booth monkey....how hard is it to change a lens and aperture? I can do it on single lens machines in under 15 seconds, less with a turret.

How long does it take to correct a format error in DLP? and does it force you to restart the show from the beginning or can it be done "on the fly"? (I think we know the answer for Sony based on the posts above.)

Eric, if your pictures are the right size you simply need to keep trying with your uploads, I have noticed that the FT server has been touchy lately with uploads.

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Marco Giustini
Film God

Posts: 2713
From: Reading, UK
Registered: Nov 2007


 - posted 10-20-2010 03:40 PM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
Since this was already on a huge screen, the managers comped everyone's tickets and told them we would be presenting the show letterboxed (and cropped)
Forgive me for my ignorance, but why didn't they set the projector for scope and just zoom the image over the flat screen? They would have shown the feature letterboxed but NOT cropped. Am I mistaken?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 10-20-2010 06:59 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
There was no channel setup for that. However running a scope movie in flat will show most of the image, but if you look at a framing chart you will understand that it IS cropping off the sides of the scope image.

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