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This topic comprises 4 pages: 1 2 3 4
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Author
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Topic: Bowling For Columbine
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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000
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posted 01-04-2003 09:19 PM
Michael, I looked that up for you - at least in this country. The figure was about 41,730 in 2001. Here is a breakdown:
NHTSA’s Fatality Analysis Reporting System (FARS) also shows that, in 2001:
Motorcycle fatalities increased for the fourth year in a row following years of steady improvement. With 3,067 killed in 2001, it was the highest number of motorcycle fatalities since 1990.
The percentage of alcohol-related deaths in 2001 remained unchanged at 40 percent – 16,652 deaths.
Fatalities involving large truck crashes dropped from 5,211 in 2000 to 5,192 in 2001.
The number of pedestrians killed, 4,698, remained virtually unchanged.
Young drivers (16-20) were involved in 7,547 fatal crashes in 2001 compared to 7,607 in 2000.
Back to the subject of handguns, gun control is not going to solve our problems. If laws were passed to make handgun possession illegal (which will never happen because of our Constitutional Amendment) those who choose to kill with them will get them anyway. There is no stopping them.
Oh, by the way....up until a couple of years ago, the State of Montana had a speed limit posted "reasonable and prudent". Now, it is 75MPH. But you can still roll through Montana at 80 to 85MPH (about 130 to 140 Kilometers per hour) without too much problem as long as you keep your car on your side of the road and stay with the pace of the traffic.
That's fast enough. Even when I was a teen-ager, I never cared to go any faster than that, even though the roads and cars could handle it.
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 01-13-2003 02:37 AM
Michael: Actually, my recent experience of driving in Germany was of one of the safest motorways I've ever been on. Everyone left a sensible distance to the vehicle in front, obeyed the variable speed limit signs, slowed down in bad weather and selected feeder lanes in good time. Even though I drove most of the trip much faster than I've ever driven in the UK (where 70mph is the motorway speed limit), I felt far safer on that Autobahn than I ever have on the M1.
I'd argue that the way you make motorways safer is not by lowering speed limits, but by rigourously enforcing existing ones and using modern camera technology to catch people for minor offences which have the potential to cause accidents, e.g. not leaving a safe distance between them and the vehicle in front, changing lane without signalling, 'undertaking' and using a mobile 'phone while driving. These offences are commonplace on British roads but hardly happened at all in Germany. I would also replace small-scale fines with short, sharp driving bans for such offences. The average fine for a minor speed limit violation here is £30-50. Given that the average Briton spends £4,000 per year on motoring, this is insignificant. I would replace that with a one-week driving ban, backed up by a mandatory prison sentence for driving while disqualified.
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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 02-21-2003 03:28 PM
I saw the film last night, the last screening at that venue, a small (about 50 seats) single screen art house type cinema. I went out in the afternoon to buy my ticket, it's a good job that I did, there were only a handful of seats in row A and one in row B, which I took, available. The few rmaining seats had been sold by the evening.
The print was in good condition, but the poor quality of the video images, was something of a strain on the eyes when sitting that close. I normally prefer to sit about two thirds of the way back. The presentation was good, until the end, when something very odd happened, which I have never seen before. I won't name the venue, this is not typical of what I see there, and we are all capable of making the odd mistake.
I always remain seated until the last credits have left the screen, and the curtains have closed, I do stand to leave the theatre while the music is still playing, if this continues after the curtains have closed. Well, last night, the credits finished, but the curtains remained open. some blank film ran through, some film with writing on it ran through, some more blank film ran through, and there were some pops and crackles from the sound system, at which point I left. Not good , and not what I would expect. Had the projectionist been kidnapped by NRA people? Taken ill? Was he/she laying dead on the projection room floor? I don't know. There is no automation, but there is an acop, so things would have stopped when the end of the film ran through, but I didn't wait that long. I assume that the projectionist had to leave the box for some reason, but I bet they felt pretty sick when they came back, and saw the film run out. It feels terrible when something goes wrong, and the whole audience sees it.
The film clearly promoted the views of Michael Moore, it didn't claim to do anything else. There is nothing wrong with that, in this country we have long had work which does this, mainly by film makers from left of the political centre, Ken Loach and John Pilger, for example.
Here, however, gun control is not seen as a left wing issue. Both of the main political parties here are in favour of gun control, and both are quite right wing. I don't think gun control is the real issue, The question posed by the film was not why are there so many guns in the USA, but why the number of killings by firearms is so high in the USA. If the figures quoted in the film are correct, then it seems a fair question to ask.
It was recently stated on British television, that you are six times more likely to be mugged in London as in New York. Is this true? Well, in 45 years in London, I've been attacked three times, in ten days in New York, never, which proves not a lot, except that promoting fear of evil people out there wanting to attack you seems to be a common activity among the news media of both countries. I can't say that I felt in any great danger in either place.
There was much laughter from the audience, mainly during the earlier part of the film, but this was largly replaced by slow shaking of heads in dispair later on.
My main interest in film is in documentary film, rather than features, and this, as others have said, is not a normal documentary film. It is clearly presenting one point of view, and doesn't provide any answers, but it probably will make people think, and thinking tends to be a good thing.
I wouldn't say it was the greatest documentary film ever, but still a good film.
I am going back to the same cinema next week, if the film runs out again then I think it is time to name the place, but I don't expect this to happen. I have been to about thirty screenings there, and this was the first problem.
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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001
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posted 02-21-2003 06:13 PM
I also saw this last night. It finally arrived in town, but in the discount cinema. More on that later.
It really had a different tone from his earlier docs, probably due to fact that the issues are life-and-death, rather than corporate greed and unemployment. The humor derived from these situations was very dark. I'm glad that Nicholls guy (found not guilty in the Oklahoma bombing) feels that at least there's a limit to what weapons an American should be allowed to own. That limit: weapons grade plutonium. Dick Clark comes across as smarmy as I would have expected, and the Charlton Heston segment is probably the most uncomfortable moment in any Moore movie.
The mise-en-scene was at times brilliant, most notably the shot of the man from Lockheed, stating that the Columbine shooters couldn't have gotten their violent tendencies from being American, as our country is not in the habit of attacking its neighbors--while in the background is a nuclear missile under construction. The montage that follows of American manipulation in world affairs leading up to 9/11 was very troubling.
I too, found the video-originated footage hard to watch. This is the first of his movies I've seen in the cinema. I'm sure it'll play better on video.
Moore is long on questions and short on answers. If he feels his mission is to shine a light on subjects most others would choose to ignore, then he's accomplishing that. Like it or not, it has provoked alot of discussion.
The cinema where we saw this was once a decent mall theater. When I saw Goldeneye there, the picture was bright and sharp, on a curved screen, presented in the proper aspect ratio. The sound was terrific, balanced very well, and just the right level. Things have sure changed since then. When we were about to buy our tickets last night, the ticket girl suggested we go into the auditorium to decide if we really wanted to stay.
It seems the melting snow was causing massive leaks throughout the cinema (and its parent mall). Nearly half of the "Columbine" auditorium was unusable due to wet seats. The soundtrack of the film was accompanied by the dripping of the water. The rest of the presentation was equally distracting. For one, the light in the booth was so bright that the shine through the ports was clearly visible on the screen. The movie, which I'm guessing was supposed to be shown 1.85:1, nearly filled the scope screen, with noticable overshooting above and below. Some of the superimposed titles on the bottom of the screen were partially unreadable.
I would not have chosen to see this (or any movie) at this cinema anymore, but this was the only option, and last night was indeed the last night. I'm glad I saw it, but expect to get more out of it when it's released on video.
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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001
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posted 02-22-2003 06:32 AM
Maybe I should rephrase that Moore doesn't offer an actual solution to the gun violence problem. His comparison to Canada is very revealing, as Canada has many guns (7 million in 10 million homes), without our level of violence. Why? There's no clear answer, except for the difference in attitude. How do we change that? He doesn't offer an answer. He does address the ease of access to guns and ammo (the Kmart sequence was terrific), and that's nothing new--certain types of guns are not needed for protection or hunting, and really should only be in the hands of the military.
But if you can make a devastating Oklahoma bomb out of fertilizer, the the issue is not just access to guns. It is something in our culture. Personally, I think as a relatively young country, we are very immature and prone to violence.
It's no secret to my friends that I am a big fan of Michael Moore. His style is very entertaining, and he is very provocative. As I suggested before, his cinematic function to present these issues in context (granted, context of his choosing) has merit. The left needs a bulldog like Moore, so many are wimpy these days. His overall message seems to be that the ills of our country are institutionalized, such as greed (Roger & Me), social responsibility (The BIG One, which points out that huge corporations receive more $$ in gov't handouts than the entire welfare system), and now violence, which on a personal level, mimics our government's attitude toward perceived problems and threats.
If the goal of "Bowling for Columbine" is to spark debate, then it's a great movie.
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