|
|
This topic comprises 6 pages: 1 2 3 4 5 6
|
|
Author
|
Topic: Superman Returns
|
|
|
|
|
|
|
|
|
|
|
Aaron Haney
Master Film Handler
Posts: 265
From: Cupertino, CA, USA
Registered: Jan 2001
|
posted 06-28-2006 03:18 PM
Saw this last night at the Century 16 on Shoreline in Mountain View, auditorium #6. The 35mm print I saw appeared to be printed on Kodak Vision Premiere.
Well, I was going to come in here and mention the opening credits, but others beat me to it. Suffice to say, playing "spot the jaggies" is very easy with this movie. I defy anyone to watch that opening credit sequence and then claim with a straight face that 2K resolution is good enough for the big screen.
This movie feels like a remake of the '78 version. A bad remake. Many little things here and there are cribbed from the original: bits of dialogue, music, various shots (like the final shot of Superman in orbit). Not to mention Luthor's plan is recycled from the first two movies. All that would be okay, except that the cribbed parts feel out of place, especially the dialogue. It seems as though almost no attempt was made to fit them in. And why didn't they simply hire John Williams to write the score? He is still alive and working -- surely no one could have done a better job than him.
The casting is pretty good, although I still have a problem with the actors playing Superman and Lois. Despite turning in good performances, they are just plain too young to be playing these parts. They look younger than the actors in the '78 film, yet this is supposed to be a sequel.
The pacing is very slow. The movie spends too much time on some things, such as Superman being in the hospital, but not nearly enough on others, such as his trip to Krypton. What about those rumored shots of him standing on the remains of his homeworld? I would have loved to have seen that. Supposedly they were cut for reasons of time. Unless there was something seriously wrong with those scenes, it sounds like they should have been one of the last things to get cut, while other scenes could have been easily trimmed with no ill effects. Where have all the good editors gone?
The digital cinematography is actually pretty good. On the final print it looks far better than it did in the murky trailers. It's much better than the Star Wars or Spy Kids movies. At times it is hard to tell the difference between this and a movie shot in Super-35 and passed through a 2K digital intermediate. I'm sure Panavision's full-frame sensor really helps. However there are times, such as scenes in Perry White's office and other dimly lit indoor sets, where the flesh tones still have that unnatural orange color we've seen in other digitally acquired movies. And, as always, I must again repeat that 2K is not a goal to be aiming for. 4K is where digital cinema technology should end up. The opening credits are not the only place you can play "spot the jaggies".
In the end, I came away disappointed. Most of the good action had been given away by the trailers, the epic feeling from the '78 version is gone, and it was flat-out boring at times. My first thought once the credits began to roll was, "they spent $250 million on that?" [ 06-28-2006, 07:51 PM: Message edited by: Aaron Haney ]
| IP: Logged
|
|
|
|
|
|
Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001
|
posted 06-28-2006 08:10 PM
quote: Mike Schindler I know that people love this movie, but I just don't get it. I didn't get it when I was a kid, and I don't get it now.
Perhaps you "don't get it" because you're not old enough to have seen "Superman" in a theater in its 1978/79 first-run showings.
quote: Mike Schindler I don't see anything intelligent or clever about Superman spinning around the planet in order to go back in time. It's actually the opposite of those things. For one thing, it's not intelligent, because it makes no goddamn sense. I'm willing to believe a man can fly, but spinning backwards around the planet to go back in time?
Well, I wasn't implying that the spinning the planet to go back in time thing was the lone example of intelligent or clever writing. (Don't blame me if the writers couldn't think of something better like having Superman hop into a Delorean to do his time traveling!) But I do think on the whole the movie (the first one) was well written. And I don't think turning the earth back in time is any sillier than imprisoning people inside a flying mirror!
If you have no trouble suspending your disbelief for comic book and fantasy elements such as a man flying or deflecting bullets or kicking a football hundreds of yards, I don't see why traveling through time should be any more difficult to accept. (Do you have issues with "Star Wars" having sound in space or "Star Trek" spaceships slingshotting around the sun to travel back in time...and to save whales, no less?)
This discussion reminds me of a review I read of "Cars" where the critic disliked the movie because they could not accept the premise of talking automobiles. Come on! Animation, historically, has had as its central conceit animals and inanimate objects talking. Kinda like someone seeing a musical then complaining about characters bursting into song for no reason. All genres have their conventions; you just have to "go with them"...or not bother watching at all.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 6 pages: 1 2 3 4 5 6
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|