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This topic comprises 4 pages: 1 2 3 4
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Author
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Topic: Departed, The (2006)
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 10-20-2006 03:16 PM
Last night, I watched The Departed again at the Carmike 8 in Lawton, to check out the show in its digital cinema version. I had seen the movie previously in 35mm DTS at the same theater before its conversion to Christie/AIX D-Cinema systems.
In doing some searching after noticing some soft details in the 35mm version, I found The Departed was indeed a 2K digital intermediate treated film. The movie was originally shot in spherical Super35, which isn't as sharp in native resolution as anamorphic 'scope. The 35mm release prints were getting no more actual detail than their D-Cinema counterparts. I think an anamorphic photographed 35mm movie not put through a 2K DI would have considerably more detail in its release prints.
Did anyone else notice some of the blood splatter effects looking a little CGI-ish? Certain characters getting shot in the head or chest had blood spouting out in a somewhat cartoonish way. It would be pretty difficult to handle that effect using a "practical" technique. There isn't any of that more realistic looking "red mist." The practical behind-the-head exit wound splatter still works though. Sorry to sound morbid. But then this is a Scorsese mob flick. I just found the cartoony stuff a bit distracting, almost Monty Python-esque.
How did the D-cinema version look? Pretty good. The video stream was JPEG2000 at 2048 X 858 pixels. I didn't think it looked any sharper than the 35mm version. However, the digital projected version had an absolutely steady image. The film version wasn't jumping all over the place, but a little side weave and other slight movement was present. A high quality, well maintained film projector showing a print with no damange can achieve much of the same thing, but you don't get that in most multiplex environments. The digital version seemed more evenly bright across the frame. On the downside, I had this wierd feeling that I was watching something more like a DVD. Granted, this show is running around 25 times the bitrate of a DVD.
One think I really liked: no CAP code chicken pox. My understanding is these digital cinema systems use some sort of nearly invisible watermarking much different from CRAP code.
The LPCM 5.1 audio was also a noticeable improvement above DTS. However, I think the better capability of this audio track did more to expose flaws in the original dialog recordings. When Dignam (Mark Whalberg) and Queenan (Martin Sheen) first interview Billy Costigan (Leonardo DiCaprio) there is a slightly fuzzy, sibilant quality to their voices. Some of the other dialog didn't sound like it was recorded too well either, compared to other elements of the audio track. In another scene, which may be an error in how this LPCM 5.1 track was encoded, Alec Baldwin is talking to a bunch of agents conducting surveillance over a meeting of bad guys near the docks. His speech echoed kind of wierdly in the surrounds. I don't remember hearing that in the DTS track. Overall, The Departed has a surprisingly subdued mix. The movie trailers preceeding the feature were a bit louder and more dynamic (but not shrill like those horribly overdriven optical tracks on many 35mm movie trailers).
A pretty cool Christie Projection trailer played before the movie. It's not as blood pumping as the best THX and Dolby Digital snipes, but still cool to watch. I don't think the Carmike theater has any of those Texas Instruments DLP snipes yet (although they do play on the small LCD TV screens at the concessions counter).
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Christian Appelt
Jedi Master Film Handler
Posts: 505
From: Frankfurt, Germany
Registered: Dec 2001
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posted 02-05-2007 08:47 AM
***************************************************************** AUTHOR FAILED TO DENOTE SPOILERS AHEAD IN HIS REVIEW *****************************************************************
THEATRE: CineStar Metropolis #1, Frankfurt, Germany DATE: Feb. 4, 7:30 PM PRESENTATION: trailers and pre-show ads out of framing and with some dirt. Main feature in perfect condition, framing, sound & focus OK. Screen image slightly shifted to the right creating a black shadow on the left and image on the masking on the right. Washed-out contrast, not sure whether this was on account of the inferior print or a problem with the anamorphic lens.
An entertaining movie, well-acted and with a surprise ending. The audience was very quiet and concentrated, some were really shocked when DiCaprio was killed. Not because he was, but because it happened almost casual, one killing of many before and after it.
They hired Nicholson to play what he plays best, so I guess it would be unfair to blame him for a predictable performance. You don't criticize John Wayne for playing his usual character because that's what made him a star. Might have been interesting to have had another less typecast actor in the role.
Not a Scorsese classic, but a solid piece of filmmaking, except for the uninspired style of cinematography. It has been argued that this style underlines the realism of the story, but since Scorsese always ends up doing opera-like movies on a big canvas, I do not think more dramatic photography would have hurt.
Oh, and of course the movie was f***ed up by the usual inferior dupe/release printing for the German market, every long shot lacked detail, even the closeups looked soft. Super-35 plus DI plus shitty printing - but hey, since the run a trailer campaign around here with the tag line CINEMA - THE PLACE FOR WHICH MOVIES ARE MADE (in German: Kino - dafür werden Filme gemacht), so the major distributors can keep turning out grainy, out-of-focus, unsteady mass prints. ( [ 02-05-2007, 01:44 PM: Message edited by: Brad Miller ]
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Gerard S. Cohen
Jedi Master Film Handler

Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001
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posted 02-09-2007 04:51 PM
What I liked most in this film was the glorious rendition of the aria "Chi mi frena en tal momento" (What restrains me in this moment) which Edgardo sings in the sextet from Donizetti's "Lucia di Lammamoor." [Scorsese's use was not the first--Paul muni whistled it in Howard Hawks' "Scarface.]
This aria, heard also on the cellphome which connects the double agents, applies to many taught moments of action where the characters face death. While we don't hear the lyrics, they include: Chi mi frena, in tal momento? Chi tronco del ire il corso Il suo duolo, il suospavento Son la prova d'un rimorso!... Ma qual rosa inaridita Ella sta fra morte e vita! Io son vinto...son cammosso T'amo, ingrata, t'amo ancor!
But the passion and the mob this time are not of the Italian Mafia, but the Boston Irish gang. And the emotion is not so much jealousy over a woman as a drive for power, control, and "rep."
Though I recognize the tight action, skillful editing and dramatic acting, I did not like this film. I am not a fan of counter-spy plots of double agents, nor of barroom violence and shoot-em-up gunplay. So I didn't care much for the back-and-forth good-guys/bad guys search for the mole, though I noted the "cute" presence of the rat scampering across the bottom of the credits at the film's end.
At the Cinemart in Forest Hills. No pre-feature adverts. or trailers (Thankfully.) Two or more reels had a fixed vertical emulsion scratch a bit left of center, and the surround was heard from only one speaker, rear right.
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Michael Schaffer
"Where is the Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002
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posted 03-04-2007 04:43 AM
I think it is a pretty mediocre film. Just celebrated a little because of all the famous actors and the once fabulous, but long spent, but still famous director, and because there haven't been really all that many (if any) really interesting and remarkable movies recently, so they just needed something that they could somehow celebrate as a "masterpiece".
I am really tired of watching pampered Hollywood stars play "tough guys" from the "mean streets". There wasn't really much acting in that film, actually, more a lot of parading around. Good thing it didn't have De Niro and/or Pacino in it. Then I would have puked.
Scorsese was once a director of revolutionary vision and style who created some real classics of American cinema by fusing nouvelle vague elements with contemporary and socially relevant themes, and a few other still very good and entertaining movies, but now he seems tired and empty, even a parody of himself in some elements (such as the use of Italian opera, once a highly original and stylish idea in "Raging Bull", now just lame). A shame.
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Rob Ferreira
Film Handler

Posts: 25
From: Conway, NH, USA
Registered: Oct 2005
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posted 03-04-2007 06:48 PM
The Departed was the best movie of 2006, without a doubt - which could be why the Academy gave it the best picture Oscar.
Everything about this movie (except for a few very noticeable continuity gaffes) was great - the script, acting, and cinematography was excellent. Despite several what several of you detractors believe, I think that having this big of "name" cast helped the movie along. Although I have never been a fan of Alec Baldwin, I think his part in this movie was great. Mark Wahlberg is my favorite actor, because almost every movie he has every made is just that great. (Aside from the unspeakable Planet of the Apes remake.) DiCaprio is one of the best actors of this generation, and he proves once again why he is a (now) three-time Oscar nominee.
The ending was perfect, and I don't see for one second how people found the film hard to follow. For those who didn't like it, I suggest giving it another look on DVD now that it's available.
***** out of *****
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