|
|
This topic comprises 3 pages: 1 2 3
|
|
Author
|
Topic: CD prices coming down soon
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001
|
posted 09-09-2003 05:41 PM
1: Copying and trading music is not theft. It is a copyright violation, still acrime - but despite what the RIAA likes to prosletize it still isn't theft. 2: You don't own any music (either on CD or via Itunes), you buy the right to use it. (Unless you're a musician or publisher etc., and you do own some music...) Itunes gives you a quite limited license to use the song, just try selling one.
CD prices were proven to be fixed in the US courts, and Universal and others had to pay quite a large penalty. This great "discount" drops the price to what they had used as absolute bottom price during the collusion period, any store selling for $10.00 or less was blacklisted and would not get any CDs from the majors. So, Universal Music, screw you. Too little, too late.
| IP: Logged
|
|
Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
|
posted 09-09-2003 06:17 PM
quote: if the music industry would start releasing 5.1 mixes, I would most definitely turn my interests back more into music. With the crap on the market right now, it's a waste
I feel the same way. However, there is a lot of foot dragging on the part of most music acts for doing anything in 5.1, much less releasing on higher quality formats like SACD and DVD-A. I was simply offering the fact that DVD-A and SACD both offer very high quality encoding/playback options for 2 channel material --just to take away the artists' excuse for not using the format.
Some performers try to argue surround sound doesn't fit music. Yet they'll release music video and concert DVDs that almost always have 5.1 tracks in DD or even DTS. Others make a valid point about the problems of portability with 5.1 music. Few car stereo systems can play back anything in DD, DTS, SACD or DVD-A's MLP format. Same goes for boom boxes and small headset-based players. But all of that would change if the artists gave us good, current music releases in 5.1.
I think it is bullshit that nearly all the DVD-A and SACD offerings in rock music are 20 and 30 year old titles. DVD-A and SACD have no chance at all of becoming mainstream music listening formats until NEW studio releases are issued day-and-date with standard CD releases. It was the same requirement for DVD-Video. It had to deliver new movies the same time as they appeared on VHS (and be available for rent).
Anyway, I was getting off on a bit of a tangent there. But that's what I feel are the basic problems going on in 5.1 music.
Another problem against DVD-A and SACD is that it affords no convenience to the end user. It is impossible for me to burn any "favorite songs" discs with no filler the way I can with my standard CD collection. Most any CD you buy will have at best only a mere 3 or 4 good songs on it. For long trips, I prefer burning a few CDs with nothing but good stuff so I don't have to switch out discs so often. I feel the music industry has to accomodate this somehow, but I don't feel that low FM radio quality MP3's and AAC files are the way to do it.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 3 pages: 1 2 3
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|