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This topic comprises 6 pages: 1 2 3 4 5 6
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Author
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Topic: Share your worst electrical nightmare!
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Paul Mayer
Oh get out of it Melvin, before it pulls you under!

Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000
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posted 11-07-2004 12:05 PM
Agh! Colortran! Getawaygetaway! Bad juju!
I was sentenced to a year of dealing with both a Colortran 3000 and a Scene Master 60 in the Las Vegas Hilton Main Showroom. Plus another two years with a Colortran 1000 on La Cage at the Riviera, and just for good measure another summer with a Colortran 2000+ with Scene Master 60 for backup (?) in the jousting arena at the Excalibur. That and a dimmer rack fire at the Excalibur (the wonderful Colortran ENR plastic-cased dimmers stuffed into a rack wired with Aluminum).
Oh, and the wonderful spontaneous free-form light shows the Excalibur system would spontaneously create--chase effects using every circuit in the place, self-loaded onto the playback faders. Sometimes this happened in the middle of a show (which required a long run through the kitchens to get to the dimmer racks and reset the data comm cards), but usually it was at 2 or 3am, well after we had left for the night. Ah, the phone calls we used to get from the graveyard shift building engineers, "You ought to see what your system is doing down here..."
Colortran made me long for the days of Kliegl and Century Izenour preset boards. Or Leprecons or Light Palettes. Or Q-Files. Or Performances or Performers. Even Great American. Anything else! Of course there wasn't much competition for Colortran in 'Vegas in the late '80s early '90s (Peterson & Vine sold a ton of them here), but still...
Long live ETC!
[Edit: Me and my spelling...] [ 11-07-2004, 07:29 PM: Message edited by: Paul Mayer ]
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 11-07-2004 09:17 PM
quote: Tim Reed Distraught young woman in a downtown area, literally trying to run away from her problems -- with the police there trying to calm her and/or take her in for some reason. Suddenly, she breaks away and runs towards a power sub-station, climbs the chain link fence, and hops up on a transformer. She's screaming/crying about something or other and threatens to kill herself. But, before she can continue the threats, she gets taken up on her offer when she gets too close to some huge high-tension insulators and .... ZZZZZzzzzzaaaaaaappppp!!! Auuuuuuughggghhhh!!!! She FRIES ALIVE! My brother couldn't believe it. He said her clothes burned away like tissue paper and her tits exploded.
Remember this one?:
http://members.tripod.com/%7EStormTrooper_2/index2.htm
quote: In Approx. Feb 1996,This person who is high on PCP was trying to kill himself. This situation lasted for about 45 minutes. This being toward the end of the situation,the person had already walked from A previous power pole by means of walking on the low voltage wire and hanging on to the other wire that was around him. The Power Company had denergized the low voltage wire at this point. What you see now is this person on PCP accending the the level of HIGH VOLTAGE. The wires above him at this point are energized at 16,600 volts WYE system. "for all you overhead junkies
http://www.film-tech.com/ubb/ultimatebb.php?ubb=get_topic;f=8;t=000475;p=3#000032
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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 11-07-2004 10:21 PM
It's funny when I hear people talk about Strand boards like that. I've got 3 of them. (GSX, LBX & 520i) The prep school that's attached to this college has a Strand MX console. We have very few problems with any of those boards.
According to my research, the ghosting problem is often a manifestation of poor wiring in the DMX control lines or because of the use of the wrong type of cable. Cable that's suitable for microphones is often not suitable for DMX.
If you have any branches or "T's" in your DMX lines, that's a recipe for disaster. Poor connections, improper shielding and/or isolation of the lines can cause problems. The only times I have problems with dimmers ghosting are when the DMX control cable that goes from the colsole to the dimmer is left disconnected.
This is not meant to say that you have any of those problems in your system(s) but I have seen problems like that happen.
I hear a lot of people say that they prefer E.T.C. boards for various reasons. I have little experience with E.T.C. and lots of experience with Strand. I think of things the other way around. In defense of Strand boards, I will say that I really like the way they handle intelligent/moving lights. They also speak SMPTE code and MIDI. I've seen some guys who can use that to make a console sit up on its hind legs and bark!
I will admit that Strand's command syntax can be pretty counterintuitive at times but once you get the hang of it things aren't difficult at all.
I just ran a show today: Lights, sound, video, powerpoint, CD playback and CD recording. I was able to do it all by myself and I hardly ever had to get off my stool to do it.
I think it's all about what equipment you were brought up on.
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Jim Cassedy
Phenomenal Film Handler

Posts: 1661
From: San Francisco, CA
Registered: Dec 2006
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posted 01-29-2016 12:00 PM
Waaaaaaay back in 1971 when I first started in this buisness, The first "permanant" job The Union assigned me to was a REALLY old theater (1917) that still had a lot of the 'original' equipment in use.
The electrical power in the booth went through an old open knife switch panel that look like it came off of the FRANKENSTEIN laboratory movie set. For some unexplained reason, the booth lights were on the same circuit as some of the equipment that was turned off at that panel every night at closing.
After a few "shocking" evenings of bumping around in the dark trying to find the knife-switch panel, I learned very quickly to carry a flashlight to work.
They arc rectifiers were the old wall-mounted rack type that had huge mercury vapor tube rectifiers mounted (unprotected) on the front. One night when I threw the power switch on it, one of the tubes exploded violently. I was covered with shards of glass, and I assume, bits of mercury.
The thing I was most thankful for was that I just happened to be looking away from the panel at the time, or I'm sure I would have gotten glass in one, or both, eyes. I was always a little paranoid about those tubes because at that time I had a friend who lost an eye when he got glass & phosphorus powder in his eye when a fluorescent lamp exploded in his face a few months prior to this incident.
Until they replaced the old glass mercury tubes with "Sil-Tubes (remember them? ) I always made sure I had my back turned to that panel every night when I powered that rectifier panel up, in case of another explosion.
The theater eventually burned to the ground. (No, I wasn't working that nite!)
TODAY's FUN FOTOS: This switch/fuse panel is still in use at a 1913 theater here in SF. The little brass plate on the lower left says it was manufactured by the "Railway Telegraph & Switch Company" 
This switch controls the electric chair in the managers office-  >Actually, it's the "Main" service switch. (Yes, they only have single phase power)
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