Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Brad Miller Going Digital Cinema (Page 3)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: Brad Miller Going Digital Cinema
Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 01-31-2006 07:15 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
It was also the only system to put a digital soundtrack on 70mm film; both Dolby Digital and SDDS are 35mm only.

I never actually heard it, but I have seen one of the readers, at Bletchley Park.

 |  IP: Logged

William T. Parr
Jedi Master Film Handler

Posts: 823
From: Cedar Park, TX
Registered: Nov 2000


 - posted 01-31-2006 08:21 AM      Profile for William T. Parr   Email William T. Parr   Send New Private Message       Edit/Delete Post 
Brad,

Let me know if you ever run across a CP200 Aux unit. The Paramount in Austin is in need of one and they would be a Tax Right off to as thier a Non Profit group. [Wink]

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-31-2006 02:48 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Sure do William. Email me.

 |  IP: Logged

Chris Hipp
Phenomenal Film Handler

Posts: 1462
From: Mesquite, Tx (east of Dallas)
Registered: Jul 2003


 - posted 07-01-2006 09:29 PM      Profile for Chris Hipp   Email Chris Hipp   Send New Private Message       Edit/Delete Post 
The new all digital film tech screening room.
 -

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-01-2006 09:49 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Chris, you weren't supposed to post that picture until the curtains were finished. After all, the curtains are what makes for a REAL theater! [Wink]

 |  IP: Logged

Mike Heenan
Phenomenal Film Handler

Posts: 1896
From: Scottsdale, AZ, USA
Registered: Mar 2000


 - posted 07-01-2006 10:06 PM      Profile for Mike Heenan   Email Mike Heenan   Send New Private Message       Edit/Delete Post 
Isn't that Andy Summers first screening room before he upgraded to a 20" monitor?

 |  IP: Logged

Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 07-01-2006 10:46 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
I miss Andy...he was a true inspiration to us all!

 |  IP: Logged

Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 07-02-2006 05:39 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
GEH would be a great place for the CDS unit, if they'll actually make sure that visitors will be able to see it, rather than just locking it in a vault.

A couple of years ago I made a research visit to the National Museum of Photography, Film & TV in Bradford (about the nearest equivalent we've got) wanting to look at their Prestwich 5 camera in connection with an article I was writing. It came out of their equipment store in a non-public area. When I was done, the curator kindly offered to show me the store. It was an absolute treasure trove, and it's a real pity that most of the stuff in there is not on public display.

The stuff they've got includes a Paul Theatrograph, a Baird Televisor (plus several other Nipkow disc scanners and receivers, including a couple of Nazi ones), a three-strip Technicolor camera, an original Mitchell Todd-AO camera, a Vistavision camera, a Gaumont-Kalee Vistavision projector, the Dolby sound camera which produced the optical track negs for the 35mm release prints of Star Wars and loads more besides. But none of it is on permanent or even temporary, rotating display, as far as I can tell.

I know that museums have limited space and that, faced with a choice of acquiring an item and storing it out of public view or risk letting it end up in a skip, acquiring and storing is preferable. But I do with the NMPFT would try and display more of its film and TV technology collection, even if that means rotating exhibits in a limited gallery space.

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 07-02-2006 06:51 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: Leo Enticknap
GEH would be a great place for the CDS unit, if they'll actually make sure that visitors will be able to see it, rather than just locking it in a vault.

What would be even better would be if some film, both 35mm and 70mm were preserved, and occasional screenings made, so people could actually hear the system, and see it working.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-05-2006 10:48 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Stephen Furley
What would be even better would be if some film, both 35mm and 70mm were preserved, and occasional screenings made, so people could actually hear the system, and see it working.

I know that the folks at the International Museum of Photography at GEH are hoping to upgrade their Dryden Theatre, which may include 70mm capability. Their collection does include 70mm prints.

quote: Leo Enticknap
I know that museums have limited space and that, faced with a choice of acquiring an item and storing it out of public view or risk letting it end up in a skip, acquiring and storing is preferable. But I do with the NMPFT would try and display more of its film and TV technology collection, even if that means rotating exhibits in a limited gallery space.

GEH Technology curator Todd Gustavson does try to rotate significant items for public display. The entire equipment collection can be toured by appointment:

http://www.eastman.org/technology.html

quote:
The GEH Brownie Collection CHECKLIST THUMBNAILS INDEX
Cameras from the Exhibit: The Brownie at 100 (May 13, 2000 - February 10, 2001) INTRODUCTION CHECKLIST THUMBNAILS INDEX
Cameras from the Mees Gallery Exhibit: Enhancing the Illusion CHECKLIST THUMBNAILS INDEX
Precinema Project - Technology CHECKLIST THUMBNAILS INDEX
Selected Magic Lanterns INTRODUCTION CHECKLIST THUMBNAILS INDEX
Timeline of Cameras - Technology CHECKLIST THUMBNAILS INDEX
Photographic Apparatus From the Cromer Collection CHECKLIST THUMBNAILS INDEX
Cameras from the exhibition: "Language of Light" CHECKLIST THUMBNAILS INDEX
Selected Cameras CHECKLIST THUMBNAILS INDEX
Selected Nikon Cameras CHECKLIST THUMBNAILS INDEX
Selected Ciné Cameras CHECKLIST THUMBNAILS INDEX
Lumière Cinématographe CHECKLIST THUMBNAILS INDEX


http://www.eastmanhouse.org/inc/collections/technology.php

quote:
Materials

The technology collection is made up of more than 16,000 separate items including

4,100 cameras (still and motion picture)
700 projectors (still and motion picture)
400 viewers (hand-held mono and stereo)
900 lenses
1700 equipment (accessories)
700 dark room (enlargers, timers, trays)
1500 supplies (film and paper packaging)
1700 exposure measuring instruments
More than 4,000 items in the Eastman Kodak Company Patent collection


Access

Access to the collection is by appointment Tuesday through Friday, 10 a.m. to 5 p.m.





 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.