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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Can you tell anything about a lens from a flare? (Page 2)

 
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Author Topic: Can you tell anything about a lens from a flare?
Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-17-2008 10:54 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
(Dragline: "If my man says he can eat 50 eggs, he can eat 50 eggs! so put your money where your mouth is!")

- "Cool Hand Luke"

Warner Bros
127m - 7 reels
2.35/1 Anamorphic
Technicolor IB print releases.

..sorry, couldn't resist either.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 01-18-2008 06:16 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
A friend of mine has gotten into producing videos in an animation computer program. He recently discovered a plug in for lens flair, not only flair, but animated flair that he can move all round the image. From that point on, there wasn't a piece that he's authored that didn't have this damn flair zooming all over the place. At first it was cute, then annoying, now I just leave the room when the flair starts roaming around his shots. Bobby's "tasteful restraint" isn't part of his vocabulary.

Anyone ever see those star effects around points of light like a starburst that you see when they shoot what are supposed to look like diamonds or other jewels? Is that done with a special-effects lens? I am sure in digital they must have a plug in for that, but I have seen those decades ago, BD (before digital). I have even seen them rotate in a cheesey commercial for a diamond jewelry store. I assume they are made by a lens of some sort and they just rotate the lens, eh? Thing that I'm curious about is, how does the effects lens know which pinpoints of light get the starburst? I mean, if it causes those stars on random bright objects, if you have objects that have intensities of white light, why don't the starbursts form around them? What triggers a starburst, the intensity of the light or the contrast around a small area?

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Kenneth Wuepper
Phenomenal Film Handler

Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002


 - posted 01-18-2008 07:18 AM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
Frank,

Those Star like effects are created by a filter in front of the lens. There are very fine etchings in the filter glass and those cause the light to be diffused around a bright object. Since they are only filters, they can be rotated in front of the lens without effecting focus or aperture settings.

KEN

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 01-18-2008 11:34 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Frank, all of the lens flare plugins can be animated.

Btw, I always thought star filters were cheesy. [Roll Eyes] And since I am the King of Cheese, that is saying something! Haha.

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Ron Funderburg
Jedi Master Film Handler

Posts: 814
From: Chickasha, Oklahoma, USA
Registered: Nov 2007


 - posted 01-18-2008 12:22 PM      Profile for Ron Funderburg   Author's Homepage   Email Ron Funderburg   Send New Private Message       Edit/Delete Post 
Monte, Remember this exchange

Dragline "he beat you with nothing, just like this afternoon when he kept coming at me ... with nothing"

Luke "Sometimes Nothing can be a real cool hand"

Dragline "Move over boys let me sit next to my man COOL HAND LUKE"

tempted to run over to IMDB and see if I go it right but that is close enough! God I love that movie!

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-18-2008 01:59 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Dragline: "Wipin'it off here, BOSS!"
BOSS Paul:"Go 'head Drag, wipe it off!"
BOSS Karr: "____spends a night in the'Box'."
Cap'n: "Report here says you got busted for destructing public property..
Luke: "Was cutting heads off of parking meters, Cap'n"

("Pop baby, pop")

Yes Ron, love this movie as well. First ran this flik in 1970 at a drive-in, then 6 yrs later at another drive-in...was so glad on the DVD release...

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 01-18-2008 04:20 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Btw, "Cool Hand Luke" was one of the great works by the late cinematographer, Connie Hall - one of my heroes. Absolutely beautiful.

Also, do you remember that Lalo Schifrin's "Tar Sequence" music was later used by many television stations as their Evening News Theme?

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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001


 - posted 01-18-2008 04:31 PM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
When I think of star filters, I think of the 1970's daytime commercials for Slim Whitman. He'd be on a faux stage, lip-synching to "Una Paloma Blanca" with gelled spots behind him. The star filter would be rotated to accent the lights and the mood. [Razz]

And Tim, I don't know the music from "Luke" all that well, but I recall that one of the Philly stations (ch 3?) used John Barry's "007" for its own newscast.

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Sean Weitzel
Jedi Master Film Handler

Posts: 619
From: Vacaville, CA (1790 miles west of Rockwall)
Registered: Dec 1999


 - posted 01-18-2008 05:48 PM      Profile for Sean Weitzel   Email Sean Weitzel   Send New Private Message       Edit/Delete Post 
While most lense aperture/iris are leaves arranged in a circular patten, I have an old C-mount lens on my Bolex that has has three leaves arranged into a triangle shape which creates really cool flares.
I'm also a big fan of those BRIGHT blue horizontal flares that scope movies from the 70's were big on incorporating. Vilmos Zsigmond had plenty of them in Close Encounters of the 3rd Kind.

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Tim Reed
Better Projection Pays

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From: Northampton, PA
Registered: Sep 1999


 - posted 01-18-2008 06:14 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
quote: Hillary Charles
Tim, I don't know the music from "Luke"
Here's the theme. (This will only be on my server temporarily, unless someone can xnsfr it to the F-T server...thanks)

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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001


 - posted 01-18-2008 06:43 PM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
Thanks Tim, I can see why it would have been used as a news theme. You probably are familiar with "007" by John Barry, but you can understand why it also was used for the news.

Regarding lens flare, I remember a "news" story on something like "Inside Edition" in which people were claiming to have photographed some kind of doorway to Heaven! The story showed how they pointed their Polaroid 600 type cameras toward the sun (while looking throught the viewfinders [Eek!] , if memory serves). The resulting shot definitely showed a vertical rectangular image in the center of the picture. Now, if those rubes hadn't blinded themselves by looking into the sun, they could have looked at the lens of their cameras to see the aperture with the exact same shape! [Roll Eyes]

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Brian Michael Weidemann
Expert cat molester

Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004


 - posted 01-18-2008 08:01 PM      Profile for Brian Michael Weidemann   Author's Homepage   Email Brian Michael Weidemann   Send New Private Message       Edit/Delete Post 
quote: Sean Weitzel
BRIGHT blue horizontal flares that scope movies from the 70's were big on incorporating. Vilmos Zsigmond had plenty of them in Close Encounters of the 3rd Kind
Those would be the ones that blinded me in practically every other scene in Transformers, wouldn't they? I figured those were post-production effects, especially since they glinted off the Autobots' CGI waxed body plates more than was called for.

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Tim Reed
Better Projection Pays

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From: Northampton, PA
Registered: Sep 1999


 - posted 01-18-2008 08:29 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Hi, Hillary, thanks. Yes, re: 007.. it has that driving, important sound. Perfect for a news open. [Wink]

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 01-18-2008 11:16 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Brian Michael Weidemann
I figured those were post-production effects, especially since they glinted off the Autobots' CGI waxed body plates more than was called for.
Bright horizontal lens flares and elliptical halos are pretty common in a lot of modern anamorphic filmed movies. There's little need to add them in post production with CGI effects, but it does happen. Babylon 5 loved those elliptical halos even though the TV series wasn't in 'scope.

 -

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Tim Reed
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From: Northampton, PA
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 - posted 01-19-2008 12:34 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
[deleted]

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