Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » 'Raiders of the Lost Ark' turns 30 today... (Page 2)

 
This topic comprises 4 pages: 1  2  3  4 
 
Author Topic: 'Raiders of the Lost Ark' turns 30 today...
John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 06-12-2011 10:49 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Michael, that's just excellent. Thanks so much for that article.

For those interested, the two specials Michael mentioned are available on You Tube. Links follow...

The Making Of 'Raiders of the Lost Ark'.

and

Great Movie Stunts: 'Raiders of the Lost Ark'.

I have a VHS copied of Great Movie Stunts but it's not any better than the ones already on You Tube so I didn't bother uploading them. I hope they include them on the Blu Ray releases.

 |  IP: Logged

Victor Liorentas
Jedi Master Film Handler

Posts: 800
From: london ontario canada
Registered: May 2009


 - posted 06-12-2011 11:03 PM      Profile for Victor Liorentas   Email Victor Liorentas   Send New Private Message       Edit/Delete Post 
I think it was about 3 weeks or so into the run when Raiders left the Century 1 & 2 (35mm) and started it's 70mm engagement at the Park theater in London Ontario Canada!

 |  IP: Logged

Robert Throop
Master Film Handler

Posts: 412
From: Vernon, NY USA
Registered: Jun 99


 - posted 06-12-2011 11:35 PM      Profile for Robert Throop   Email Robert Throop   Send New Private Message       Edit/Delete Post 
quote:
New Hartford – Sangertown Square Cinema 6 (Dolby Stereo)
Mike,
I'm certain that Sangertown didn't have any Dolby processors at this point. They had Eprad Starlets and advertised Dolby.

 |  IP: Logged

Jim Henk
Master Film Handler

Posts: 364
From: San Diego, CA
Registered: Feb 2006


 - posted 06-13-2011 12:25 AM      Profile for Jim Henk   Email Jim Henk   Send New Private Message       Edit/Delete Post 
The National in Westwood. One of those golden moments when you actually forget you're in a theatre watching a movie.

 |  IP: Logged

Jean-Marc Toussaint
Film Handler

Posts: 60
From: Paris, France
Registered: May 2008


 - posted 06-13-2011 02:25 AM      Profile for Jean-Marc Toussaint   Author's Homepage   Email Jean-Marc Toussaint   Send New Private Message       Edit/Delete Post 
The film was released much later (mid-september) in France and I can't remember if we had some 70mm prints.
I saw it the day after its opening at the Gaumont Richelieu. The large auditorium of it was some months later divided into a 4 screens miniplex, before being transformed into a large toy store (said toy store is still open today).
Then the film played almost continuously at UGC George V on the Champs Elysees (where I saw it a great number of time) until the release of Temple of Doom.

 |  IP: Logged

William T. Parr
Jedi Master Film Handler

Posts: 823
From: Cedar Park, TX
Registered: Nov 2000


 - posted 06-13-2011 08:01 AM      Profile for William T. Parr   Email William T. Parr   Send New Private Message       Edit/Delete Post 
I saw this movie at the Mann National Twin in Corpus Christi. This movie played to a sold out crowd for the first 4 months and to 1/2 to 3/4 full auditorium over the next year. It was the longest continuing running movie at the National Twin. Both auditoriums were Mono.

 |  IP: Logged

Mark Campbell
Expert Film Handler

Posts: 148
From: Seattle, WA USA
Registered: Jul 2007


 - posted 06-13-2011 08:56 AM      Profile for Mark Campbell   Email Mark Campbell   Send New Private Message       Edit/Delete Post 
70mm at the Southcenter Theatre in Tukwilla, WA. The is a picture of that engagement on Cinematour. I then saw it 4 more times in 35mm as a $1 double feature with "Airplane!" at the Rialto in Tacoma, WA. Later once more in 35mm at the American Cinematheque's Aero in Santa Monica, CA.

 |  IP: Logged

Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 06-13-2011 09:14 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Saw RAIDERS at the Astor Plaza in NYC LONG after its opening weekend but still in its initial engagement. I have never been a fan of seeing a film opening weekend with the hordes. I can bide my time and wait till the crowds die down, then go to the first or last show on a Monday or Tuesday when I can have the theatre nearly by myself -- less chance of having too many people around me or especially in front of me. In those days that was important because "stadium seating" hadn't become the in thing yet, although we had the loge, which was essentially "stadium seating" but before they got that catchy label, only it was in the balcony and I always want to sit in the orchestra close enough so the screen takes up most of my peripheral vision -- balcony doesn't cut it, especially in those large theatres.

And of course the Astor Plaza had top draw presentation. I remember marveling at the sound mix which seemed to be 360 degrees and just filled the theatre from everywhere. And this was done without digital, without split surrounds, without EX this or XE that. It was awesome. It sure deserved the special Academy Award for sound editing.

If you wanted to see ANY big film in 70mm or even 35mm done right with decent presentation, you HAD to go to the city (Manhattan). Brooklyn was just a wasteland pockmarked with dismal excuses for movie theatres.

It was the era of transition between the single screens and the multiplex; a time when, at least in Brooklyn, almost EVERY theatre was a single that had been tortured into a twin or triplex -- these weren't REAL multiples built and designed as such, these were nightmares where decent singles were broken up into awful excuses for theatres and as cheaply as possible. Usually along with the physical unpleasantness of those holes in the wall that became Cinema I, II and III, the presentation was equally as painful as the physical hovels you had to sit in. In Brooklyn we still have lots of those places left and very few well-designed (from scratch) multiplexes.

The Astor Plaza was a great venue to see RAIDERS -- it did the film justice. After the last few years of its life being run into the ground, it went the way of most every single screen -- demolished a few years ago.

 |  IP: Logged

Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 06-13-2011 01:38 PM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
quote: Frank Angel
demolished a few years ago.
The theatre was gutted to become the Nokia Theatre and is now known as the BestBuy Theatre. (For concerts and special events.) It was nice because Paramount Pictures offices were located in the building above the theatre and would pay for extra equipment for the theatre. [thumbsup]

 |  IP: Logged

Robert Harrison
Expert Film Handler

Posts: 239
From: Harwood Heights, Illinois, USA
Registered: Jun 2005


 - posted 06-14-2011 02:16 AM      Profile for Robert Harrison   Email Robert Harrison   Send New Private Message       Edit/Delete Post 
My first viewing was in glorious 35mm MONO at what was then known as the Plitt Screening Room in the Chicago Theater building. It was an exhibitor's screening and, as happened often at such, the version shown was slightly different than the final release version. The one difference I recall specifically was that when Indy catches up with the German submarine, the sub begins to go under the water, so he held onto the periscope, presumably doing so the whole trip. In the final version, you just see him on top of the sub and then the scene dissolves to the next, even though you do hear an alarm and the men inside the sub apparently getting ready to submerge. I assumed Spielberg or somebody noticed this was similar to a scene in "1941" or it was just deemed kind of dumb, so they cut it and hoped you wouldn't wonder how in the hell he stayed on top of the submarine for the whole voyage without being detected or drowned.

At the time, I was working at the Golf Mill Theaters (in Niles, Illinois; see the list). The 70 print arrived literally at the last minute. The projectionist was ready to assemble the 35 "back-up" print. Then, as the reel containers were brought out of the delivery truck, one of them opened and a reel nearly started rolling through the parking lot.

We had a preview of the film in 35 optical stereo I guess the week before with the Alan Alda film "The Four Seasons." A lot of older customers were grumbling that they had come to see that film and not "Raiders." But, they loved it. I recall people standing and applauding when Indy pulled out his gun and shot the dude who was menacing him with a big sword.

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 06-14-2011 04:58 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
That scene always got a good laugh. The first four seasons of it at the Westline Drive-In managed to get over 300 cars on each Saturday night (a feat unmatched by anything before or after it) and I always made a point of going down out of the booth to hear them all laugh.

 |  IP: Logged

Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 06-14-2011 05:53 AM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
According to the commentary, Harrison Ford was feeling really ill that day and improved that scene of shooting the samurai - Spielberg loved it so much that they went with it.

 |  IP: Logged

Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 06-14-2011 10:07 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
..and that scene was right at a changeover...

 |  IP: Logged

Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 06-14-2011 10:34 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
We played the movie Sept. 2-7 that same year, just under 3 months after the break. It was a far cry from when "Jaws" came out -- we played that one 17 months after its release. (And the film was probably trashed!)

 |  IP: Logged

Kurt Zupin
Jedi Master Film Handler

Posts: 989
From: Maricopa, Arizona
Registered: Oct 2004


 - posted 06-14-2011 10:36 PM      Profile for Kurt Zupin   Email Kurt Zupin   Send New Private Message       Edit/Delete Post 
I think the best part of that story though is the guy that they got to do it, they looked all over the world for someone who could do the fight and was great with the sword. Flew him to the set, the guy was already to do the scene and then like said above. Ford was sick and told Speilberg it would be better if he just shot him. Guy was going to get a big stunt scene in a Hollywood movie, instead he gets shot after waving his sword around a couple seconds.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 4 pages: 1  2  3  4 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.