Deluxe "eCinema" delivery service is coming in December
Collapse
X
-
-
I noticed this as well, but I don't have a login to see what's inside. Also, in the "Deluxe One" portal, if you look around (I think it's in the tooltip that comes up if you hove over eDelivery) it shows the carrier as "Gofilex".
We have the same CInesend model as Frank does. Our first unit failed, and they had to send us another. They had me try to troubleshoot it before shipping it back for a replacement, and upon opening it up, it's a pretty barebones motherboard inside the chassis, with a Samsung SSD. SSD died. Seems it's just a standard Linux box with RAID. You can plug a VGA monitor into it and watch the boot sequence.
Pretty clearly, when Deluxe did their "partnership" with Cinesend, they just remoted in an installed the Gofilex software onto them.Comment
-
If you're willing to have a computer setup that has access to both the internet and the projection network running an FTP server on it (preferably with a firewall between them...), Deluxe can set you up to receive keys via your own FTP server.
I've already asked these questions and keys will not be delivered this way "yet". Trailers and keys are coming later this year. For now, it's just new movies and nothing else.
I'll also be happy to get keys this way so we can be done using a flash drive to transfer from a computer.Comment
-
Hi all,
Here in Australia, GoFilex is taking over for Deluxe/MPS sites joining forces. If you had both, one would be decommissioned, and if you were not running GoFilex software, they will transition you to it remotely so you don't really notice it.
It is strange, Australia is one of the last regions in the world to properly transition to digital delivery, but at the same time we have 4 (from 5 now due to this) trying to dominate a very small market.
Its super weird.
The big issue is in Australia, you can only get digital delivery if you allow Deluxe/MPS to put in a dedicated Internet link. They pay for it.. but you have to set up all this extra infrastructure. Many cinemas do not welcome this. More junk in the rack. They would prefer contribution to their own internet link, (To help pay for it or make it faster). Cinema also pay nothing at all for delivery unlike the rest of the world by the sounds of it. From following this thread.. Cinema/Distributor both contributing to the cost. est. combined total $70-$100 usd. Andone know exactly how much?
The only method to this madness from my perspective is along the lines of... "He who controls the spice, controls the universe." But in this case, controls the content cinemas can access.
In any case, I wanted to ask, recently I got an automated Email from Deluxe One to allow me to download a TLR using Aspera download tools. It looked like a fall back solution in case a site delivery box was down or link broken to allow a cinema to download a DCP via any other method they had as a backup. Anyway, this is what it looked like, but when I asked Deluxe about it, they denied it was anything like that, it was just a once of test.
Can other regions get back to me if this is what it appears to be. A backup download system for a link or box breakdown? That would be great. I expect they don't want to paint it this way in Australia as they don't want people not NOT get the dedicated link. Hell, I would be fine with an Aspera Email download link as the way to get a DCP. Still better than a physical drive. And if I don't have to install all that junk at my locations. I'll just go with that.
Comment
-
I think you just have to wait for some market concentration to settle in. We have Gofilex since 2015. They paid for a very fast cable connection into our building. We had a poor ADSL connection before and no chance to upgrade to something faster at the time. The result of Gofilex supplying us with a faster line was a clear benefit to us, as now there are options to use that cable connection throughout the building.
So, all depends. The remaining two download services we use (aside from the occasional google drive or filemail download) are running on a standard office PC. Doesn't bother us much. We still get the occasional hard drive, however, other than in earlier times, they don't bug us as early as previously to send them back. So we can collect 4 or 5 drives before we send them back. Overall, we're satisfied that Gofilex, our main DCP source, maintains a dedicated box at our site. But in our case, it is only one. We never had Gofilex offering us a backup download. However, I know that Deluxe UK had an aspera solution set up, I also at some time downloaded their client to check into it, but we never needed it. Currently, Gofilex' backup is sending a hard disk. Which is usually good enough, since we typically are scheduled for content transfers very early. Typically, the transfer is initiated with the booking, and mostly, there would be ample time to analyse and solve a transfer issue or send a disk.
Last edited by Carsten Kurz; 05-25-2022, 05:40 AM.Comment
-
I'm surprised the Keys aren't coming over the broadband yet. Maybe they're working on a way for them to auto-ingest and that's what's taking longer?
I usually get our keys off of the Deluxe portal -- but three times now, when I go to the portal to download them, they're still "pending" on the portal, and they stay that way. So I have to go to the email, which takes longer. It's good to have the backup, but I don't understand why the simplest bit of data is taking the longest (and is the least reliable).Comment
-
All cinemas are operating on email based KDM transmission, many TMS as well. It has too many benefits over other data transmission protocols, I don't think they will give it up shortly. The 'pending' indicator on the portal is indeed a nuisance. I inquired a couple of times why certain KDMs turn up there but when you download, you get empty ZIP files. Because the KDMs, while being shown there already for download, have not yet been created.
It's useless, it's just their way of doing things.
Though, I can't remember a single time having issues with KDM email transmission. However, from day one, we configured two dedicated receiving addresses exclusively for KDMs, and both at different mail providers.Comment
-
100% agree.All cinemas are operating on email based KDM transmission, many TMS as well. It has too many benefits over other data transmission protocols, I don't think they will give it up shortly. The 'pending' indicator on the portal is indeed a nuisance. I inquired a couple of times why certain KDMs turn up there but when you download, you get empty ZIP files. Because the KDMs, while being shown there already for download, have not yet been created.
It's useless, it's just their way of doing things.
Though, I can't remember a single time having issues with KDM email transmission. However, from day one, we configured two dedicated receiving addresses exclusively for KDMs, and both at different mail providers.
Email is prefered as its a rock solid system and also supports redundancy. I cannot see them ever going away from Emails.
I implemented an Automatic Email solution many years ago and it has been brilliant. Never fails.. And the nice part is.. I have 2 Email accounts with different providers as a backup. One of them automatically redirects emails into my AutoKDM server which picks them up in real time. From the time they are sent to when they are ingested is under 1 minute. Was very useful years ago as distributors use to stuff up KDMs quote often. Not so much now. But now i have a backend system that auto send them reports of when KDMs are required, so that has helped a lot too. No last minute KDM requests.
There was always a suggestion that the distributors wanted a indication of when KDMs where received and ingested. So a more integrated solution has always been considered. But really, I don't see why moving away from Emails would be needed, just a reporting solution run by the cinema that reported back to the studio is all that is needed. But as its so reliable now anyway, I don't really see it happening. Its not needed and would cost a lot to implement and run.Comment
-
Twice now, I've received a Trail Mix hard drive even though trailers are coming in over the QNAP system.
And, this week I was surprised to get a notice that we've received a Downton Abbey download, which was a surprise to me because we've never booked that movie.
So, I'm curious if anyone else has seen this kind of thing.
About the Keys-in-email thing, I don't understand why they can't just send'em out in the eCinema system like they do the movies. They could still do email too, which would cover the redundancy they need.
If they really want to do something useful they could make it possible for the key to self-ingest. I suppose the server would need to go looking for it.Comment
-
We had Lightyear sent via HDD and eCinema so I notified them about it. I also received 2 USB drives for The Black Phone trailer. Very weird.
We've stopped receiving trailmix drives thankfully and get weekly downloads now.
They said keys will come in the future.Comment
-
I get Hard drives STILL. Been asking for eCinema delivery for 4 years. For some reason, they don't want to give it to certain types of cinemas in my region.Twice now, I've received a Trail Mix hard drive even though trailers are coming in over the QNAP system.
And, this week I was surprised to get a notice that we've received a Downton Abbey download, which was a surprise to me because we've never booked that movie.
So, I'm curious if anyone else has seen this kind of thing.
About the Keys-in-email thing, I don't understand why they can't just send'em out in the eCinema system like they do the movies. They could still do email too, which would cover the redundancy they need.
If they really want to do something useful they could make it possible for the key to self-ingest. I suppose the server would need to go looking for it.
Anyway, I get DCP delivery, physical, about 1-2 times per year for films I never Booked. It's not new. My guess it's a slip of the mouse button click. I just roll my eyes and think, there goes $100 for services rendered, not needed. And move on.
In terms of KDMs. Yes, Email should always happen as a backup. But in regards to the delivery entity delivering the KDM. I don't think it's commercially viable for a few reasons. The delivery entity would then become connected to this workflow (And have to take on responsibilities they don't want to.) If for some reason it does not work, they get calls they don't want. (Cost money to cater to those calls.) and they don;t/cannot make any more money from doing so. Commercially I don't see this happening as there is no commercial gain.
two, why implement a function that is supposed to be already in your TMS and the TMS maker takes responsibility for its function.
If they did take care of KDMs, they would need to implement a method for distributors to push delivery of KDMs into the system for delivery. Not everyone is going to use the delivery agent for KDM creation.
Emails are easy and federated. TMS's have implemented functions to ingest this as part of the solutions. My free cinema-catcher-app as a full automated KDM delivery system if you want. (However, it only supports dolby and Qube right now but I will update it soon)
The only perceived advantage, for the cinema owners, is a single person/entity to call if things go wrong, but from my perspective that has issues as you don't want a single gatekeeper entity to be established in the industry. It has been shown to result in undesirable side effects.
Comment
-
I had to break out the old portable CRU dock for Bullet Train. I'd really like to know who the asshat is at Sony that stubbornly refuses to get with the times by continuously providing only 5.1 tracks for non Atmos installations and refusing to allow content to be distributed online by Deluxe.
Every other fucking studio gives you 7.1 and a digital upload.Comment
-
We still receive a number of cru drives at each location but the number has dropped. I dont think it is a big deal being 5.1 never was a great fan of the separate rear wall channel as I find it like ATMOS tends to pull on out of the screen and back into the theatreComment
-
Maybe the relatively high cost of broadband Internet connectivity has something to do with it? E-delivery has been the norm around here for quite a while now.I get Hard drives STILL. Been asking for eCinema delivery for 4 years. For some reason, they don't want to give it to certain types of cinemas in my region.
Anyway, I get DCP delivery, physical, about 1-2 times per year for films I never Booked. It's not new. My guess it's a slip of the mouse button click. I just roll my eyes and think, there goes $100 for services rendered, not needed. And move on.
Comment

Comment