Correcting Audio Delay in Cinemas

[Jim Cassedy]

One note, I first saw the sync check box many years ago when working with MPS
engineers in London, bought mine the next week, and have never had a filmmaker question sync since.

I got hooked on using the "Sync One-2" when working in the Dolby HQ screening rooms, and although they're
not cheap, I went out & bought one too, since I was also working as a "guest projectionist" at several San
Francisco screening rooms, and many local film fests. - - and, not having to waste time quibbling with fussy
film-makers & frantic festival organizers over perceived sync issues was worth the price!

The "Sync One-2" boxes were out of production for a while immediately before and during the coronapacoplyse,
but they are available again, with improved software and a few enhancements. Fortunately, mine was still of a new
enough that I was able to upgrade the software so that it is functionally equivalent to the new units. I only
wish there was a 35mm analog/digital film loop available to test with.

[Sean McKinnon]

Any sync/pop film should work. We made a 70mm DTS one with Universal, the folks who handle the DTS tracks now and Fotokem, If people are interested in a 35mm DD/DTS/Optical sync film for use with these types of tools speak up and we will look into making it if there is a demand,

[Harold Hallikainen]

And there is a sync/pop DCP at http://ftp.uslinc.com/Products/LSS-2...t%20(cropped)/ .