Checking Sync

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  • Steve Kraus
    Film Handler
    • Jan 2020
    • 75
    • Chicago

    #1

    Checking Sync

    A tech in for a recent tech check used a device to check AV sync picking up the flash frame and the simultaneous beep and calculating any difference. Seems like this could be done with a smartphone app. What are you using?
  • Sascha Roll
    Pro Film Handler
    • Jan 2020
    • 106
    • Berlin, Germany

    #2
    Sync-One2 is the reference tool for accurate AV sync and lip-sync measurement. Trusted worldwide in post-production, cinema, and system calibration.


    Seems to be pretty much the standard. Not really cheap, but does the job and produces consistent results.

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    • Carsten Kurz
      Film God
      • Jan 2020
      • 1481
      • Germany

      #3
      I haven't tested this app, but it's free, so, try it yourself:

      SynQR is an app designed to help identify and resolve audio/video synchronization issues in AV environments, including DAWs and video editing software.
      Last edited by Carsten Kurz; 07-03-2025, 09:56 AM.

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      • Ryan Gallagher
        Film God
        • Nov 2022
        • 2855
        • Austin, Texas, USA

        #4
        "Catchn' Sync" is also a popular app based one.

        iOS Catchn' Sync
        Download Catchin' Sync by Quiet Art Ltd. on the App Store. See screenshots, ratings and reviews, user tips, and more apps like Catchin' Sync.


        But all phone based solutions are a bit cumbersome because the developer has to account for the in phone delays (and it's different for every model), and delays changing between OS versions, so besides telling it your model, they usually encourage an initial calibration routine you do with a zero delay source, such as a clap/clapper etc. But any adjustment is a one time setting. SynQR may not and just rely on it's device database.

        SynQR seems a bit more polished, but claims "in app purchases", so maybe not free. Neither is the full version of Catchn'Sync. SynQR seems to want a custom piece of content played with the QR codes. The advantage of CatchnSync's method, though less polished, is you can do it with any old test or framing DCP that has a sync reference (as most Disney framing charts do etc). SynQR also doesn't support some older devices (like the 6th gen iPad I just tried to install it on).
        Last edited by Ryan Gallagher; 07-03-2025, 10:56 AM.

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        • Ryan Gallagher
          Film God
          • Nov 2022
          • 2855
          • Austin, Texas, USA

          #5
          Originally posted by Sascha Roll
          https://sync-one2.harkwood.co.uk/

          Seems to be pretty much the standard. Not really cheap, but does the job and produces consistent results.
          What is the price ballpark? I only see two listings for a price other than calling a dealer. One is 450USD, the other is Aliexpress for 950USD (probably a scam).

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          • Sascha Roll
            Pro Film Handler
            • Jan 2020
            • 106
            • Berlin, Germany

            #6
            I would have to look it up later, but afair it was around 400€ including shipping/customs.

            Comment

            • Steve Kraus
              Film Handler
              • Jan 2020
              • 75
              • Chicago

              #7
              sync-one2 is what the tech had. In theory we are now dead-on for DCP but I'd be curious what the meter would say about DVD / BD or Roku not that this comes up professionally much or at all for the latter. But not worth putting money into.

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              • Harold Hallikainen
                Film God
                • Jan 2020
                • 1072
                • Tucson AZ

                #8
                The USL/QSC LSS-200 would also do A/V sync check. On phone applications, it seems that there should be a user calibration setting where you clap your hands (or get a film clapper board) in front of the camera and set that to zero (or about 1 ms/foot ). You would not care about sync issues in the phone itself.

                Comment

                • Ryan Gallagher
                  Film God
                  • Nov 2022
                  • 2855
                  • Austin, Texas, USA

                  #9
                  Originally posted by Harold Hallikainen
                  The USL/QSC LSS-200 would also do A/V sync check. On phone applications, it seems that there should be a user calibration setting where you clap your hands (or get a film clapper board) in front of the camera and set that to zero (or about 1 ms/foot ). You would not care about sync issues in the phone itself.
                  The CatchnSync method involves recording a video, and analyzing that video inside the application. It's the video recording step and in app playback where phone hardware async issues crop up. SyncQR may avoid that by using other methods.

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                  • James Gardiner
                    Expert Film Handler
                    • Nov 2021
                    • 500
                    • Melbourne, Australia

                    #10
                    you could always take a high frame rate video, drop into a free video tool and count the frame between the flash and the beep, as a rough estimate.

                    Comment

                    • Steve Kraus
                      Film Handler
                      • Jan 2020
                      • 75
                      • Chicago

                      #11
                      I thought about that. If I apply the audio to a scope screen the video alone can capture both without any concern of sync errors in the test video. And with a dual trace scope and a solar cell it can all be on the scope screen. A real CRT scope.

                      Comment

                      • Dave Macaulay
                        Pro Film Handler
                        • Jan 2020
                        • 460
                        • Toronto, Ontario, Canada

                        #12
                        How perfect is needed? I take a slow motion phone video of the screen with a sync check cpl, on playback I can see the offset to adjust the delay pretty easily.

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                        • Jim Cassedy
                          Film God
                          • Jan 2020
                          • 1450
                          • San Francisco

                          #13
                          For several years I did a fair amount of freelancing at a number of local and several national
                          film festivals (and I'm still able to take time off from my regular job to work festivals a couple of
                          times a year
                          ) I had gotten myself one of the Sync-One-Two devices after getting used to using
                          one at Dolby. It has saved a lot of time arguing with both professional and not-so-professional
                          filmmakers at some of these events. Also good for checking audio delay at unfamiliar venues,
                          although most of the big fests I've worked at have professional audio techs to do that. (and a
                          few of those techs have even borrowed my device, if they didn't already have one, to prove to
                          someone that audio sync is OK. It's hard for someone to argue when you can stick actual
                          numbers in front of their fac
                          e) I ordered mine online through 'Scenic Labs' in New Jersey,
                          since they were the only ones who had one in stock at the time wanted to get one. I just
                          looked up the bill, and I paid $395us. (Just for fun, I've also pointed it out my window
                          during a lightning storm to measure the thunder delay. )
                          lol

                          SyncOneTwo.jpg
                          Last edited by Jim Cassedy; 07-03-2025, 09:59 PM. Reason: Why not?

                          Comment

                          • Steve Kraus
                            Film Handler
                            • Jan 2020
                            • 75
                            • Chicago

                            #14
                            A correction: That's not what the tech was using but he was using their video which he converted to DCP.

                            Comment

                            • Steve Guttag
                              Film God
                              • Jan 2020
                              • 3777
                              • Annapolis, MD

                              #15
                              There was/is an app for the iPhone (or maybe iOS) called "Catchin' Sync" that allowed one to calibrate their phone (since there may be latency there). So, you take a book or a clapper and first record that. Find what your phone's offset is and calibrate it for dead-sync. Then you can use any DCP content for verifying since since you get an audio waveform as well as the picture. All you have to do is sync them up and it reveals the time disparity.



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