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Author
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Topic: Movies featuring theatres
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Peter Dougherty
Film Handler
Posts: 36
From: Maspeth, NY, USA
Registered: Nov 2000
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posted 06-07-2001 11:22 PM
Jeff Stricker replied quote: Peter, In the 'Jennifer Wells' flick, as I recall their "antics" cause the poor projectionist to miss the changeover. Of course, all the junk on the tail leader ends up on the screen followed by white light. Then, I think, the audience in the auditorium starts hollering and clapping!!
Well, Jeff, I've missed a couple of changeovers in my day but never for quite the same reason, unfortunately Although there *was* this candy girl at the Kingway with the great big...heart, but that's another story for a different site Thanks for the reminder. I've been trying to find out if there's any information on a longer director's cut of Cinema Paradiso on DVD but I've heard nothing so far. I also don't think we'll see Chuck McCann's The Projectionist on home video anytime soon either.
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Gerard S. Cohen
Jedi Master Film Handler

Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001
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posted 01-20-2002 06:31 PM
SHADOW MAGIC is a wonderful (semi) fictionalized story of the first “moving picture man” in turn-of-the- century China, his lovesick Chinese partner, and how the locals responded to their first exposure to moving pictures. Along with its basic virtue that nobody gets killed and nothing gets blown up, it is a wonderful homage to the joys of motion picture exhibition! A sweet, gentle little tale, Shadow Magic spends much of its time exploring the real excitement the solitary projectionist-editor-cinematographer has for showing-- and ultimately making-- movies. Though it starts off a little slow, and the opening sequences don’t give much of a clue as to the nature of what is to come, one comes away feeling deeply rewarded. This is in in concept and structure an “old fashioned” movie. The British itinerant portrayed is clearly supposed to be one of the Lumiere exhibitor-cinematorgraphers, and although the prop projector/camera is all wrong, the story and insights are so engaging that this does not become irritating. In many ways, including the unusual choice of material and the realistic scale of what is portrayed, this is a “special” movie; I came to care about the characters. The reviews left me with the impression that the critics did not understand the film. For those of us who come to this kind of thing with some special understanding of the material, which apparently the makers of the film had, and the critics could not be expected to have, Shadow Magic is a little gem. You can find it in a good tape rental place in the foreign films section.[The above review was written by a friend, Paul Pottash, film enthusiast, restorer of vintage projectors, projectionist in his home 35mm theatre and former editor of Sixteen Frames, quarterly journal of the recent Movie Machine Society. It formed part of an email he sent me, and is posted here with his permission.]
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