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This topic comprises 7 pages: 1 2 3 4 5 6 7
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Author
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Topic: MiT platter design review
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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99
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posted 01-03-2005 08:19 PM
Bevan, you can get your point across better if you don't conceal it in pretty verbage. Please allow me to assist.
quote: Bevan Wright we took the top 15 or so issues/complaints and are addressing them in our design with the input from the industry
Translation = "screw it, it's good enough".
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I've seen FAR more damage to film ran on platters with permanently mounted takeup rollers due to misthreads than I have seen problems regarding a pin on a sliding track design. Besides a misthread = $3000 print. A replacement sliding bar of some sort is (or should be) under $100. And even if you had to replace the slide bar every 15 years, how many times a year will a print get damaged because one of the candy counter kids got confused as to which rollers he was supposed to run the film over or not??? Do the math. (Heck, for the savings in 6 extra rollers, you could toss in a spare slide bar with every new platter.) Sure you can only idiot-proof a piece of machinery so far, but the idea is to idiot-proof it as much as you can, which has not been done here. This should have been one of the "top 15".
By the way, your "swing away" design prevents a top feed on takeup. Not every theater has the return film running next to the floor. The two rollers that have been swung out of the way are now in the way.
I have asked this a couple of times now...on breakdown are the motors pulled away from the platter deck or not? Please answer this.
There are enough crappy platter designs on the market right now as it is. Please don't go adding another one, further giving platters a bad name.
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This topic comprises 7 pages: 1 2 3 4 5 6 7
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