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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Pixar, Disney, Dolby "Film Done Right" Contest (Page 7)

 
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Author Topic: Pixar, Disney, Dolby "Film Done Right" Contest
John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-19-2004 01:09 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
The "index holes" and inked frameline markers were significant sources of raw stock dirt. It's very hard to cleanly perforate a hole that small, and ink has to dry before you wind up the roll.

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Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 11-19-2004 01:11 PM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
So how do they explain the presence of CrAP code on these prints? Because of this I'm just going to wait for the DVD, since even if I luck out and get a theater that actually knows what it's doing it'll still be ruined by that.
BTW do they have a list of winners from the opening weekend?

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-19-2004 01:14 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Anti-piracy coding is usually done because the distributor requests (and pays extra) for it.

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Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 11-19-2004 02:21 PM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
Ted, got my shirt. L [Frown]

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 11-19-2004 10:19 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
John: Why can't the ink be replaced with the same technology that does magenta edgecodes?

--jhawk

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-20-2004 07:00 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
The magenta edge codes are photographically printed onto the print film, creating a latent image that is not visible until the film is processed. Frameline indexing of the raw stock would require a mark that is visible on the unprocessed film under darkroom conditions.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 11-20-2004 09:50 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Not necessarily; you don't need the frameline indication to be at the frameline, only that it appear consistantly every four sprocket holes. Years ago I remember Warner Bros prints and trailers always had frameline indication -- a small little dash that between every forth sprocket hole. If memory serves me, it was mostly on technicolor prints because it was a b&w mark, even though the print was color. Thing is, this mark was not necessarily in sync with the actual image frameline, because it would be nearly impossible in the lab to line both neg frames and these marks. On the other hand unless you couldn't count to four, it was just as good as if it were on the image frameline. It was a big help with trailers.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 11-20-2004 10:19 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Frank, there were two frameline issues: Enabling the labs to put their raw stock joins on the frame line, and frameline reference for projectionists.

If an index hole creates too many problems I wonder if there was a way to make every fourth perf a slightly different shape while retaining compatibility with existing sprockets and still having good manufacturability including of the perfing machines. That's a more dramatic solution but there's probably a shape that would work.

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Ted Costas
Expert Film Handler

Posts: 119
From: Hollywood, CA, USA
Registered: May 2000


 - posted 11-29-2004 05:09 PM      Profile for Ted Costas   Email Ted Costas   Send New Private Message       Edit/Delete Post 
Yeah, yeah, yeah. I got your framelines...

Tomorrow, November 30th, at 3:00 p.m., Brad Bird will draw the name of the LUCKY projectionist, from those that entered the contest through the web site.

If it is not covered by Dan Rather and Tom Brokaw in their farewell shows, I'll make sure you all hear about it. I'm flying up for the drawing tomorrow, and I'm going to stuff the ballot box with Brad Miller entries.

WE WANT BRAD. WE WANT BRAD.

Anyway, it will be fun honoring the winner of the contest.

I will pass it along.

Yours, Ted

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 12-09-2004 11:24 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Hey! Looks like the winner is Film-Tech participant Tal Marks!

 -

Congratulations, Tal!

--jhawk

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-09-2004 11:33 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Fortunately I was able to crack the website entry form and submitted myself several thousand times. I shall expect to win!!! [Razz]

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 12-09-2004 11:34 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Yeah, you might be all 100 of the "100 runners up"!

--jhawk

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Tal Marks
Film Handler

Posts: 57
From: New York, NY
Registered: Oct 1999


 - posted 12-17-2004 10:50 PM      Profile for Tal Marks   Author's Homepage   Email Tal Marks   Send New Private Message       Edit/Delete Post 
Umm. Hi. I'm the winner of that Pixar Contest. Thanks for all of your support! The skill involved to win this sort of contest takes years and years to practice and positive encouragement from others, like yourselves. But really, all I did was type my name in a box and click "SUBMIT".

For a while, I could of swore my IMAX partner, Chuck Snow, was trying to pull off his greatest prank of all time, but I guess that video from the pixar site would be a little too hard for him to pull off.

I feel as though I haven't been an active participant in these forums. I've gathered a lot of useful information from a lot of you and haven't really given anything back in return. I hope I can contribute in the future (and not by winning a contest, though I'll send Brad pictures from the tour as soon as I get back:).

L8R

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Ted Costas
Expert Film Handler

Posts: 119
From: Hollywood, CA, USA
Registered: May 2000


 - posted 01-10-2005 06:12 PM      Profile for Ted Costas   Email Ted Costas   Send New Private Message       Edit/Delete Post 
Tal, Wow!

You are in for a treat. Congrats on winning the contest. I guess that means you are the "Greatest Projectionist Of All Time!"

I'm kidding. I'm just trying to get Brad all riled up.

But you won, and I hope the endorsement deals start rolling in. You deserve it.

By the way, I actually saw Brad Bird signing like 80 posters when I was up there for the drawing, so if you were a "runner up", you lucked out that Brad Bird is a good guy and didn't have his assistant do the signing.

Yours, Ted

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-10-2005 09:03 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Don't worry about it Ted. So long as that brand new lab sealed print of The Incredibles shows up at my door, we don't have any problems. [evil]

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