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Author
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Topic: Uptown Theater ditches quality projectionists in search of a crappy presentation
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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 01-19-2005 10:11 PM
Now..going outside of the presentation topic here, for I have to ask this general question: There is a statment that the original booth was positioned above the balcony as with the common design of the older movie palaces with a downward throw of over 10 degrees.
There is now mention of the three new booths - Able, Baker, and Charlie (L,C, and R, booths for the Century Cinerama machines). Where were these booth placed at in the building-below the balcony area, or inside of the balcony framework area towards the front so the throw can be more square to the screen without too much rectification problems, or close to the main floor below the balcony at the back wall?
Is there a link to this theatre that one can go to?
Just curious on the layout of this theatre. - thx Monte
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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 01-20-2005 02:56 AM
quote: Lyle Romer ....just because an operator is "union" does not automatically make them a good projectionist.
SHIT, DAD! Ain't that the shoot-me-where-it-hurts, blessed, unfortunate truth!!!
Of course, no offense to the bretheren who are extremely dedicated within this field, but there are those who can absolutely "taint and stain" this field as well.
And these are the ones whom the "big boys" have decided to kick out and abolish the union in their theatres.
Big example: I know of a 3plex that still has a full time "operator" (he's not qualified to be called a projectionist, in my book), who get's paid 14 bucks/hr-FULL TIME, 40hrs plus!
The booth looks like a cyclone has hit it, presentations horrible with off-centered presentations that aren't even centered within the maskings, flickering, overamped bulbs, scratched prints up the wazooza (Century head with the sliding lens mounts, AW3, Super-LumeX, RAVEN automations...et.al.), uses opaque tape and shoepolish for splice markings, et.al. . Then, on top of it all while the shows are going, has a cot upstairs and snoozes most of the shift.
This 3plex used to be a union house and he was one of the union operators in this area.
Now, since the union is long gone, this 3plex, which is privately owned, has kept the union wage scale for this idiot. Plus, he comes to work half wasted out of his mind to where if you lit a match, he'd explode for sure.
He's an embarrasement to the union as far as I care. His appearance and operations are so discouraging knowing that this is the main cause of the turnaround to the manager/operated system.
It's horrible at times when I go there at times to help them out on some problems that they have had.
thx-Monte
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 01-20-2005 08:24 AM
At the Uptown, Able, Baker, Charlie reside at or nearly on vertical centerline of the screen...virtually no up or downward tilt from the projectors.
I dunno who brought up the Union as part of this subject, other than as one of the purposes of getting rid of the operators is to "bust" the union. Union or not, the Uptown had the best.
Lyle, with respect to a union contract...it is the employee's perogative to join, form a union and to collectively bargain for all forms of wages and working conditions...it is NOT the employer's right to not bargain with such a collective unit. In fact, it is against the law. So, if you do get to own your own film theatre, I wouldn't have that attitude. Generally, if you treat your employees well, in any type of business, you don't have to worry about unions. Most places that have unions got them for very good reasons.
Steve
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