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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Who has had a fire somewhere in their projector? -> OT: Voltage around the world (Page 4)

 
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Author Topic: Who has had a fire somewhere in their projector? -> OT: Voltage around the world
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-03-2005 11:02 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I have only had/seen fires in Strong Highlight consoles. All of them were UA installations that had ran for several years before deciding to LITERALLY GO UP IN FLAMES! No warning, nothing was acting up, just flames shooting out the cracks of the console doors in the middle of a show. [Mad]

I wish I would've saved some of those tap boards and taken pictures of some of the units afterwards. Char-grilled was hardly the word.

----

On the topic of diodes, I agree if the person has been properly trained there is no reason why that manager/projectionist/"usher-b" [Roll Eyes] cannot change diodes. The key here is one-on-one training though. I don't think I would trust someone who took a "class" on how to do it though, as people don't learn quite as well from classes.

I think the reason Cinemark gets away with the usher kiddies changing the diodes all the time is because it is LITERALLY all the time on those crappy CFS consoles they have in most of their locations. When you get weekly practice at it, you get pretty darned good. I know I could change all 6 of them out in under 5 minutes easily and get the show back on, but again that's what happens when you work a Cinemark booth. [Wink]

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William T. Parr
Jedi Master Film Handler

Posts: 823
From: Cedar Park, TX
Registered: Nov 2000


 - posted 07-05-2005 08:47 AM      Profile for William T. Parr   Email William T. Parr   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
but again that's what happens when you work a Cinemark booth.
I was fortunate, that I did not have the Chicken Fried Steak consoles at my Cinemark. I may not have been so lucky in other areas in that I had the ORC Optimax consoles with Century SATA projectors and R3 sound heads. The ORC consoles, although had thier share of problems, Diodes were not one of them so I never had the chance to replace them before I was unceremoniously booted from Cinemark. On the other hand, The 16 screen Tinseltown that opened up in 1997 in Corpus with CFS consoles has been completely re equiped with the Christie SLC and Reference Consoles now. So it seems instead of speanding money building new sites at he present, there re habing old places with newer, better equipment now.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 07-09-2005 07:20 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
I have thought long and hard about posting on this one...and to the regret of some, I've decided to do so.

Should a manager or projectionist being the business of changing diodes in rectifiers...my position is ABSOLUTELY NOT.

This is the equivalent to working in the breaker panel. I wouldn't be surprised if this sort of thing is covered by electrical codes. This is high-power equipment and can easily end ones life without them ever knowing why.

quote: Jason Burroughs
BTW, its not that difficult to change diodes, and there's no reason that theater staff shouldn't be trained and be able to change diodes. Its not that difficult. The need for "formal eletrical theory training" is complete BS.
The fist line of this quote is quite right....in most rectifiers, it doesn't take a highly trained genius to physically change diodes. The rest of it is dead wrong. One should have some electrical knowledge to know what they are working with and how it should work. We are not talking about an EE degree (most of them wouldn't know what a DO-5 diode looks like anyway, trust me) or even an AA degree...but they should have more than "remove the nut, change, tighten the nut."

Most dangerous things in life are not that hard. It isn't hard to prescribe medicine...but as a society we relegate that to doctors in order to do it properly and safely. It isn't hard to do most electrical jobs but the consequences of doing it wrong can bring great harm to life and property.

I've talked to many a "handy man" that never understood the difference between the neutral and ground wire...after all they both go to "ground" don't they?

The rectifier poses many hazards. There are often multiple power sources (incoming and switch leg), there are stored charges in capacitors and some rectifiers DO NOT HAVE BLEEDER RESISTORS. I've come across many a contactor or local breaker in the console where a "leg went bad" and they just wired around it...thus an off breaker does not mean it is safe. Heck, older Christie equipment used 2-pole contactors on their 3-phase equipment! I'm serious! Thus, even with the lamp off...there is still one hot leg.

Olivia's description is a perfect example of why unqualified people have no business in the rectifier. A fire started? To casually connect up a device that can have 1000s of watts of power in a manner that can and did cause a fire is irresponsible. Who qualified Regal to say you are qualified? I'm not saying that Regal didn't expect you to peform this task but they are wrong for making that a requirement. Even if they have good trainers...before someone "solos" on such a task...they should be supervised and be proven to know what they are doing...not merely sit through some sort of training. What if you succeeded in getting confused and placed the forward diodes where the reverses should go and vice-versa? What do you think that simple mistake would do? If you thinking the lamp might be damaged...you are wrong that would be the least of your worries.

If Regal doesn't supervise their people on such tasks to ensure one knows what they are doing with confidence, they are just plain wrong and dangerous.

But what the heck...I've never been too impressed by managers that change their own lamps either...while this is certainly not universal...but most I've seen don't align them well and have left too many loose connections and don't seem to clean the reflector.

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Olivia Coleman
Film Handler

Posts: 53
From: Bend, OR USA
Registered: Jun 2005


 - posted 07-09-2005 07:33 PM      Profile for Olivia Coleman   Author's Homepage   Email Olivia Coleman   Send New Private Message       Edit/Delete Post 
Steve, I do agree with you on a lot of points. I would have like to have someone there who knew how to do it properly to avoid what did happen. Because of this, I will help implement this with our training for level four, at least at my theatre. I agree one should understand electrial currents and such. I would not want someone who doesn't know the difference between a ground wire or neutral do be doing this sort of work.

Fortunately this is not something every manager in theatre can do or is required to. But waiting for a tech to drive 3 hours is a bit much! I apperciate your comments, thank you.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 07-09-2005 07:35 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Olivia,

Again, this isn't something that I was directing at you persay...but at a system that would make that a requirement. As for waiting 3-hours for a tech...so be it. In terms of safety, that shouldn't be an issue.

Just curious...what would have happened if the forward and reverse diodes were swapped?

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David Stambaugh
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From: Eugene, Oregon
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 - posted 07-09-2005 07:45 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Presumably the rectifier diodes are mounted on a board that could be swapped as a module. Why don't they just keep a known-good spare board in stock? At least then there's no chance of a rushed repair job resulting in reversed diodes.

[I was gonna take a stab at Steve's diode question, but I think his intention is for Olivia to answer it. [Big Grin] ]

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 07-09-2005 08:41 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
David,

Different rectifier manuafacturers handle their diodes differently. Most of them do not have them all mounted on a board. Normally you are changing them out individually.

There are those that have two plates (one positive, one negative) and often these are not something that you want to change out as a unit.

IREM used to mount all their diodes to one plate and they are all reverse diodes since they wire their system in a "star" configuration. Newer ones now have indiviual diode mounting on their own PCB with surge supression.

Strong's older rectifiers had their diodes that were mounted in a "stack" that was dipped. We tend to do these in the shop if at all possible and carry "repair exchange" stacks. This is true for their single phase and 3-phase stacks. Current Strong rectifiers are based on the LP Associates rectifier design and use massive 135-150A diodes with leads.

In any even, David, the diodes used in cinema rectifiers always have a lead that is to be connected to the diode or a lead from the diode that must be connected to the transformer. There is little to be gained by have a pre-done assembly except in the case of the older Strong stacks since they are a bit cramped and dipped.

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Jim Ziegler
Jedi Master Film Handler

Posts: 753
From: West Hollywood, CA
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 - posted 07-09-2005 10:28 PM      Profile for Jim Ziegler   Email Jim Ziegler   Send New Private Message       Edit/Delete Post 
I have to agree with Steve here.. Don't play with high voltage unless you know what you are doing.. So what if you lose a show? Better than getting killed...

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Gordon McLeod
Film God

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From: Toronto Ontario Canada
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 - posted 07-10-2005 09:58 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
If someone had been injured the Liability issues would have been imense

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Kris Brunton
Expert Film Handler

Posts: 108
From: Napanee, Ontario, Canada
Registered: Apr 2000


 - posted 07-11-2005 12:42 AM      Profile for Kris Brunton   Email Kris Brunton   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
Heck, older Christie equipment used 2-pole contactors on their 3-phase equipment! I'm serious! Thus, even with the lamp off...there is still one hot leg.
I was informed a little while ago that one of the HVAC contractors I used to work with was killed because the particular peice of equipment he was repairing (I believe a traine RTU) utilized the same switching method of only switching 2 phases out and keeping one live. I stress this man was very knowledable and well trained to service the equipment he was working on. Personally I was very saddened to hear this story as we had worked together on a couple of projects in his area. Reason I tell this story is that even people with great experience in their field can have a bad day and cause themselves to be in danger.

Personally I have always been careful to double check and question myself prior to opening/working in any type of electrical enclosure. But as Steve mentioned as well multiple power sources are common in any projection booth and imporoper lockout or testing procedures can result in a dangerous situation.

Especially in a console where typically you can turn the rectifier off but still have power feeding breakers for the projector or changeovers.

In the past I have requested theater owners call in an electrician and over the phone it is typically easy to walk through the steps of troubleshooting/changing components.

I agree with Gordon that the Liability is too much worth the risk of having an accident.

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Monte L Fullmer
Film God

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From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 07-11-2005 03:00 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
..and it's not fun being bitten by one of those caps that haven't fully been discharged - especially with one of those big caps in Christie console rectifiers.

Yes, it's quite interesting that REG will garnish a level 4 to their managers who be able to change diodes, change bulbs, do CP-500 format settings, et.al. (anyone who hasn't been certified to this high level are forbidden to perform these points..) .. (and they are something to do in those old Strong 61000 reactance rectifiers - and I think that what's Olivia has at her location there in Bend. Please correct me if any different) and not take serious heed in liability issues of safety matters.

I can see level 4 with everything else mentioned above, but doing electrician's/technician's work especially pertaining to the rectifier just doesn't add up in safety's sake - like "tickling the dragon's tail."

But, if one can do diode changeout in any form and do it well, well "congratulations" will come from me.

Like with me, if something mechanical/electrical that is out of my range, I get someone who is professionally qualified to do the job needed. I just won't touch it no matter how much the head office whines on me to get it fixed myself just to save them money.

My life is far more important than any job's requirements that pertains to some sort of danger.

-Monte

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Leo Enticknap
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From: Loma Linda, CA
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 - posted 07-11-2005 04:50 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
As for waiting 3-hours for a tech...so be it. In terms of safety, that shouldn't be an issue.
And there may be ways round that, too. One theatre I worked at had a portable single-phase rectifier on castors that could easily be attached to any lamphouse in the place if one of the three-phase rectifiers failed. Admittedly all the lamps there were only 1.6k, and something which plugs into a bogstandard 230v/50hz single phase supply probably couldn't power anything much bigger than that. But for smaller houses this might be a possible design solution to ensure that properly trained and experienced staff don't find themselves having to change diodes. The cost of one of these things is probably less than a day of lost shows waiting for an engineer would cost.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 07-11-2005 05:02 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Leo,

We have one customer that has spare rectifiers on wheels...we use M-S connectors rated for the current (in excess of 150A in some cases). These are not cheap and the company has an electrican check the connections (within the connector) at least once per year to ensure all is working properly.

This is not cheap but it does ensure that a simple diode or contactor failure can not drop multiple shows.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 07-11-2005 10:20 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
In terms of EFFICIENCY, dying or being injured is the least possible efficient way to go. The 3 hour wait for the tech looks like a good deal to me. This has the side benefit that the diode will be properly torqued and proper heat compound will be applied; this helps PREVENT future failures.

This is based on a "dead" rectifier from one of our customers who had multiple failures of diodes changed by the manager. This rectifier has now worked 3 years with no failures. All we did was "normalize" the 4 diodes.

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Olivia Coleman
Film Handler

Posts: 53
From: Bend, OR USA
Registered: Jun 2005


 - posted 07-12-2005 09:26 AM      Profile for Olivia Coleman   Author's Homepage   Email Olivia Coleman   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
Just curious...what would have happened if the forward and reverse diodes were swapped?
In fact, I did have some going the wrong way.

On the note of the tech taking 3 hours, that is just the drive time. There is the fact that he was on his way home, at 1 am, and that was an hour drive for him. So the actual time to have him there would have been a lot longer....

For the record, the company is not upset that I cost them a little extra money. Besides, the small part that I did destroy, we didn't have any replacements for. SO, I cause us to get some back ups...

I have stated many times now, I screwed up! I know what I did wrong and it won't happen again. The next time someone is going to do diodes that doesn't know, will not do them alone and will have much better training than myself!

Is everyone done being pissy about the way my company works...??? I can't control that, I'm sorry that you all feel frustrated about this situation but I did learn from my mistake! I do understand the passion everyone has but the way some have directed it in their posts was off which made me very defensive.

Thank you all for your comments on my situation... Now onto the subject of the topic: Who has had a fire somewhere in their projector?

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