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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Century MSC or Simplex Apogee what's the better pick? (Page 5)

 
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Author Topic: Century MSC or Simplex Apogee what's the better pick?
Michael Moore
Expert Film Handler

Posts: 188
From: Dover, DE / USA
Registered: Jun 2006


 - posted 05-11-2007 07:55 PM      Profile for Michael Moore   Author's Homepage   Email Michael Moore   Send New Private Message       Edit/Delete Post 
I just got home from the theater and I noticed something I never noticed before I am missing one tooth on the sprocket of the intermittent. Could this what is causing ghosting issues or unstable image? I check everything you listed Mark, all is work smooth. If I get the ghosting to go away at the bottom of the image then the top is out and visa versa. I can't find the middle for some reason. I have never had a problem like this and I think the intermittent is suspect. I can't wait to get the one from you.

Mike

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Cameron Glendinning
Jedi Master Film Handler

Posts: 845
From: West Ryde, Sydney, NSW Australia
Registered: Dec 2005


 - posted 05-11-2007 09:02 PM      Profile for Cameron Glendinning   Email Cameron Glendinning   Send New Private Message       Edit/Delete Post 
yes, a missing tooth will cause the problem, replace the sprocket before thinking of the intermittent.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 05-11-2007 09:30 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
[Confused]

(I can see both sides missing a tooth causing ghosting, but just one tooth gone?)

Interesting. I know of one Century with one tooth gone on the INT sprocket and no evidence of ghosting....and it's been this way for years..

Besides, if both were gone and in the position of the initial pulldown, you'd have snarled film in the trap.

Wonder if the drive, or driven gear on that SuperSimplex is worn, have lots of gear slop, or damaged teeth on the fibre gear that is causing some of your ghosting issues..OR, we could pick on the shutter with this one as well..the fibre shutter drive gear is worn as well...being that the shutter gear is metal

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Cameron Glendinning
Jedi Master Film Handler

Posts: 845
From: West Ryde, Sydney, NSW Australia
Registered: Dec 2005


 - posted 05-11-2007 09:53 PM      Profile for Cameron Glendinning   Email Cameron Glendinning   Send New Private Message       Edit/Delete Post 
quote:
Interesting. I know of one Century with one tooth gone on the Intermittant sprocket and no evidence of ghosting....and it's been this way for years..
The one time I had one 35mm tooth missing (on a century jj), It was picked up on the first screening after an incident the night before. Image was noticeably poor, we swapped projectors (2 projector and a long play)and replaced the sprocket immediatly.

It was many years ago now, I remember the image shake, not necessarily ghosting.

Perhaps its a case of which actual tooth?

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 05-11-2007 09:59 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
..this missing tooth on that Century that I mentioned was the outboard tooth. I talked to the operator there (been there for years), he knows about that tooth being gone (his story was that his relief did the classic "no-no": cleaning while the machine was running that took that tooth off the sprocket) ,yet figured that it didn't hurt the pict any and just left it as is all of the years this 3plex was in operation.

Also, this was a narrow tooth (foxtooth) sprocket making it easier to bust teeth off if accidently hit with a solid object.

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Cameron Glendinning
Jedi Master Film Handler

Posts: 845
From: West Ryde, Sydney, NSW Australia
Registered: Dec 2005


 - posted 05-11-2007 10:15 PM      Profile for Cameron Glendinning   Email Cameron Glendinning   Send New Private Message       Edit/Delete Post 
quote: Monte L Fullmer
his story was that his relief did the classic "no-no": cleaning while the machine was running that took that tooth off the sprocket
Exact same reason!!!!!!!!!!!!!!!!!!!!!!!

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Michael Moore
Expert Film Handler

Posts: 188
From: Dover, DE / USA
Registered: Jun 2006


 - posted 05-12-2007 07:28 AM      Profile for Michael Moore   Author's Homepage   Email Michael Moore   Send New Private Message       Edit/Delete Post 
Again this intermittent was one that I got from a box that said overhauled on it. I did not notice the missing tooth before. I never clean while running.
I do have some slop in the gears not lots but there is slop.
there is no gear teeth missing or damaged on the fibers. I just replaced them with ones from my second projector.
If I grab the intermittent flywheel and move it in the direction to projector moves or back; there is slop before the other gears engage or start. I think this slop comes from the intermittent itself.
I'm not messing with changing the intermittent sprocket on the starwheel shaft right now. I'm going to change the whole movement out with one that Mark is sending me, I should see it in a few days or so.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 05-12-2007 09:16 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
I need your shipping address if you are to see it....

Mark

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Michael Moore
Expert Film Handler

Posts: 188
From: Dover, DE / USA
Registered: Jun 2006


 - posted 05-12-2007 11:59 AM      Profile for Michael Moore   Author's Homepage   Email Michael Moore   Send New Private Message       Edit/Delete Post 
I replied to your email

I sent you a Private Message

with my address

again Mark Thank you

Mike

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Matt Zeiner
Expert Film Handler

Posts: 146
From: Windsor, CT USA
Registered: Sep 2003


 - posted 05-14-2007 08:55 PM      Profile for Matt Zeiner   Email Matt Zeiner   Send New Private Message       Edit/Delete Post 
Sure sounds like an improperly set adjustable shutter or an issue with the compensator as Mark suggested to me.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-14-2007 10:48 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I'm still curious as to what projection equipment he is going to go with.

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Michael Moore
Expert Film Handler

Posts: 188
From: Dover, DE / USA
Registered: Jun 2006


 - posted 05-15-2007 07:12 AM      Profile for Michael Moore   Author's Homepage   Email Michael Moore   Send New Private Message       Edit/Delete Post 
At this time I do know we are going to get something in the ball park of 10,000.00 and 11,000.00. I have prices quotes from Cinemasupply for a Simplex Apogee and a Century MSC, I also need a new rectifier but I already have that picked out and will get it from them. I have prices for a new Kenoton and sound head from Cardinal sound and Motion picture and it's not much more in price over the all in one Century MSC from Cinemasupply so they are in my mind still price competitive unlike some people said.
I also have my eye on the Rebuilt Century from Hadden and got a quote. If I get a Century from Hadden, I will have money left over to get the rectifier, and new bulb, as well as some other supplies to keep us running. I also will use some of this to get RP-35 and some other stuff for setup. I have my eye on it because I am very familiar with Century, and I can get projector two up and running by saving and adding to the money we will have left over. Also I am thinking of keeping the SH-1000 penthouse for now because I do not have the equipment to do an A-chain alignment and I'm happy with it and it works great, the century should fit to it like a glove. Next on my list is a o-scope and RTA after I have both century projectors. I finally will get new sound heads and up-grade my current sound processor. We have BACP reverse scan going into a CP-50 as a pre-amp that goes into a LEXICON DC-2 as the processor.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 05-15-2007 07:53 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
If you want to put the Century on your SH-1000, you'll need to get the non-direct-drive (non-"M") version and the coupling gear. Also consider a rebuilt X-L/PR-1014, which will also work well on the SH-1000.

You'll need a loop of RP-40 (aka PA-35) to cut the aperture plates for whatever you get, plus buzz track, Dolby tone/pink noise, and left-right loops for doing the sound alignment. Oscilloscopes are available cheaply on Ebay, while RTAs are more scarce. With the BACP reader, you can probably get away without the RTA for the A-chain by leaving the HF EQ set to the minimum. It might be cheaper to pay someone to come out and do the sound alignment once or twice per year than to buy all the test films and equipment.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 05-15-2007 08:17 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Kinotons are reasonably close from the factory (soundhead A-chains). Though we often will tweek them in the shop to avoid having to do A-chains in the field (we do this, if time permits regardless of the projection system supplied).

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 05-15-2007 08:29 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I do not share the universal dislike of the SH-1000. I find it to be reliable, solid, and easy to deal with. While wow & flutter are not its strong points, with reasonable maintenance, the roller is not a problem either.I would probably never replace the SH-1000; but if I did, only a Century would be acceptable. Louis

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